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Composer | Opus | Title | Page number | Details | Comments |
Bach, CPE | Essay Sonata No. 1 | Minuetto | 1 | score | |
Bach, CPE | Essay Sonata No. 1 | Minuetto | 2 | analysis | |
Bach, CPE | Essay Sonata No. 1 | Minuetto | 3 | sketch | |
Bach, CPE | Kurze und Leicht Klavierstücke | No. 1 | 1 | analysis | |
Bach, CPE | Kurze und Leicht Klavierstücke | No. 1 | 2 | reduction and analysis | |
Bach, CPE | Kurze und Leicht Klavierstücke | No. 2 | 1 | reduction and analysis | |
Bach, CPE | Kurze und Leicht Klavierstücke | No. 6 | 1 | reduction | |
Bach, CPE | Kurze und Leicht Klavierstücke | No. 15a | 1 | analysis | |
Bach, CPE | Kurze und Leicht Klavierstücke | No. 19 | 1 | analysis | |
Bach, CPE | Kurze und Leicht Klavierstücke | No. 22 | 1 | score | |
Bach, CPE | Kurze und Leicht Klavierstücke | No. 22 | 2 | analysis | |
Bach, JS | Cantata No. 21 | Ich hatte viel Bekümmernis | 1 | score p1 | |
Bach, JS | Cantata No. 21 | Ich hatte viel Bekümmernis | 2 | score p2 | |
Bach, JS | Cantata No. 21 | Ich hatte viel Bekümmernis | 3 | analytic sketch | |
Bach, JS | Cello Suite in E-flat | Prelude | 1 | Voice leading graph (final) | |
Bach, JS | Cello Suite in G major | BWV 1007 | 1 | Voice leading sketch p1 | |
Bach, JS | Cello Suite in G major | BWV 1007 | 2 | Voice leading sketch p2 | |
Bach, JS | Cello Suite in G major | BWV 1007 | 3 | Voice leading sketch p3 | |
Bach, JS | Cello Suite in G major | BWV 1007 | 4 | Voice leading sketch p4 | |
Bach, JS | Cello Suite in G major | BWV 1007 | 5 | Voice leading sketch p5 | |
Bach, JS | Cello Suite in G major | BWV 1007 | 6 | Voice leading sketch p6 | |
Bach, JS | Cello Suite in G major | BWV 1007 | 7 | Voice leading sketch p7 | |
Bach, JS | Cello Suite in G major | BWV 1007 | 8 | Voice leading sketch p8 | |
Bach, JS | Cello Suite in D minor | BWV 1008 | 1 | reduction | |
Bach, JS | Cello Suite in D minor | BWV 1008 | 2 | reduction with sketches | |
Bach, JS | Cello Suite in D minor | BWV 1008 | 3 | reduction with sketches | |
Bach, JS | Cello Suite in D minor | BWV 1008 | 4 | analysis p1 | |
Bach, JS | Cello Suite in D minor | BWV 1008 | 5 | analysis p2 | |
Bach, JS | Chorale No. 5 | 1 | sketch | ||
Bach, JS | Chorale No. 5 | 2 | analysis | ||
Bach, JS | Chorale No. 149 | 1 | Notes | ||
Bach, JS | Chorale No. 271 | 1 | Notes | ||
Bach, JS | English Suite No. 4 in F major | BWV 809 | 1 | Notes | |
Bach, JS | English Suite No. 4 in F major | BWV 809 | 2 | Notes | |
Bach, JS | English Suite No. 4 in F major | BWV 809 | 3 | Notes | |
Bach, JS | English Suite No. 4 in F major | BWV 809 | 4 | Notes | |
Bach, JS | English Suite No. 4 in F major | BWV 809 | 5 | Voice leading graph (final) | |
Bach, JS | French Suite No. 1 in D minor | Sarabande | 1 | Sketch | |
Bach, JS | French Suite No. 1 in D minor | Sarabande | 2 | Condensed Sketch | |
Bach, JS | French Suite No. 1 in D minor | Sarabande | 3 | Sketch | |
Bach, JS | French Suite No. 1 in D minor | Sarabande | 4 | Voice Leading Graph (final) | |
Bach, JS | French Suite No. 2 in C minor | Courante | 1 | marked score p1 | |
Bach, JS | French Suite No. 2 in C minor | Courante | 2 | marked score p2 | |
Bach, JS | French Suite No. 2 in C minor | Courante | 3 | supplementary sketches p1 | |
Bach, JS | French Suite No. 2 in C minor | Courante | 4 | supplementary sketches p2 | |
Bach, JS | French Suite No. 2 in C minor | Courante | 5 | published information p1 | |
Bach, JS | French Suite No. 2 in C minor | Courante | 6 | published information p2 | |
Bach, JS | French Suite No. 2 in C minor | Courante | 7 | analysis p1 | not a finished analysis |
Bach, JS | French Suite No. 2 in C minor | Courante | 8 | analysis p2 | not a finished analysis |
Bach, JS | French Suite No. 2 in C minor | Sarabande | 1 | analysis p1 | |
Bach, JS | French Suite No. 2 in C minor | Sarabande | 2 | analysis p2 | |
Bach, JS | French Suite No. 2 in C minor | Sarabande | 3 | analysis p3 | |
Bach, JS | French Suite No. 2 in C minor | Sarabande | 4 | sketch | |
Bach, JS | French Suite No. 2 in C minor | Menuet | 1 | analytical sketch | |
Bach, JS | French Suite No. 2 in C minor | Menuet | 2 | analysis | |
Bach, JS | French Suite No. 3 in B minor | Menuet | 1 | Notes | |
Bach, JS | French Suite No. 3 in B minor | Menuet | 2 | Notes | |
Bach, JS | French Suite No. 4 in Eb major | Sarabande | 1 | Voice leading graph (final) | Oversized, scanned |
Bach, JS | French Suite No. 4 in Eb major | Sarabande | 2 | Notes | |
Bach, JS | French Suite No. 4 in Eb major | Sarabande | 3 | Notes | |
Bach, JS | French Suite No. 4 in Eb major | Sarabande | 4 | Notes | |
Bach, JS | French Suite No. 4 in Eb major | Sarabande | 5 | Notes | |
Bach, JS | Fugue Subjects | 1 | Correspondence from Lee Rothfarb | ||
Bach, JS | Fugue Subjects | 2 | Notes | ||
Bach, JS | Fugue Subjects | 3 | Notes | ||
Bach, JS | Fugue Subjects | 4 | Notes | ||
Bach, JS | Fugue Subjects | 5 | Notes | ||
Bach, JS | Fugue Subjects | 6 | Notes | ||
Bach, JS | Little Preludes | Prelude in C major 924 | 1 | Preface p1 | |
Bach, JS | Little Preludes | Prelude in C major 924 | 2 | Preface p2 | |
Bach, JS | Little Preludes | Prelude in C major 924 | 3 | Voice Leading Sketch | |
Bach, JS | Little Preludes | Prelude in C major 924 | 4 | Sequences | |
Bach, JS | Little Preludes | Prelude in C major 924 | 5 | Voice Leading Graph (print) | |
Bach, JS | Little Preludes | Prelude in A minor 931 | 1 | Information about the Prelude | |
Bach, JS | Little Preludes | Prelude in A minor 931 | 2 | Voice Leading Graph | |
Bach, JS | Little Preludes | Prelude in A minor 931 | 3 | Old voice leading graph | |
Bach, JS | Little Preludes | Prelude in A minor 931 | 4 | Sketch | |
Bach, JS | Little Preludes | Prelude in A minor 931 | 5 | Sketch | |
Bach, JS | Little Preludes | Prelude in A minor 931 | 6 | Voice Leading Graph | |
Bach, JS | Little Preludes | Prelude in A minor 931 | 7 | Voice Leading Graph (final) | |
Bach, JS | Little Preludes | Prelude in A minor 931 | 8 | Transparency | |
Bach, JS | Little Preludes | Prelude in C minor 934 | 1 | Revised Voice Leading Graph | |
Bach, JS | Little Preludes | Prelude in C minor 934 | 2 | Voice Leading Graph | |
Bach, JS | Little Preludes | Prelude in C minor 934 | 3 | Notes | |
Bach, JS | Inventio No. 4 in D minor | BWV 775 | 1 | Voice Leading Sketch p1 | |
Bach, JS | Inventio No. 4 in D minor | BWV 775 | 2 | Voice Leading Sketch p2 | |
Bach, JS | Inventio No. 4 in D minor | BWV 775 | 3 | Voice Leading Sketch p3 | |
Bach, JS | Inventio No. 4 in D minor | BWV 775 | 4 | Voice Leading Sketch p4 | |
Bach, JS | Inventio No. 4 in D minor | BWV 775 | 5 | Marked Score | |
Bach, JS | Inventio No. 4 in D minor | BWV 775 | 6 | Hand-Copied Score | |
Bach, JS | Inventio No. 4 in D minor | BWV 775 | 7 | Voice Leading Graph | |
Bach, JS | Inventio No. 5 in Eb major | BWV 776 | 1 | Oversized 1 | |
Bach, JS | Inventio No. 5 in Eb major | BWV 776 | 2 | oversized 2 | |
Bach, JS | Inventio No. 5 in Eb major | BWV 776 | 3 | M. MacLeon | student analysis |
Bach, JS | Inventio No. 8 in F major | BWV 779 | 1 | Analysis | |
Bach, JS | Orchestral Suite No. 3 in D major | Air | 1 | Preface | |
Bach, JS | Orchestral Suite No. 3 in D major | Air | 2 | Sketch | |
Bach, JS | Orchestral Suite No. 3 in D major | Air | 3 | Sketch | |
Bach, JS | Orchestral Suite No. 3 in D major | Air | 4 | Score and Sequences | |
Bach, JS | Orchestral Suite No. 3 in D major | Air | 5 | Score and Sequences | |
Bach, JS | Sinfonia No. 15 in B minor | BWV 801 | 1 | Rhythmic Aspects | |
Bach, JS | Sinfonia No. 15 in B minor | BWV 801 | 2 | Notes | |
Bach, JS | Sinfonia No. 15 in B minor | BWV 801 | 3 | Notes | |
Bach, JS | Sinfonia No. 15 in B minor | BWV 801 | 4 | Voice leading graph (left side) | |
Bach, JS | Sinfonia No. 15 in B minor | BWV 801 | 5 | Voice leading graph (right side) | |
Bach, JS | Violin Partita No. 1 in B minor | Bourreé | 1 | analysis | |
Bach, JS | Violin Partita No. 1 in B minor | Sarabande | 1 | reductions | |
Bach, JS | Violin Partita No. 1 in B minor | Sarabande | 2 | analysis | |
Bach, JS | Violin Sonata No. 1 in G minor | Presto | 1 | intervallic patterns | |
Bach, JS | Violin Sonata No. 1 in G minor | Presto | 2 | sketch | |
Bach, JS | WTC I, Prelude 2 in C minor | BWV 847 | 1 | Sequences and Voice Leading | |
Bach, JS | WTC I, Prelude 2 in C minor | BWV 847 | 2 | Voice Leading Graph (final) | |
Bach, JS | WTC I, Prelude No. 7 in E-flat major | BWV 852 | 1 | Voice Leading Graph | |
Bach, JS | WTC I, Prelude No. 7 in E-flat major | BWV 852 | 2 | Marked Score p1 | |
Bach, JS | WTC I, Prelude No. 7 in E-flat major | BWV 852 | 3 | Marked Score p2 | |
Bach, JS | WTC I, Prelude 23 in B major | BWV 868 | 1 | Notes on Sequences | |
Bach, JS | WTC I, Prelude 23 in B major | BWV 868 | 2 | Examples of voice exchanges | |
Bach, JS | WTC I, Prelude 23 in B major | BWV 868 | 3 | Sequences and Voice Exchanges | |
Bach, JS | WTC II, Fugue 7 in Eb major | BWV 876 | 1 | Marked Score p1 | |
Bach, JS | WTC II, Fugue 7 in Eb major | BWV 876 | 2 | Marked Score p2 | |
Bach, JS | WTC II, Fugue 7 in Eb major | BWV 876 | 3 | Discussion Questions | |
Bach, JS | WTC II, Fugue 7 in Eb major | BWV 876 | 4 | Subjects | |
Bach, JS | WTC II, Fugue 7 in Eb major | BWV 876 | 5 | Sequential Episodes | |
Bach, JS | WTC II, Fugue 7 in Eb major | BWV 876 | 6 | First Accompanied Subject Entry | |
Bach, JS | WTC II, Fugue 7 in Eb major | BWV 876 | 7 | Notes | |
Bach, JS | WTC II, Fugue 7 in Eb major | BWV 876 | 8 | First Accompanied Subject Entry (print) | |
Bach, JS | WTC II, Prelude 12 in F minor | 1 | Analysis, 1/2 | ||
Bach, JS | WTC II, Prelude 12 in F minor | 2 recto | Analysis, 2/2 | ||
Bach, JS | WTC II, Prelude 12 in F minor | 2 verso | Notes on bass | ||
Bach, JS | WTC II, Prelude 12 in F minor | 3 | Notes | ||
Bach, JS | WTC II, Prelude 12 in F minor | unscanned | unmarked score copies | ||
Barber | Lecture on the Music of Barber | 19 page PDF | Academy of Music, Wroclaw 2003 | ||
Bartok | Duke Bluebeard's castle | 1 | typed notes | ||
Bartok | Duke Bluebeard's castle | 2 | pencil notes | ||
Bartok | Duke Bluebeard's castle | 67 page PDF of marked score (complete) | |||
Bartok | Op. 6/1 | Bagatelles | 1 | According to.. | |
Bartok | Op. 6/1 | Bagatelles | 2 | Mini- long | From Random folder |
Bartok | Op. 6/2 | Bagatelles | 1 | According to.. | |
Bartok | Op. 6/2 | Bagatelles | 2 | Oversized | from random folder |
Bartok | Op. 6/8 | Bagatelles | 1 | Oversized | |
Bartok | Op. 6/8 | Bagatelles | 2 | Exs 7.3 | |
Bartok | Op. 6/8 | Bagatelles | 3 | Exs 7.4 | |
Bartok | Op. 6/8 | Bagatelles | 4 | Exs 7.5 | |
Bartok | Op. 6/8 | Bagatelles | 5 | exs 7.6,7.1 | |
Bartok | Op. 6/8 | Bagatelles | 6 | exs 7.2 | |
Bartok | Op. 6/8 | Bagatelles | 7 | exs 7.7 | |
Bartok | Op. 6/8 | Bagatelles | 8 | exs 7.1 | |
Bartok | Op. 6/8 | Bagatelles | unscanned | unmarked score | |
Bartok | Op. 6/8 | Bagatelles | 9 | generator set | |
Bartok | Op. 6/8 | Bagatelles | 10 | Piece is in G minor | |
Bartok | Op. 6/8 | Bagatelles | 11 | Yuri Kholopov | |
Bartok | Op. 6/9 | Bagatelles | 1 | Mini | |
Bartok | Op. 6/9 | Bagatelles | 2 | Handwritten notes | |
Bartok | Op. 6/9 | Bagatelles | unscanned | Unmarked score | |
Bartok | Op. 6/9 | Bagatelles | 3 | Oversized | |
Bartok | First Quartet, 3rd mvmt, intro | Bartok_1stQuartet_III_Intro_p | 1 | Oversized | |
Bartok | First Quartet, 3rd mvmt, intro | 2 | Oversized worksheet- "My copy" | ||
Bartok | First Quartet, 3rd mvmt, intro | 3 | Oversized- sketch | ||
Bartok | First Quartet, 3rd mvmt, intro | 4 | Oversized- typed | ||
Bartok | First Quartet, 3rd mvmt, intro | 5 | Oversized- typed | ||
Bartok | First Quartet, 3rd mvmt, intro | 6 | musical illustrations͙ | ||
Bartok | First Quartet, 3rd mvmt, intro | 7 | use as an example͙ | ||
Bartok | First Quartet, 3rd mvmt, intro | 8 | PC set counterpoint | ||
Bartok | First Quartet, 3rd mvmt, intro | 9recto | PC notes- pen m21 | ||
Bartok | First Quartet, 3rd mvmt, intro | 9verso | Pc notes- m18 | ||
Bartok | First Quartet, 3rd mvmt, intro | 10 | Notes | ||
Bartok | First Quartet, 3rd mvmt, intro | 11 | Annotated copy of p. 1 | ||
Bartok | First Quartet, 3rd mvmt, intro | 12 | Annotated copy of p. 3 | ||
Bartok | Fourth Quartet, IV | 1a | Really Long, Left | ||
Bartok | Fourth Quartet, IV | 1b | Really Long, Right | ||
Bartok | Fourth Quartet, IV | 2 | My PNM | ||
Bartok | Fourth Quartet, IV | 3 | Subsets | ||
Bartok | Fourth Quartet, IV | 4 | Rhythm-Pitch correspondence | ||
Bartok | Fourth Quartet, IV | 5 | p. 2 | ||
Bartok | Fourth Quartet, IV | 6 | VL Graph p 1/2 | ||
Bartok | Fourth Quartet, IV | 7 | p 2/2 | ||
Bartok | Fourth Quartet, IV | 8 | Wheaton 1/4 | ||
Bartok | Fourth Quartet, IV | 9 | Wheaton 2/4 | ||
Bartok | Fourth Quartet, IV | 10 | Wheaton 3/4 | ||
Bartok | Fourth Quartet, IV | 11 | Wheaton 4/4 | ||
Bartok | Fourth Quartet, IV | 12 | Hermann, 1/3 | ||
Bartok | Fourth Quartet, IV | 13 | Hermann, 2/3 | ||
Bartok | Fourth Quartet, IV | 14 | Hermann, 3/3 | ||
Bartok | Piano Sonata, II (1926) | 1 | Marked score p. 1 | ||
Bartok | Piano Sonata, II (1926) | 2 | landscape format notes | ||
Bartok | Piano Sonata, II (1926) | 3 | score, p. 2 | ||
Bartok | Piano Sonata, II (1926) | 4 | score, p. 3 | ||
Bartok | Op. | 14/4 | Piano Suite, Last mvt. | 1 | Oversized |
Bartok | Op. | 14/4 | Piano Suite, Last mvt. | 2 | Oversized, cont'd |
Bartok | Op. | 14/4 | Piano Suite, Last mvt. | 3 | Rhythmic features |
Bartok | Op. | 14/4 | Piano Suite, Last mvt. | 4 | Notes, typed |
Bartok | Op. | 14/4 | Piano Suite, Last mvt. | 5 | Tetrachordal voice-leading |
Bartok | Op. | 14/4 | Piano Suite, Last mvt. | 6 | examples of generative procedure |
Bartok | Op. | 14/4 | Piano Suite, Last mvt. | 7 | Khs |
Bartok | Op. | 14/4 | Piano Suite, Last mvt. | 8 | Sketch 1 |
Bartok | Op. | 14/4 | Piano Suite, Last mvt. | 9 | Sketch 2 |
Bartok | Op. | 14/4 | Piano Suite, Last mvt. | 10 | Sketch 1, p. 2 |
Bartok | Op. | 14/4 | Piano Suite, Last mvt. | 11 | Marked score, p. 1 |
Bartok | Op. | 14/4 | Piano Suite, Last mvt. | 12 | p. 2 |
Bartok | Op. | 14/4 | Piano Suite, Last mvt. | unscanned | Unmarked score copies, copy p. 2 |
Beethoven | Op. | 2/1 | Piano Sonata in F minor, Menuetto | 1 | reference |
Beethoven | Op. | 2/1 | Piano Sonata in F minor, Menuetto | 2 | analysis p1 |
Beethoven | Op. | 2/1 | Piano Sonata in F minor, Menuetto | 3 | analysis p2 |
Beethoven | Op. | 2/1 | Piano Sonata in F minor, Menuetto | 4 | analytic sketch |
Beethoven | Op. | 2/1 | Piano Sonata in F minor, Menuetto | 5 | reduction |
Beethoven | Op. | 7 | Piano Sonata in E-flat major, II | 1 | rough analytical sketch p1 |
Beethoven | Op. | 7 | Piano Sonata in E-flat major, II | 2 | rough analytical sketch p2 |
Beethoven | Op. | 7 | Piano Sonata in E-flat major, III | 1 | analysis p1 |
Beethoven | Op. | 7 | Piano Sonata in E-flat major, III | 2 | analysis p2 |
Beethoven | Op. | 7 | Piano Sonata in E-flat major, III | 3 | analysis p3 |
Beethoven | Op. | 10/1 | Piano Sonata No. 5 in C minor, III | 1 | sketch |
Beethoven | Op. | 10/1 | Piano Sonata No. 5 in C minor, III | 2 | final analysis p1 |
Beethoven | Op. | 10/1 | Piano Sonata No. 5 in C minor, III | 3 | final analysis p2 |
Beethoven | Op. | 10/1 | Piano Sonata No. 5 in C minor, III | 4 | final analysis p3 |
Beethoven | Op. | 10/1 | Piano Sonata No. 5 in C minor, III | 5 | final analysis p4 |
Beethoven | Op. | 10/1 | Piano Sonata No. 5 in C minor, III | 6 | final analysis p5 |
Beethoven | Op. | 13 | Piano Sonata No. 8 in C minor, III | 1 | oversized p. 1 |
Beethoven | Op. | 13 | Piano Sonata No. 8 in C minor, III | 2 | oversized p. 2 |
Beethoven | Op. | 13 | Piano Sonata No. 8 in C minor, III | 3 | oversized p. 3 |
Beethoven | Op. | 13 | Piano Sonata No. 8 in C minor, III | 4 | oversized p. 4 |
Beethoven | Op. | 13 | Piano Sonata No. 8 in C minor, III | 5 | Marked score, 1/7 |
Beethoven | Op. | 13 | Piano Sonata No. 8 in C minor, III | 6 | Marked score, 2/7 |
Beethoven | Op. | 13 | Piano Sonata No. 8 in C minor, III | 7 | Marked score, 3/7 |
Beethoven | Op. | 13 | Piano Sonata No. 8 in C minor, III | 8 | Marked score, 4/7 |
Beethoven | Op. | 13 | Piano Sonata No. 8 in C minor, III | 9 | Marked score, 5/7 |
Beethoven | Op. | 13 | Piano Sonata No. 8 in C minor, III | 10 | Marked score, 6/7 |
Beethoven | Op. | 13 | Piano Sonata No. 8 in C minor, III | 11 | Marked score, 7/7 |
Beethoven | Op. | 13 | Piano Sonata No. 8 in C minor, III | 12 | Sketches mm 25-95 |
Beethoven | Op. | 14/1 | Piano Sonata No. 9 in E major, Mvt. I | 1 | development sketch |
Beethoven | Op. | 14/1 | Piano Sonata No. 9 in E major, Mvt. I | 2 | closing theme sketch |
Beethoven | Op. | 14/1 | Piano Sonata No. 9 in E major, Mvt. I | 3 | final analysis p1 |
Beethoven | Op. | 14/1 | Piano Sonata No. 9 in E major, Mvt. I | 4 | final analysis p2 |
Beethoven | Op. | 14/1 | Piano Sonata No. 9 in E major, Mvt. II | 1 | marked sketch |
Beethoven | Op. | 14/1 | Piano Sonata No. 9 in E major, Mvt. II | 2 | print analysis |
Beethoven | Op. | 14/1 | Piano Sonata No. 9 in E major, Mvt. II | 3 | analysis p1 |
Beethoven | Op. | 14/1 | Piano Sonata No. 9 in E major, Mvt. II | 4 | analysis p2 |
Beethoven | Op. | 14/1 | Piano Sonata No. 9 in E major, Mvt. II | 5 | motivic sketch |
Beethoven | Op. | 14/1 | Piano Sonata in E major: Oster-Schachter Talk | 1 | sketch |
Beethoven | Op. | 14/1 | Piano Sonata in E major: Oster-Schachter Talk | 2 | Schachter Talk examples p1 |
Beethoven | Op. | 14/1 | Piano Sonata in E major: Oster-Schachter Talk | 3 | Schachter Talk examples p2 |
Beethoven | Op. | 14/1 | Piano Sonata in E major: Oster-Schachter Talk | 4 | Schachter Talk examples p3 |
Beethoven | Op. | 14/1 | Piano Sonata in E major: Oster-Schachter Talk | 5 | Schachter Talk examples p4 |
Beethoven | Op. | 14/1 | Piano Sonata in E major: Oster-Schachter Talk | 6 | Schachter Talk examples p5 |
Beethoven | Op. | 14/1 | Piano Sonata in E major: Oster-Schachter Talk | 7 | Schachter Talk examples p6 |
Beethoven | Op. | 14/1 | Piano Sonata No. 9 in E major: Sketches | 1 | notes |
Beethoven | Op. | 14/1 | Piano Sonata No. 9 in E major: Sketches | 2 | Beethoven's Sketches p1 |
Beethoven | Op. | 14/1 | Piano Sonata No. 9 in E major: Sketches | 3 | Beethoven's Sketches p2 |
Beethoven | Op. | 14/1 | Piano Sonata No. 9 in E major: Sketches | 4 | Beethoven's Sketches p3 |
Beethoven | Op. | 18/1 mvt. 1 | LVB_Op18no1_mvt1_p | 1 | mini- red pencil |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 2 | Transcription- Genesis of the. 1 |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 3 | typed notes describing p. 2 |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 4 | Long- "changes in dynamics" at bottom |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 5 | Folio 37r |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 6 | Folio 37v |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 7 | Folio 38r |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 8 | Folio 38v |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 9 | Folio 39r |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 10 | Folio 39v |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | unscanned | Copy of article from Zweite Beethoveniana |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 11 | Letter to Martha |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 12 | Oversized- Theme Elements |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 13 | Dev. Reconstruction of second version |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 14LH | Oversized- "Final Version" |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 14RH | Oversized- "Final Version" |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 15 | Detailed sketch of exp, 2nd v |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 16 | Fgd melody |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 17 | Condensed sketch of exp. |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 18 | 1st v bar 68-86 |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 19 | mini- th. 2 |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 20r | notes, m. 72 |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 20v | scratched out notes |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 21 | mm. 218-275 |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 22 | Summary comparison of the 2 dev sects. |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 23LH | Oversized- Comparison of 2 dev sects. |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 23RH | Oversized- Comparison of 2 dev sects. |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 24r | mini- reprise, m 179f |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 24v | Stravinsky scratched out |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 25r | unabled notes- sparser |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 25v | unlabled noes- denser |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 26 | Reprise, 2nd v |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 27 | Reprise, 1st v |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 28 | Reprise bars 179-313 |
Beethoven | Op. | 18/1 mvt. 1 | F Major Quartet | 29 | Coda |
Beethoven | Op. | 18/1 mvt. 1 | Sketches of mvt. 1 | 1 | complete list of known sketches |
Beethoven | Op. | 18/1 mvt. 1 | Sketches of mvt. 1 | 2 | sketch (letter size) |
Beethoven | Op. | 18/1 mvt. 1 | Sketches of mvt. 1 | 3 | sketch (legal size) p1 |
Beethoven | Op. | 18/1 mvt. 1 | Sketches of mvt. 1 | 4 | sketch (legal size) p2 |
Beethoven | Op. | 18/1 mvt. 1 | Sketches of mvt. 1 | 5 | sketch (legal size) p3 |
Beethoven | Op. | 18/1 mvt. 1 | Sketches of mvt. 1 | 6 | sketch (legal size) p4 |
Beethoven | Op. | 18/1 mvt. 1 | Sketches of mvt. 1 | 7 | sketch (legal size) p5 |
Beethoven | Op. | 18/1 mvt. 1 | Sketches of mvt. 1 | 8 | sketch (legal size) p6 |
Beethoven | Op. | 18/1 mvt. 1 | Sketches of mvt. 1 | 9 | sketch (legal size) p7 |
Beethoven | Op. | 18/1 mvt. 1 | Sketches of mvt. 1 | 10 | sketch (legal size) p8 |
Beethoven | Op. | 18/1 mvt. 1 | Sketches of mvt. 1 | 11 | sketch (legal size) p9 |
Beethoven | Op. | 18/1 mvt. 1 | Sketches of mvt. 1 | 12 | sketch (legal size) p11 |
Beethoven | Op. | 24/1 | Spring Sonata | 1 | Sketches in blue pen |
Beethoven | Op. | 24/1 | Spring Sonata | 2 | Letter Oster-Forte |
Beethoven | Op. | 24/1 | Spring Sonata | 3 | Coda |
Beethoven | Op. | 24/1 | Spring Sonata | 4 | Reprise |
Beethoven | Op. | 24/1 | Spring Sonata | 5 | Development |
Beethoven | Op. | 24/1 | Spring Sonata | 6 | Transcription of Landsberg Sketches |
Beethoven | Op. | 24/1 | Spring Sonata | 7 | Synthesis of passage |
Beethoven | Op. | 24/1 | Spring Sonata | 8 | Typed notes on Landsberg |
Beethoven | Op. | 24/1 | Spring Sonata | 9 | Pen notes on Landsberg p17 |
Beethoven | Op. | 24/1 | Spring Sonata | 10 | Pen notes on Landsberg p57 |
Beethoven | Op. | 24/1 | Spring Sonata | 11 | pen sketches |
Beethoven | Op. | 24/1 | Spring Sonata | 12 | Reprise |
Beethoven | Op. | 28 | Piano Sonata No. 15 in D major, Scherzo | 1 | rough analytical sketch p1 |
Beethoven | Op. | 28 | Piano Sonata No. 15 in D major, Scherzo | 2 | rough analytical sketch p2 |
Beethoven | Op. | 28 | Piano Sonata No. 15 in D major, Scherzo | 3 | analysis by Jeanne Swack p1 |
Beethoven | Op. | 28 | Piano Sonata No. 15 in D major, Scherzo | 4 | analysis by Jeanne Swack p2 |
Beethoven | Op. | 33 | Seven Bagatelles for Piano, No. 6 | 1 | sketch |
Beethoven | Op. | 33 | Seven Bagatelles for Piano, No. 6 | 2 | sketch |
Beethoven | Op. | 33 | Seven Bagatelles for Piano, No. 6 | 3 | class errors |
Beethoven | Op. | 33 | Seven Bagatelles for Piano, No. 6 | 4 | print discussion (in German) |
Beethoven | Op. | 33 | Seven Bagatelles for Piano, No. 6 | 5 | score |
Beethoven | Op. | 33 | Seven Bagatelles for Piano, No. 6 | 6 | analysis |
Beethoven | Op. | 119, No. 8 | Eleven Bagatelles for Piano | 1 | analysis |
Beethoven | Op. | 119, No. 8 | Eleven Bagatelles for Piano | 2 | sketch |
Beethoven | Op. | 119, No. 8 | Eleven Bagatelles for Piano | 3 | sketch |
Beethoven | Op. | 126, No. 6 | Six Bagatelles for Piano | 1 | analysis p1 |
Beethoven | Op. | 126, No. 6 | Six Bagatelles for Piano | 2 | analysis p2 |
Beethoven | Op. | 126, No. 6 | Six Bagatelles for Piano | 3 | analysis p3 |
Beethoven | Op. | 126, No. 6 | Six Bagatelles for Piano | 4 | analysis by J. Schmalfeldt p1 |
Beethoven | Op. | 126, No. 6 | Six Bagatelles for Piano | 5 | analysis by J. Schmalfeldt p2 |
Beethoven | Op. | 130, No. 5 | Cavatina | 1 | Analysis, 1/2 |
Beethoven | Op. 130, No. 5 | Cavatina | 2 | Analysis, 2/2 | Oversized, scanned |
Beethoven | Symphony II, Larghetto | 1 | VL Graph p 1/2 | Oversized, scanned | |
Beethoven | Symphony II, Larghetto | 2 | VL 2/2 | Oversized, scanned | |
Beethoven | Symphony II, Larghetto | 3 | m. 33 | ||
Beethoven | Symphony II, Larghetto | 4 | m. 48 | ||
Beethoven | Symphony II, Larghetto | 5 | Notes | ||
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 1a | Oversized, 1/3 left side | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 1b | Oversized, 1/3 right side | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 2a | Oversized, 2/3 left side | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 2b | Oversized, 2/3 right side | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 3a | Oversized, 3/3 left side | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 3b | Oversized, 3/3 right side | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 4 | Oster 1/3 | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 5 | Oster 2/3 | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 6 | Oster 3/3 | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 7 | Mini notes | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 8 | mm 243-279 | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 9 | Pastoral Symph. Sketchbook | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 10 | For Discussion notes | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 11 | Marked Score, 1/7 | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 12 | " 2/7 | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 13 | " 3/7 | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 14 | "4/7 | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 15 | " 5/7 | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 16 | " 6/7 | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 17 | " 7/7 | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 18 | mm 48-506 | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 19 | Notes p.5v | Minis start here |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 20 | Devlopment 98 | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 21 | Development v. A | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 22 | Development v. B | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 23 | Development v. C | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 24 | Sketch for closing theme | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 25 | mm 151-312 | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 26 | Duration of "harmonies" | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 27 | Notes, P L | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 28 | Scratched out notes | |
Beethoven | Symphony VI, mvt I | Pastoral, Op 68 | 29 | Unlabled notes | |
Beethoven | Intro to Symphony VII | 1 | Forte's analysis | Oversized, scanned | |
Beethoven | Intro to Symphony VII | 2 | Marshall 1/2 | ||
Beethoven | Intro to Symphony VII | 3 | Marshall, 2/2 | ||
Beethoven | Intro to Symphony VII | 4 | Berkovitz, 1/2 | ||
Beethoven | Intro to Symphony VII | 5 | Berkovitz, 2/2 | ||
Berg | Op. 1 Sonate fuer Klavier | Lecture: Berg's 1st Atonal Composition | 29 page PDF | ||
Berg | Op. 1 Sonate fuer Klavier | Lecture: A Landmark in Early 20th c. Music | 13 page PDF | ||
Berg | Op. 1 Sonate fuer Klavier | Correspondence and Keynote Address | 18 page PDF | ||
Berg | Op. 1 Sonate fuer Klavier | Lecture Draft | 14 page PDF | ||
Berg | Op. 1 Sonate fuer Klavier | Notes on the Lecture | 1 | typed notes p1 | |
Berg | Op. 1 Sonate fuer Klavier | Notes on the Lecture | 2 | typed notes p2 | |
Berg | Op. 1 Sonate fuer Klavier | Notes on the Lecture | 3 | typed notes p3 | |
Berg | Op. 1 Sonate fuer Klavier | Notes on the Lecture | 4 | typed notes p4 | |
Berg | Op. 1 Sonate fuer Klavier | Notes on the Lecture | 5 | typed notes p5 | |
Berg | Op. 1 Sonate fuer Klavier | Notes on the Lecture | 6 | typed notes p6 | |
Berg | Op. 1 Sonate fuer Klavier | Notes on the Lecture | 7 | handwritten notes p1 | |
Berg | Op. 1 Sonate fuer Klavier | Notes on the Lecture | 8 | handwritten notes p2 | |
Berg | Op. 1 Sonate fuer Klavier | Notes on the Lecture | 9 | handwritten notes p3 | |
Berg | Op. 1 Sonate fuer Klavier | Notes on the Lecture | 10 | handwritten notes p4 | |
Berg | Op. 1 Sonate fuer Klavier | Notes on the Lecture | 11 | handwritten notes p5 | |
Berg | Op. 1 Sonate fuer Klavier | Notes on the Lecture | 12 | handwritten notes p6 | |
Berg | Op. 1 Sonate fuer Klavier | Notes on the Lecture | 13 | handwritten notes p7 | |
Berg | Op. 1 Sonate fuer Klavier | Notes on the Lecture | 14 | handwritten notes p8 | |
Berg | Op. 1 Sonate fuer Klavier | Notes on the Lecture | 15 | handwritten notes p9 | |
Berg | Op. 1 Sonate fuer Klavier | Notes on the Lecture | 16 | handwritten notes p10 | |
Berg | Op. 1 Sonate fuer Klavier | Notes on the Lecture | 17 | sketches p1 | |
Berg | Op. 1 Sonate fuer Klavier | Notes on the Lecture | 18 | sketches p2 | |
Berg | Op. 1 Sonate fuer Klavier | Notes on the Lecture | 19 | sketches p3 | |
Berg | Op. 1 Sonate fuer Klavier | Notes on the Lecture | 20 | sketches p4 | |
Berg | Op. 2/3 | Nun ich der Riesen Staerksten | 1 | marked score | |
Berg | Op. 2/3 | Nun ich der Riesen Staerksten | 2 | marked score | |
Berg | Op. 2/4 | Warm die Luefte | 1 | motives and excerpts p1 | |
Berg | Op. 2/4 | Warm die Luefte | 2 | motives and excerpts p2 | |
Berg | Op. 2/4 | Warm die Luefte | 3 | motives and excerpts p3 | |
Berg | Op. 2/4 | Warm die Luefte | 4 | forms of 4-16 | |
Berg | Op. 2/4 | Warm die Luefte | 5 | inventory of pitch-class sets | |
Berg | Op. 2/4 | Warm die Luefte | 6 | inventory of pitch-class sets | |
Berg | Op. 2/4 | Warm die Luefte | 7 | inventory of pitch-class sets | |
Berg | Op. 2/4 | Warm die Luefte | 8 | inventory of pitch-class sets | |
Berg | Op. 2/4 | Warm die Luefte | 9 | inventory of pitch-class sets | |
Berg | Op. 2/4 | Warm die Luefte | 10 | genera matrix | |
Berg | Op. 2/4 | Warm die Luefte | 11 | new modes of linear analysis | |
Berg | Op. 2/4 | Warm die Luefte | 12 | Abstract | |
Berg | Op. 2/4 | Warm die Luefte | 13 | Readings | |
Berg | Op. 2/4 | Warm die Luefte | 14 | Inventory sketch | |
Berg | Op. 2/4 | Warm die Luefte | 15 | Vertical-Horizontal Relations p1 | |
Berg | Op. 2/4 | Warm die Luefte | 16 | Vertical-Horizontal Relations p2 | |
Berg | Op. 2/4 | Warm die Luefte | 17 | Vertical-Horizontal Relations p3 | |
Berg | Op. 2/4 | Warm die Luefte | 18 | Vertical-Horizontal Relations p4 | |
Berg | Op. | 2/4 (Miscellaneous Materials) | Warm die Luefte | 1 | Short Lecture p1 |
Berg | Op. | 2/4 (Miscellaneous Materials) | Warm die Luefte | 2 | Short Lecture p2 |
Berg | Op. | 2/4 (Miscellaneous Materials) | Warm die Luefte | 3 | Short Lecture p3 |
Berg | Op. | 2/4 (Miscellaneous Materials) | Warm die Luefte | 4 | Short Lecture p4 |
Berg | Op. | 2/4 (Miscellaneous Materials) | Warm die Luefte | 5 | handwritten examples p1 |
Berg | Op. | 2/4 (Miscellaneous Materials) | Warm die Luefte | 6 | handwritten examples p2 |
Berg | Op. | 2/4 (Miscellaneous Materials) | Warm die Luefte | 7 | handwritten examples p3 |
Berg | Op. | 2/4 (Miscellaneous Materials) | Warm die Luefte | 8 | score and text p1 |
Berg | Op. | 2/4 (Miscellaneous Materials) | Warm die Luefte | 9 | score and text p2 |
Berg | Op. | 2/4 (Old Notes) | Warm die Luefte | 1 | sets |
Berg | Op. | 2/4 (Old Notes) | Warm die Luefte | 2 | unary transformations p1 |
Berg | Op. | 2/4 (Old Notes) | Warm die Luefte | 3 | unary transformations p2 |
Berg | Op. | 2/4 (Old Notes) | Warm die Luefte | 4 | example A: relations |
Berg | Op. | 2/4 (Old Notes) | Warm die Luefte | 5 | example B: relations |
Berg | Op. | 2/4 (Old Notes) | Warm die Luefte | 6 | example C: relations |
Berg | Op. | 2/4 (Old Notes) | Warm die Luefte | 7 | example D: relations |
Berg | Op. | 2/4 (Old Notes) | Warm die Luefte | 8 | example E: relations |
Berg | Op. | 2/4 (Old Notes) | Warm die Luefte | 9 | example F: relations |
Berg | Op. | 2/4 (Old Notes) | Warm die Luefte | 10 | example W: relations |
Berg | Op. | 2/4 (Old Notes) | Warm die Luefte | 11 | example Z: relations |
Berg | Op. | 2/4 (Old Notes) | Warm die Luefte | 12 | unary transformations p3 |
Berg | Op. | 2/4 (Old Notes) | Warm die Luefte | 13 | generator set 4-16 |
Berg | Op. | 2/4 (Old Notes) | Warm die Luefte | 14 | unary transformations p4 |
Berg | Op. | 2/4 (Old Notes) | Warm die Luefte | 15 | inventory of pitch class sets |
Berg | Op. | 2/4 (Old Notes) | Warm die Luefte | 16 | list of sets p1 |
Berg | Op. | 2/4 (Old Notes) | Warm die Luefte | 17 | list of sets p2 |
Berg | Op. | 2/4 (Old Notes) | Warm die Luefte | 18 | list of sets p3 |
Berg | Op. | 3/1 | String Quartet | 1 | Lage scale sets |
Berg | Op. | 3/1 | String Quartet | 2 | Lage scale sets 2 |
Berg | Op. | 3/1 | String Quartet | 3 | Notes on 6-21 |
Berg | Op. | 3/2 | String Quartet | 1 | Krebs 1/4 |
Berg | Op. | 3/2 | String Quartet | 2 | Krebs 2/4 |
Berg | Op. | 3/2 | String Quartet | 3 | Krebs 3/4 |
Berg | Op. | 3/2 | String Quartet | 4 | Krebs 4/4 |
Berg | Op. | 3/2 | String Quartet | 5 | notes |
Berg | Op. | 4/2 | Altenberg Lieder | 1 | Marked Score |
Berg | Op. | 4/2 | Altenberg Lieder | 2 | Set-Complex |
Berg | Op. | 4/2 | Altenberg Lieder | 3 | Opening Vocal Phrases |
Berg | Op. | 4/2 | Altenberg Lieder | 4 | |
Berg | Op. | 4/2 | Altenberg Lieder | 5 | Comments |
Berg | Op. | 4/2 | Altenberg Lieder | not scanned | Graph paper notes |
Berg | Op. | 4/2 | Altenberg Lieder | 6 | Notes |
Berg | Op. | 4/2 | Altenberg Lieder | 7 | Sets final draft |
Berg | Op. | 4/2 | Altenberg Lieder | 8 | Notes, (Mosaic) |
Berg | Op. | 4/2 | Altenberg Lieder | 9 | Regular Expansions |
Berg | Op. | 4/2 | Altenberg Lieder | 10 | Proportions |
Berg | Op. | 4/2 | Altenberg Lieder | 11 | Attack time 1/3 |
Berg | Op. | 4/2 | Altenberg Lieder | 12 | Attack time 2/3 |
Berg | Op. | 4/2 | Altenberg Lieder | 13 | Attack time 3/3 |
Berg | Op. | 4/2 | Altenberg Lieder | 14 | Oversized (data errors?) |
Berg | Op. | 4/2 | Altenberg Lieder | 15 | Set complexes |
Berg | Op. | 4/2 | Altenberg Lieder | 16 | Oversized (P3 output) |
Berg | Op. | 4/2 | Altenberg Lieder | 17 | Notes, part 2 |
Berg | Op. | 4/2 | Altenberg Lieder | 18 | 68 time points |
Berg | Op. | 4/2 | Altenberg Lieder | 19 | Annotated score |
Berg | Op. | 4/3 | Altenberg Lieder | 1 | Similarity relations |
Berg | Op. | 4/3 | Altenberg Lieder | 2 | Set complex relations |
Berg | Op. | 4/3 | Altenberg Lieder | 3 | derivations, etc |
Berg | Op. | 4/3 | Altenberg Lieder | 4 | order relations |
Berg | Op. | 4/3 | Altenberg Lieder | 5 | mini notes |
Berg | Op. | 4/3 | Altenberg Lieder | 6 | notes |
Berg | Op. | 4/3 | Altenberg Lieder | 7 | Separate lines notes |
Berg | Op. | 4/3 | Altenberg Lieder | 8 | notes |
Berg | Op. | 4/3 | Altenberg Lieder | 9 | notes |
Berg | Op. | 5/1 | Vier Stücke für Klarinette und Klavier | 1 | sketch p1 |
Berg | Op. | 5/1 | Vier Stücke für Klarinette und Klavier | 2 | sketch p2 |
Berg | Op. | 5/1 | Vier Stücke für Klarinette und Klavier | 3 | sketch p3 |
Berg | Op. | 5/1 | Vier Stücke für Klarinette und Klavier | 4 | sketch p4 |
Berg | Op. | 5/1 | Vier Stücke für Klarinette und Klavier | 5 | sketch p5 |
Berg | Op. | 5/2 | Vier Stücke für Klarinette und Klavier | 1 | Kh table |
Berg | Op. | 5/2 | Vier Stücke für Klarinette und Klavier | 2 | linear analysis (small) |
Berg | Op. | 5/2 | Vier Stücke für Klarinette und Klavier | 3 | linear analysis (large) |
Berg | Op. | 5/3 | Vier Stücke für Klarinette und Klavier | 10 page PDF | Lecture |
Berg | Op. | 6/2 | "Reigen" | 1 | Hand copied and annotated score, 1/3 |
Berg | Op. | 6/2 | "Reigen" | 2 | Hand copied and annotated score, 2/3 |
Berg | Op. | 6/2 | "Reigen" | 3 | Hand copied and annotated score, 3/3 |
Berg | Op. | 6/3 | "Marsch" | 1 | Chronology p1 |
Berg | Op. | 6/3 | "Marsch" | 2 | Chronology p2 |
Berg | Op. | 6/3 | "Marsch" | 3 | Chronology p3 |
Berg | Op. | 6/3 | "Marsch" | 4 | Chronology p4 |
Berg | Op. | 6/3 | "Marsch" | 5 | Corrections |
Berg | Op. | 6/3 | "Marsch" | 6 | List of Musical Examples p1 |
Berg | Op. | 6/3 | "Marsch" | 7 | List of Musical Examples p2 |
Berg | Op. | 6/3 | "Marsch" | 8 | List of Musical Examples p3 |
Berg | Op. | 6/3 | "Marsch" | 9 | List of Musical Examples p4 |
Berg | Op. | 6/3 | "Marsch" | 10 | List of Musical Examples p5 |
Berg | Op. | 6/3 | "Marsch" | 11 | List of Musical Examples p6 |
Berg | Op. | 6/3 | "Marsch" | 12 | List of Musical Examples p7 |
Berg | Op. 6/3 | "Marsch" | 13 | Sketch | |
Berg | Op. 6/3 | "Marsch" | 14 | Score Excerpts p1 | |
Berg | Op. 6/3 | "Marsch" | 15 | Score Excerpts p2 | |
Berg | Op. 6/3 | "Marsch" | 16 | Score Excerpts p3 | |
Berg | Op. 6/3 | "Marsch" | 17 | Themes p1 | |
Berg | Op. 6/3 | "Marsch" | 18 | Themes p2 | |
Berg | Wozzeck, Act I, Sc. 1 | Wozzeck's Aria | 1 | Marked Score, Color, 1/2 | |
Berg | Wozzeck, Act I, Sc. 1 | Wozzeck's Aria | 2 | Marked Score, Color, 2/2 | |
Berg | Wozzeck, Act I, Sc. 1 | Wozzeck's Aria | 3 | Marked Score, Pencil, 1/3 | |
Berg | Wozzeck, Act I, Sc. 1 | Wozzeck's Aria | 4 | Marked Score, Pencil, 2/3 | |
Berg | Wozzeck, Act I, Sc. 1 | Wozzeck's Aria | 5 | Marked Score, Pencil, 3/3 | |
Berg | Wozzeck, Act I, Sc. 1 | Wozzeck's Aria | 6 | Notes, 1/3 | |
Berg | Wozzeck, Act I, Sc. 1 | Wozzeck's Aria | 7 | Notes, 2/3 | |
Berg | Wozzeck, Act I, Sc. 1 | Wozzeck's Aria | 8 | Notes,3/3 | |
Berg | Wozzeck, Act I, Sc. 2 | 1 | Marked Score | ||
Berg | Wozzeck, Act I, Sc. 2 | 2 | Marked Score | ||
Berg | Wozzeck, Act I, Sc. 2 | 3 | Marked Score | ||
Berg | Wozzeck, Act I, Sc. 2 | 4 | Translation | ||
Berg | Wozzeck, Act I, Sc. 2 | 5 | "Sleeping soldiers" | ||
Berg | Wozzeck, Act I, Sc. 2 | 6 | Subsets | ||
Berg | Wozzeck, Act I, Sc. 2 | 7 | Charts, 1/6 | ||
Berg | Wozzeck, Act I, Sc. 2 | 8 | Charts, 2/6 | ||
Berg | Wozzeck, Act I, Sc. 2 | 9 | Charts, 3/6 | ||
Berg | Wozzeck, Act I, Sc. 2 | 10 | Charts, 4/6 | ||
Berg | Wozzeck, Act I, Sc. 2 | 11 | Charts, 5/6 | ||
Berg | Wozzeck, Act I, Sc. 2 | 12 | Charts, 6/6 | ||
Berg | Wozzeck, Act I, Sc. 2 | 13 | m. 210 | ||
Berg | Wozzeck, Act I, Sc. 2 | 14 | article marked | ||
Berg | Wozzeck, Act I, Sc. 3 | Lullaby | 1 | Hand Copied, Annotated Score | |
Berg | Wozzeck, Act I, Sc. 3 | Lullaby | 2 | Charts, 1/10 | |
Berg | Wozzeck, Act I, Sc. 3 | Lullaby | 3 | Charts, 2/10 | |
Berg | Wozzeck, Act I, Sc. 3 | Lullaby | 4 | Charts, 3/10 | |
Berg | Wozzeck, Act I, Sc. 3 | Lullaby | 5 | Charts, 4/10 | |
Berg | Wozzeck, Act I, Sc. 3 | Lullaby | 6 | Charts, 5/10 | |
Berg | Wozzeck, Act I, Sc. 3 | Lullaby | 7 | Charts, 6/10 | |
Berg | Wozzeck, Act I, Sc. 3 | Lullaby | 8 | Charts, 7/10 | |
Berg | Wozzeck, Act I, Sc. 3 | Lullaby | 9 | Charts, 8/10 | |
Berg | Wozzeck, Act I, Sc. 3 | Lullaby | 10 | Charts, 9/10 | |
Berg | Wozzeck, Act I, Sc. 3 | Lullaby | 11 | Charts, 10/10 | |
Berg | Wozzeck, Act I, Sc. 3 | Lullaby | 12 | Libretto | |
Berg | Wozzeck, Act I, Sc. 3 | Lullaby | 13 | Sets | |
Berg | Wozzeck, Act I, Sc. 3 | Lullaby | 14 | More Libretto | |
Berg | Wozzeck, Act I, Sc. 3 | Lullaby | 15 | Marked Score | |
Berg | Wozzeck, Act I Sc. 5 | Manuscripts. Sketches | 1 | Draft, slashed once | |
Berg | Wozzeck, Act I Sc. 5 | Manuscripts. Sketches | 2 | Sketch of primary elements | |
Berg | Wozzeck, Act I Sc. 5 | Manuscripts. Sketches | 3 | Stages, charts | |
Berg | Wozzeck, Act I Sc. 5 | Manuscripts. Sketches | 4 | sketch, marked | |
Berg | Wozzeck, Act I Sc. 5 | Manuscripts. Sketches | 5 | Marked score, 1/4 | |
Berg | Wozzeck, Act I Sc. 5 | Manuscripts. Sketches | 6 | Marked score, 2/4 | |
Berg | Wozzeck, Act I Sc. 5 | Manuscripts. Sketches | 7 | Marked score, 3/4 | |
Berg | Wozzeck, Act I Sc. 5 | Manuscripts. Sketches | 8 | Marked score, 4/4 | |
Berg | Wozzeck, Act II, Sc. 1 | 1 | Marked score, 1/4 | ||
Berg | Wozzeck, Act II, Sc. 1 | 2 | Marked score, 2/4 | ||
Berg | Wozzeck, Act II, Sc. 1 | 3 | Marked score, 3/4 | ||
Berg | Wozzeck, Act II, Sc. 1 | 4 | Marked score, 4/4 | ||
Berg | Wozzeck, Act II, Sc. 1 | 5 | Charts, 1/3 | ||
Berg | Wozzeck, Act II, Sc. 1 | 6 | Charts, 2/3 | ||
Berg | Wozzeck, Act II, Sc. 1 | 7 | Charts, 3/3 | ||
Berg | Wozzeck, Act II, Sc. 1 | 8 | Notes | ||
Berg | Wozzeck, Act II, Sc. 2 | 1 | Marked Score | ||
Berg | Wozzeck, Act II, Sc. 2 | 2 | Marked Score | ||
Berg | Wozzeck, Act II, Sc. 2 | 3 | Marked Score | ||
Berg | Wozzeck, Act II, Sc. 2 | 4 | Marked Score | ||
Berg | Wozzeck, Act II, Sc. 2 | 5 | Marked Score | ||
Berg | Wozzeck, Act II, Sc. 2 | 6 | Notes | ||
Berg | Wozzeck, Act II, Sc. 2 | 7 | Notes | ||
Berg | Wozzeck, Act II, Sc. 3 | 1 | Sets and subsets, 1/5 | ||
Berg | Wozzeck, Act II, Sc. 3 | 2 | Sets and subsets, 2/5 | ||
Berg | Wozzeck, Act II, Sc. 3 | 3 | Sets and subsets, 3/5 | ||
Berg | Wozzeck, Act II, Sc. 3 | 4 | Sets and subsets, 4/5 | ||
Berg | Wozzeck, Act II, Sc. 3 | 5 | Sets and subsets, 4/5 | ||
Berg | Wozzeck, Act II, Sc. 3 | 6 | Notes | ||
Berg | Wozzeck, Act II, Sc. 4 | 1 | Marked Score | ||
Berg | Wozzeck, Act II, Sc. 4 | 2 | Marked Score | ||
Berg | Wozzeck, Act II, Sc. 4 | 3 | Marked Score | ||
Berg | Wozzeck, Act II, Sc. 4 | 4 | Marked Score | ||
Berg | Wozzeck, Act II, Sc. 4 | 5 | Marked Score | ||
Berg | Wozzeck, Act II, Sc. 4 | 6 | staff paper notes | ||
Berg | Wozzeck, Act II, Sc. 4 | 7 | 1 of 2 | ||
Berg | Wozzeck, Act II, Sc. 4 | 8 | 2 of 2 | ||
Berg | Wozzeck, Act II, Sc. 5 | 1 | Color Notes | ||
Berg | Wozzeck, Act II, Sc. 5 | 2 | Color Notes | ||
Berg | Wozzeck, Act II, Sc. 5 | 3 | More notes | ||
Berg | Wozzeck, Act II, Sc. 5 | 4 | More notes | ||
Berg | Wozzeck, Act III, Sc. 1-Thema | 1 | sets notes | ||
Berg | Wozzeck, Act III, Sc. 1-Thema | 2 | sets notes | ||
Berg | Wozzeck, Act III, Sc. 1-Thema | 3 | subsets of 8-4 p1 | ||
Berg | Wozzeck, Act III, Sc. 1-Thema | 4 | p2 | ||
Berg | Wozzeck, Act III, Sc. 1-Thema | 5 | p3 | ||
Berg | Wozzeck, Act III, Sc. 1-Thema | 6 | p4 | ||
Berg | Wozzeck, Act III, Sc. 1-Thema | 7 | p5 | ||
Berg | Wozzeck, Act III, Sc. 1-Thema | 8 | p6 | ||
Berg | Wozzeck, Act III, Sc. 1-Thema | 9 | p7 | ||
Berg | Wozzeck, Act III, Sc. 1-Thema | 10 | subsets of hexachords p1 | ||
Berg | Wozzeck, Act III, Sc. 1-Thema | 11 | p2 | ||
Berg | Wozzeck, Act III, Sc. 1-Thema | 12 | p3 | ||
Berg | Wozzeck, Act III, Sc. 1, Var. 5 | 1 | Large graph | ||
Berg | Wozzeck, Act III, Sc. 1, Var. 5 | 2 | Chart, 1/2 | ||
Berg | Wozzeck, Act III, Sc. 1, Var. 5 | 3 | Chart, 2/2 | ||
Berg | Wozzeck, Act III, Sc. 1, Var. 5 | 4 | Notes | ||
Berg | Wozzeck, Act III, Sc. 1, Var. 5 | 5 | Rhythmic and motivic similarities | ||
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 1 | Marked score, 1/14 | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 2 | Marked score, 2/14 | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 3 | Marked score, 3/14 | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 4 | Marked score, 4/14 | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 5 | Marked score, 5/14 | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 6 | Marked score, 6/14 | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 7 | Marked score, 7/14 | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 8 | Marked score, 8/14 | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 9 | Marked score, 9/14 | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 10 | Marked score, 10/14 | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 11 | Marked score, 11/14 | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 12 | Marked score, 12/14 | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 13 | Marked score, 13/14 | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 14 | Marked score, 14/14 | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 15 | Rhythmic reduction | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 16 | Rhythmic reduction | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 17 | Rhythmic reduction, graph paper | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 18 | Rhythmic patters/ pitch structure correspondence | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 19 | Breslauer/Roeder, 1/3 | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 20 | Breslauer/Roeder, 2/3 | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 21 | Breslauer/Roeder, 3/3 | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 22 | Figure 1 | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 23 | Figure 2a | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 24 | Figure 2b | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 25 | Typed notes, 1/3 | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 26 | Typed notes, 2/3 | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 27 | Typed notes, 3/3 | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 28 | Ex. 1, 1/3 | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 29 | Ex. 1, 2/3 | |
Berg | Wozzeck, Act III, Sc. 3 | Invention on a Rhythm | 30 | Ex. 1, 3/3 | |
Berg | Wozzeck, Act III, Scene 5 | 1 | Marked Score, 1/3 | ||
Berg | Wozzeck, Act III, Scene 5 | 2 | Marked Score, 2/3 | ||
Berg | Wozzeck, Act III, Scene 5 | 3 | Marked Score, 3/3 | ||
Berg | Wozzeck, Motivic Components | 1 | Motives, types, 1/6 | ||
Berg | Wozzeck, Motivic Components | 2 | Motives, types, 2/6 | ||
Berg | Wozzeck, Motivic Components | 3 | Motives, types, 3/6 | ||
Berg | Wozzeck, Motivic Components | 4 | Motives, types, 4/6 | ||
Berg | Wozzeck, Motivic Components | 5 | Motives, types, 5/6 | ||
Berg | Wozzeck, Motivic Components | 6 | Motives, types, 6/6 | ||
Berg | Wozzeck, Motivic Components | 7 | List of motives͙ | ||
Berg | Wozzeck, Motivic Components | 8 | Subsets of 6-34 | ||
Berg | Wozzeck, Motivic Components | 9 | mini- 4-19 | ||
Berg | Wozzeck, Motivic Components | 10 | mini- 4-z29 | ||
Berg | Wozzeck, Motivic Components | 11 | Notes, Scratched out | ||
Berg | Wozzeck, Motivic Components | 12 | Occurances notes, color | ||
Berg | Wozzeck, Motivic Components | 13 | Cardinal four, 1/4 | ||
Berg | Wozzeck, Motivic Components | 14 | Cardinal four, 2/4 | ||
Berg | Wozzeck, Motivic Components | 15 | Cardinal four, 3/4 | ||
Berg | Wozzeck, Motivic Components | 16 | Cardinal four, 14/4 | ||
Berg | Wozzeck, Motivic Components | 17 | Motives Chart- from Org. Motives folder | ||
Berg | Wozzeck, Examples and Motives | 1 | Examples and Motives p1 | ||
Berg | Wozzeck, Examples and Motives | 2 | Examples and Motives p2 | ||
Berg | Wozzeck, Examples and Motives | 3 | Examples and Motives p3 | ||
Berg | Wozzeck, Examples and Motives | 4 | Examples and Motives p4 | ||
Berg | Wozzeck, Examples and Motives | 5 | Examples and Motives p5 | ||
Berg | Wozzeck, Examples and Motives | 6 | Examples and Motives p6 | ||
Berg | Wozzeck, Examples and Motives | 7 | Examples and Motives p7 | ||
Berg | Wozzeck, Examples and Motives | 8 | Examples and Motives p8 | ||
Berg | Symphonic Interlude | 1 | Annotated score, 1/5 | ||
Berg | Symphonic Interlude | 2 | Annotated score, 2/5 | ||
Berg | Symphonic Interlude | 3 | Annotated score, 3/5 | ||
Berg | Symphonic Interlude | 4 | Annotated score, 4/5 | ||
Berg | Symphonic Interlude | 5 | Annotated score, 5/5 | ||
Berg | Wozzeck, Theoretical Aspects | 1 | Pc motives | ||
Berg | Wozzeck, Theoretical Aspects | 2 | Prcel.woz | ||
Berg | Wozzeck, Theoretical Aspects | 3 | Staff notes | ||
Berg | Wozzeck, Theoretical Aspects | 4 | Tonality mini | ||
Berg | Wozzeck, Theoretical Aspects | 5 | Save mini | ||
Berg | Wozzeck, Theoretical Aspects | 6 | Tetrachord | ||
Berg | Wozzeck, Theoretical Aspects | 7 | example mini | ||
Berg | Wozzeck, Theoretical Aspects | 8 | p5 and TTs | ||
Berg | Wozzeck, Beinecke Sketches | 1 | Score | ||
Berg | Wozzeck, Beinecke Sketches | 2 | Stages 1-4 | ||
Berg | Wozzeck, Beinecke Sketches | 3 | Graphs of stages 1-4 | ||
Berg | Wozzeck, Beinecke Sketches | 4 | Letter from P Hall | ||
Berg | Wozzeck, Beinecke Sketches | 5 | Ex. G | ||
Berg | Wozzeck, Beinecke Sketches | 6 | p 5 | ||
Berg | Wozzeck, Beinecke Sketches | 7 | p 7 | ||
Berg | Wozzeck, Beinecke Sketches | 8 | p 8 | ||
Berg | Wozzeck, Beinecke Sketches | 9 | p 10 | ||
Berg | Wozzeck, Beinecke Sketches | 10 | p 11 | ||
Berg | Wozzeck, Beinecke Sketches | 11 | p 12 | ||
Berg | Wozzeck, Beinecke Sketches | unscanned | unmarked score, 9pp | ||
Berg | Wozzeck, Beinecke Sketches | unscanned | Berg Draft | Oversized not to be scanned | |
Berg | Wozzeck, Beinecke Sketches | unscanned | Letter from Yale Library | ||
Berg | Wozzeck, Beinecke Sketches | unscanned | Oversized of p 3 | ||
Berg | Wozzeck, Beinecke Sketches | 12 | Ex. B | ||
Berg | Wozzeck, Beinecke Sketches | 13 | Ex. C | ||
Berg | Wozzeck, Beinecke Sketches | 14 | Ex. D | ||
Berg | Wozzeck, Beinecke Sketches | 15 | Ex. E | ||
Berg | Wozzeck, Beinecke Sketches | 16 | Ex. F | ||
Berg | Wozzeck, Beinecke Sketches | 17 | p 13 | ||
Berg | Wozzeck, Beinecke Sketches | Unscanned | copy of Ex G | ||
Berg | Wozzeck, Beinecke Sketches | 18 | Ex. H | ||
Berg | Wozzeck, Beinecke Sketches | 19 | Berg, Sketch | ||
Berg | Wozzeck, Beinecke Sketches | 20 | Ex. A and B in score | ||
Berg | Wozzeck, Beinecke Sketches | 21 | Exs C and D in score | ||
Berg | Wozzeck, Beinecke Sketches | 22 | Ex E in Score | ||
Berg | Wozzeck, Beinecke Sketches | 23 | Ex. A in score | ||
Berg | Wozzeck, Beinecke Sketches | unscanned | Hilman article | ||
Berg | Wozzeck, Beinecke Sketches | unscanned | Transparency Copy of p. 3 | ||
Berg | Wozzeck, Beinecke Sketches | 24 | Transparency 2 | ||
Berg | Wozzeck, Beinecke Sketches | 25 | Transparency 3 | ||
Berg | Wozzeck, Beinecke Sketches | 26 | Transparency 4 | ||
Berg | Analysis of Schoenberg Op. | 16 | 1 | Handwritten notes- "#328 in Hilmar" | Folder 1 |
Berg | Analysis of Schoenberg Op. | 16 | 2 | Typed ΗWhat does the document reveal͙Η | |
Berg | Analysis of Schoenberg Op. | 16 | 3 | Letter- Dear Rosemary | Folder 2 |
Berg | Analysis of Schoenberg Op. | 16 | 4 | Wiesengrund article, p 1/4 | |
Berg | Analysis of Schoenberg Op. | 16 | 5 | p. 2/4 | |
Berg | Analysis of Schoenberg Op. | 16 | 6 | p. 3/4 | |
Berg | Analysis of Schoenberg Op. | 16 | 7 | p. 4/4 | |
Berg | Analysis of Schoenberg Op. | 16 | 8 | Typed ΗFarben chord͙Η | |
Berg | Analysis of Schoenberg Op. | 16 | 9 | Berg's notes numbered | Oversized |
Berg | Analysis of Schoenberg Op. | 16 | 10 | Diplomatic transcription | |
Berg | Analysis of Schoenberg Op. | 16 | 11 | Berg's annotated score, p. 3 | Oversized |
Berg | Analysis of Schoenberg Op. | 16 | 12 | Score p. 4 | Oversized |
Berg | Analysis of Schoenberg Op. | 16 | 13 | Berg's notes on staff paper | Oversized |
Berg | Analysis of Schoenberg Op. | 16 | 14 | transcription | |
Berg | Analysis of Schoenberg Op. | 16 | 15 | Forte: ΗInner͙Η | |
Berg | Analysis of Schoenberg Op. | 16 | 16 | p. 2 | |
Berg | Analysis of Schoenberg Op. | 16 | 17 | p. 4 | |
Berg | Analysis of Schoenberg Op. | 16 | 18 | p. 5 | |
Berg | Analysis of Schoenberg Op. | 16 | 19 | p. 6 | |
Berg | Analysis of Schoenberg Op. | 16 | 20 | p. 7 | |
Berg | Analysis of Schoenberg Op. | 16 | 21 | p. 8 | |
Berg | Analysis of Schoenberg Op. | 16 | 22 | p. 9 | |
Berg | Analysis of Schoenberg Op. | 16 | 23 | p. 10 | |
Berg | Analysis of Schoenberg Op. | 16 | 24 | p. 11 | |
Berg | Analysis of Schoenberg Op. | 16 | 25 | p. 14 | |
Berg | Analysis of Schoenberg Op. | 16 | 26 | p. 15 | |
Berg | Analysis of Schoenberg Op. | 16 | 27 | p. 17 | |
Berg | Analysis of Schoenberg Op. | 16 | 28 | p. 18 | |
Berg | Analysis of Schoenberg Op. | 16 | 29 | p. 19 | |
Berg | Analysis of Schoenberg Op. | 16 | 30 | p. 20 | |
Berg | Analysis of Schoenberg Op. | 16 | 31 | p. 21 | |
Berg | Analysis of Schoenberg Op. | 16 | 32 | p. 22 | |
Berg | Analysis of Schoenberg Op. | 16 | 33 | p. 23 | |
Berg | Analysis of Schoenberg Op. | 16 | 34 | p. 24 | |
Berg | Analysis of Schoenberg Op. | 16 | 35 | p. 25 | |
Berg | Analysis of Schoenberg Op. | 16 | 36 | p. 27 | |
Berg | Analysis of Schoenberg Op. | 16 | 37 | [accomp on sheet] | |
Berg | Analysis of Schoenberg Op. | 16 | 38 | Typed "page 1 of score" | |
Berg | Analysis of Schoenberg Op. | 16 | 39 | Score p. 5 | Oversized starts here |
Berg | Analysis of Schoenberg Op. | 16 | 40 | Score p. 6 | |
Berg | Analysis of Schoenberg Op. | 16 | 41 | Score p. 7 | |
Berg | Analysis of Schoenberg Op. | 16 | 42 | Score p. 8 | |
Berg | Analysis of Schoenberg Op. | 16 | 43 | Score p. 9 | |
Berg | Analysis of Schoenberg Op. | 16 | 44 | Score p. 10 | |
Berg | Analysis of Schoenberg Op. | 16 | 45 | Score p. 11 | |
Berg | Analysis of Schoenberg Op. | 16 | 46 | Score p. 12 | |
Berg | Analysis of Schoenberg Op. | 16 | 47 | Score p. 13 | |
Berg | Analysis of Schoenberg Op. | 16 | 48 | Score p. 14 | |
Berg | Analysis of Schoenberg Op. | 16 | 49 | Score p. 15 | |
Berg | Analysis of Schoenberg Op. | 16 | 50 | Score p. 16 | |
Berg | Analysis of Schoenberg Op. | 16 | 51 | Score p. 17 | |
Berg | Analysis of Schoenberg Op. | 16 | 52 | Score p. 18 | |
Berg | Analysis of Schoenberg Op. | 16 | 53 | Score p. 19 | |
Berg | Analysis of Schoenberg Op. | 16 | 54 | Score p. 20 | |
Berg | Analysis of Schoenberg Op. | 16 | 55 | Score p. 21 | |
Berg | Analysis of Schoenberg Op. | 16 | 56 | Score p. 22 | |
Berg | Analysis of Schoenberg Op. | 16 | 57 | Score p. 23 | |
Berg | Analysis of Schoenberg Op. | 16 | 58 | Score p. 24 | |
Berg | Analysis of Schoenberg Op. | 16 | 59 | Score p. 25 | |
Berg | Analysis of Schoenberg Op. | 16 | 60 | Score p. 26 | |
Berg | Analysis of Schoenberg Op. | 16 | 61 | Score p. 27 | |
Berg | Analysis of Schoenberg Op. | 16 | 62 | Score p. 28 | |
Berg | Analysis of Schoenberg Op. | 16 | 63 | Score p. 29 | |
Berg | Analysis of Schoenberg Op. | 16 | 64 | Score p. 30 | |
Berg | Analysis of Schoenberg Op. | 16 | 65 | Score p. 31 | |
Berg | Analysis of Schoenberg Op. | 16 | 66 | Score p. 32 | |
Berg | Analysis of Schoenberg Op. | 16 | 67 | Score p. 33 | |
Berg | Analysis of Schoenberg Op. | 16 | 68 | Score p. 34 | |
Berg | Analysis of Schoenberg Op. | 16 | 69 | Score p. 35 | |
Berg | Analysis of Schoenberg Op. | 16 | 70 | Score Title page | |
Berg/ Debussy | Nuages/ Lyric Suite Examples | 1 | Notes | ||
Berg/ Debussy | Nuages/ Lyric Suite Examples | 2 | Notes | ||
Berg/ Debussy | Nuages/ Lyric Suite Examples | 3 | Notes | ||
Berlioz | La damnation de Faust | 1 | sketch and reference | ||
Berlioz | La damnation de Faust | 2 | marked score p1 | ||
Berlioz | La damnation de Faust | 3 | marked score p2 | ||
Berlioz | La damnation de Faust | 4 | marked score p3 | ||
Berlioz | La damnation de Faust | 5 | marked score p4 | ||
Berlioz | La damnation de Faust | 6 | autograph p1 | ||
Berlioz | La damnation de Faust | 7 | autograph p2 | ||
Berlioz | La damnation de Faust | 8 | analysis p1 | ||
Berlioz | La damnation de Faust | 9 | analysis p2 | ||
Boulez | Pli Selon Pli | Improvisation sur Mallarmé | 1 | marked score p1 | |
Boulez | Pli Selon Pli | Improvisation sur Mallarmé | 2 | marked score p2 | |
Boulez | Pli Selon Pli | Improvisation sur Mallarmé | 3 | marked score p3 | |
Brahms | Op. | 9 | Variations on a theme by schumann | 1 | Oversized |
Brahms | Op. | 42, II | Die Mainacht | 1 | Discussion Topics |
Brahms | Op. | 42, II | Die Mainacht | 2 | Sketch |
Brahms | Op. | 42, II | Die Mainacht | 3 | Sketch |
Brahms | Op. | 42, II | Die Mainacht | 4 | Graphic Analysis |
Brahms | Op. | 45, III | German Requiem | 1 | Notes, text |
Brahms | Op. | 45, III | German Requiem | 2 | worksheet |
Brahms | Op. | 45, III | German Requiem | 3 | oversized |
Brahms | Op. | 51/1 | Brahms_Op51_no1_p | 1 | Rhythmic- melodic process |
Brahms | Op. | 51/1 | String Quartet in C minor | 2 | mini- clipped to p. 3 |
Brahms | Op. | 51/1 | String Quartet in C minor | 3 | Example of difficult passage |
Brahms | Op. | 51/1 | String Quartet in C minor | 4 | Example of large scale motion |
Brahms | Op. | 51/1 | String Quartet in C minor | 5 | Difficult passage- m. 61 |
Brahms | Op. | 51/1 | String Quartet in C minor | 6 | sketch- m. 212 |
Brahms | Op. | 51/1 | String Quartet in C minor | 7 | pitch specific |
Brahms | Op. | 51/1 | String Quartet in C minor | 8 | full scale anaylsis- p. 1 |
Brahms | Op. | 51/1 | String Quartet in C minor | 9 | p. 2 |
Brahms | Op. | 51/1 | String Quartet in C minor | 10 | p. 3 |
Brahms | Op. | 51/1 | String Quartet in C minor | 11 | p. 4 |
Brahms | Op. | 51/1 | String Quartet in C minor | 12 | p. 5 |
Brahms | Op. | 51/1 | String Quartet in C minor | 13 | p. 6 |
Brahms | Op. | 51/1 | String Quartet in C minor | 14 | p. 7 |
Brahms | Op. | 53 | Brahms_Op53_p | 1 | Text on Cardstock |
Brahms | Op. | 53 | Alto Rhapsodie | 2 | Trans text, cardstock |
Brahms | Op. | 53 | Alto Rhapsodie | 3 | Graph explained p. 1 |
Brahms | Op. | 53 | Alto Rhapsodie | 4 | Graph explained p. 2 |
Brahms | Op. | 53 | Alto Rhapsodie | 5 | Graph explained p. 3a |
Brahms | Op. | 53 | Alto Rhapsodie | 6 | Graph explained p. 3b |
Brahms | Op. | 53 | Alto Rhapsodie | 7 | Graph explained p. 4 |
Brahms | Op. | 53 | Alto Rhapsodie | 8 | Graph p. 1 |
Brahms | Op. | 53 | Alto Rhapsodie | 9 | Graph p. 2 |
Brahms | Op. | 53 | Alto Rhapsodie | 10 | Graph p. 3 |
Brahms | Op. | 53 | Alto Rhapsodie | 11 | Graph p. 4 |
Brahms | Op. | 53 | Alto Rhapsodie | 12 | Exs 1, 15, 19 |
Brahms | Op. | 53 | Alto Rhapsodie | 13 | Ex. 17 |
Brahms | Op. | 53 | Alto Rhapsodie | 14 | Overlapping forms of E, 48-53 |
Brahms | Op. | 53 | Alto Rhapsodie | 15 | Ex 5 |
Brahms | Op. | 53 | Alto Rhapsodie | 16 | mm. 128- 141 |
Brahms | Op. | 53 | Alto Rhapsodie | 17 | Ex 8 |
Brahms | Op. | 53 | Alto Rhapsodie | 18 | Exs 12, 13, 14 |
Brahms | Op. | 53 | Alto Rhapsodie | 19 | Exs 15, 16 |
Brahms | Op. | 53 | Alto Rhapsodie | 20 | Ex. 17- mm 30-41 |
Brahms | Op. | 53 | Alto Rhapsodie | unscanned | Copies of pp 8-11 |
Brahms | Op. | 53 | Alto Rhapsodie | 21 | Rough sketch of mgd |
Brahms | Op. | 53 | Alto Rhapsodie | 22 | Condensed sketch of mm 48 |
Brahms | Op. | 53 | Alto Rhapsodie | 23 | Suppl. Sketch mm 1-11 |
Brahms | Op. | 53 | Alto Rhapsodie | 24 | Brahms sketches- p. 1 |
Brahms | Op. | 53 | Alto Rhapsodie | 25 | Brahms sketches- p. 2 |
Brahms | Op. | 53 | Alto Rhapsodie | 26 | notes- mini |
Brahms | Op. | 53 | Alto Rhapsodie | 27 | Typed- rchiv der Gesellschaft͙ |
Brahms | Op. | 53 | Alto Rhapsodie | 28 | Brahms Briefe |
Brahms | Op. | 53 | Alto Rhapsodie | 29 | Reichardt's setting p. 1 |
Brahms | Op. | 53 | Alto Rhapsodie | 30 | Reichardt's setting p. 2 |
Brahms | Op. | 53 | Alto Rhapsodie | 31 | Forte's comparison |
Brahms | Op. | 53 | Alto Rhapsodie | 32 | Notes on a rhythmic figure |
Brahms | Op. | 68, Symphony No. 1 in C minor | Movement IV | 1 | class example |
Brahms | Op. | 68, Symphony No. 1 in C minor | Movement IV | 2 | score excerpt |
Brahms | Op. | 68, Symphony No. 1 in C minor | Movement IV | 3 | analysis of first theme group |
Brahms | Op. | 76, Eight Pieces for Piano | No. 4, Intermezzo in B-flat major | 1 | example |
Brahms | Op. | 76, Eight Pieces for Piano | No. 4, Intermezzo in B-flat major | 2 | sketch |
Brahms | Op. | 76, Eight Pieces for Piano | No. 4, Intermezzo in B-flat major | 3 | sketch |
Brahms | Op. | 76, Eight Pieces for Piano | No. 4, Intermezzo in B-flat major | 4 | sketch |
Brahms | Op. | 76, Eight Pieces for Piano | No. 4, Intermezzo in B-flat major | 5 | analysis |
Brahms | Op. | 76, Eight Pieces for Piano | No. 7, Intermezzo in A minor | 1 | three small sketches |
Brahms | Op. | 76, Eight Pieces for Piano | No. 7, Intermezzo in A minor | 2 | sketch on "composing-out" the theme |
Brahms | Op. | 76, Eight Pieces for Piano | No. 7, Intermezzo in A minor | 3 | sketch |
Brahms | Op. | 76, Eight Pieces for Piano | No. 7, Intermezzo in A minor | 4 | class errors |
Brahms | Op. | 76, Eight Pieces for Piano | No. 7, Intermezzo in A minor | 5 | analysis p1 |
Brahms | Op. | 76, Eight Pieces for Piano | No. 7, Intermezzo in A minor | 6 | analysis p2 |
Brahms | Op. | 86, Six Songs | No. 2, Feldeinsamkeit | 1 | sketch |
Brahms | Op. | 86, Six Songs | No. 2, Feldeinsamkeit | 2 | marked score p1 |
Brahms | Op. 86, Six Songs | No. 2, Feldeinsamkeit | 3 | marked score p2 | |
Brahms | Op. 86, Six Songs | No. 2, Feldeinsamkeit | 4 | article p1 | |
Brahms | Op. 86, Six Songs | No. 2, Feldeinsamkeit | 5 | article p2 | |
Brahms | Op. 86, Six Songs | No. 2, Feldeinsamkeit | 6 | article p3 | |
Brahms | Op. 86, Six Songs | No. 2, Feldeinsamkeit | 7 | article p4 | |
Brahms | Op. 86, Six Songs | No. 2, Feldeinsamkeit | 8 | article p5 | |
Brahms | Op. 86, Six Songs | No. 2, Feldeinsamkeit | 9 | article p6 | |
Brahms | Op. 98, Symphony No. 4 in E minor | 1 | sketch and references | ||
Brahms | Op. 98, Symphony No. 4 in E minor | 2 | sketch | ||
Brahms | Op. 98, Symphony No. 4 in E minor | 3 | sketch | ||
Brahms | Op. 98, Symphony No. 4 in E minor | 4 | sketch | ||
Brahms | Op. 116, Seven Fantasias for Piano | No. 4, Intermezzo in E major | 1 | tonal/thematic design | |
Brahms | Op. 116, Seven Fantasias for Piano | No. 4, Intermezzo in E major | 2 | marked score p1 | |
Brahms | Op. 116, Seven Fantasias for Piano | No. 4, Intermezzo in E major | 3 | marked score p2 | |
Brahms | Op. 116, Seven Fantasias for Piano | No. 4, Intermezzo in E major | 4 | marked score p3 | |
Brahms | Op. 116, Seven Fantasias for Piano | No. 5, Intermezzo in E minor | 1 | sketch | |
Brahms | Op. 116, Seven Fantasias for Piano | No. 5, Intermezzo in E minor | 2 | analysis | |
Brahms | Op. 119, Four Songs for Piano | No. 1, Intermezzo in B minor | 1 | analysis p1 | |
Brahms | Op. 119, Four Songs for Piano | No. 1, Intermezzo in B minor | 2 | analysis p2 | |
Britten | Elegy (serenade) | 1 | Score p. 1 | ||
Britten | Elegy (serenade) | 2 | p. 2 | ||
Britten | Elegy (serenade) | 3 | p. 3 | ||
Britten | Elegy (serenade) | 4 | Steven Roders notes | ||
Britten | Elegy (serenade) | 5 | notes in pen | ||
Britten | Elegy (serenade) | 6 | m. 5 | ||
Britten | Elegy (serenade) | 7 | ex. 1 | ||
Britten | Elegy (serenade) | 8 | p. 2 | ||
Britten | Elegy (serenade) | 9 | p. 3 | ||
Britten | Elegy (serenade) | unscanned | unmarked score copy | ||
Bruckner | Symphony No. 7 in E major | II. Adagio | 1 | Notes on the piece | |
Bruckner | Symphony No. 7 in E major | II. Adagio | 2 | Handwritten Score excerpts p1 | |
Bruckner | Symphony No. 7 in E major | II. Adagio | 3 | Handwritten Score excerpts p2 | |
Bruckner | Symphony No. 7 in E major | II. Adagio | 4 | Handwritten Score excerpts p3 | |
Bruckner | Symphony No. 7 in E major | II. Adagio | 5 | Handwritten Score excerpts p4a | |
Bruckner | Symphony No. 7 in E major | II. Adagio | 6 | Handwritten Score excerpts p4b | |
Bruckner | Symphony No. 7 in E major | II. Adagio | 7 | Handwritten Score excerpts p5 | |
Bruckner | Symphony No. 7 in E major | II. Adagio | 8 | Handwritten Score excerpts p6 | |
Bruckner | Symphony No. 7 in E major | II. Adagio | 9 | Handwritten Score excerpts p7 | |
Bruckner | Symphony No. 7 in E major | II. Adagio | 10 | Handwritten Score excerpts p8 | |
Bruckner | Symphony No. 7 in E major | II. Adagio | 11 | Graphic Analysis ms 1-38 | |
Bruckner | Symphony No. 7 in E major | II. Adagio | 12 | Graphic Analysis ms 1-76 | |
Bruckner | Symphony No. 7 in E major | II. Adagio | 13 | Graphic Analysis (final) p1 | |
Bruckner | Symphony No. 7 in E major | II. Adagio | 14 | Graphic Analysis (final) p2 | |
Bruckner | Symphony No. 7 in E major | II. Adagio | 15 | Graphic Analysis (final) p3 | |
Carter | Eight Etudes and a Fantasy for Wind Quintet | No. 5 | 1 | marked score (1) | |
Carter | Eight Etudes and a Fantasy for Wind Quintet | No. 5 | 2 | marked score (2) | |
Carter | Eight Etudes and a Fantasy for Wind Quintet | No. 6 | 1 | comments | |
Carter | Eight Etudes and a Fantasy for Wind Quintet | No. 6 | 2 | subsets | |
Carter | Eight Etudes and a Fantasy for Wind Quintet | No. 6 | 3 | sketch | |
Carter | Eight Etudes and a Fantasy for Wind Quintet | No. 6 | 4 | sketch | |
Carter | Eight Etudes and a Fantasy for Wind Quintet | No. 6 | 5 | sketch | |
Carter | Eight Etudes and a Fantasy for Wind Quintet | No. 6 | 6 | sketch | |
Carter | Eight Etudes and a Fantasy for Wind Quintet | No. 6 | 7 | sketch | |
Carter | Eight Etudes and a Fantasy for Wind Quintet | No. 6 | 8 | sketch | |
Carter | Eight Etudes and a Fantasy for Wind Quintet | No. 6 | 9 | sketch | |
Carter | Eight Etudes and a Fantasy for Wind Quintet | No. 6 | 10 | sketch | |
Chopin | Op. 9/2 | Eb Nocturne | 1 | VL sketch | |
Chopin | Op. 9/2 | Eb Nocturne | 2 | From Schenker | |
Chopin | Op. 9/2 | Eb Nocturne | 3 | For Texas | |
Chopin | Op. 9/2 | Eb Nocturne | unscanned | unmarked score copies and copies of p. 1 | |
Chopin | Op. 10/3 | E maj etude | 1 | ovrsized, cf schnker | |
Chopin | Op. 10/3 | E maj etude | 2 | oversized 2 | |
Chopin | Op. 10/3 | E maj etude | unscanned | unmarked publ. preface to score | |
Chopin | Op. 17/4 | A min Mazurka | 1 | marked score p. 1 | |
Chopin | Op. 17/4 | A min Mazurka | 2 | marked score p. 2 | |
Chopin | Op. 17/4 | A min Mazurka | 3 | oversized 1 | |
Chopin | Op. 17/4 | A min Mazurka | 4 | oversized 2 | |
Chopin | Op. 17/4 | A min Mazurka | 5 | Beach 1/3 | Note author |
Chopin | Op. 17/4 | A min Mazurka | 6 | Beach 2/3 | |
Chopin | Op. 17/4 | A min Mazurka | 7 | Beach 3/3 | |
Chopin | Op. 28/3 | G maj prelude | 1 | mini- VL notes | |
Chopin | Op. 28/3 | G maj prelude | 2 | manuscript, p. 1 | |
Chopin | Op. 28/3 | G maj prelude | 3 | manuscript, p. 2 | |
Chopin | Op. 28/3 | G maj prelude | 4 | chopin/ mozart | |
Chopin | Op. 28/3 | G maj prelude | 5 | updated copy p. 1 | |
Chopin | Op. 28/3 | G maj prelude | unscanned | unmarked scores | |
Chopin | Op. 28/4 | E min prelude | 1 | notes in pencil, m. 13 | |
Chopin | Op. 28/4 | E min prelude | 2 | unfinished | |
Chopin | Op. 28/4 | E min prelude | 3 | oversized | |
Chopin | Op. 28/4 | E min prelude | unscanned | mini of p. 3, transparency copy | |
Chopin | Op. 28/9 | E-Major Prelude (Brown index 107) | unscanned | unmarked score copy | |
Chopin | Op. 28/9 | E-Major Prelude (Brown index 107) | 1 | oversized | |
Chopin | Op. 28/9 | E-Major Prelude (Brown index 107) | unscanned | copy Neumeyer article from ITO 10 | |
Chopin | Op. 28/9 | E-Major Prelude (Brown index 107) | 2 | typed notes | |
Chopin | Op. | 28/9 | E-Major Prelude (Brown index 107) | 3 | mm 5-8 |
Chopin | Op. | 28/13 | F# maj prelude | 1 | landscape analysis |
Chopin | Op. | 28/13 | F# maj prelude | unscanned | copy p. 1 |
Chopin | Op. | 28/13 | F# maj prelude | 2 | notes in pencil |
Chopin | Op. | 28/13 | F# maj prelude | 3 | notes , "not doubled" scratched out |
Chopin | Op. | 28/13 | F# maj prelude | 4 | score p. 1 |
Chopin | Op. | 28/13 | F# maj prelude | 5 | score p. 2 |
Chopin | Op. | 28/13 | F# maj prelude | 6 | notes on autograph |
Chopin | Op. | 28/13 | F# maj prelude | 7r | relation of.. |
Chopin | Op. | 28/13 | F# maj prelude | 7v | unlabled notes in g maj |
Chopin | Op. | 28/13 | F# maj prelude | 8r | notes on Bach's sarabande |
Chopin | Op. | 28/13 | F# maj prelude | 8v | unlabled notes |
Chopin | Op. | 28/13 | F# maj prelude | unscanned | unmarked score copies |
Chopin | Op. | 28/14 | Eb min prelude | ||
Chopin | Op. | 28/17 | Ab prelude | 1r | typed notes |
Chopin | Op. | 28/17 | Ab prelude | 1v | reminiscent͙ |
Chopin | Op. | 28/17 | Ab prelude | 2 | long, p. 1 |
Chopin | Op. | 28/17 | Ab prelude | 3 | long p. 2 |
Chopin | Op. | 28/17 | Ab prelude | 4 | Schmalfeldt p. 1 |
Chopin | Op. | 28/17 | Ab prelude | 5 | p. 2 |
Chopin | Op. | 28/17 | Ab prelude | 6 | Idiomatic͙ |
Chopin | Op. | 28/21 | Bb maj Prelude | 1 | m. 33 ff |
Chopin | Op. | 28/21 | Bb maj Prelude | 2 | rhythmic aspects |
Chopin | Op. | 28/21 | Bb maj Prelude | 3 | mm. 41-45 |
Chopin | Op. | 28/21 | Bb maj Prelude | 4 | typed notes- 1. large scale rdg.. |
Chopin | Op. | 28/21 | Bb maj Prelude | unscanned | copy p. 3 |
Chopin | Op. | 28/21 | Bb maj Prelude | 5 | mm. 12-15 |
Chopin | Op. | 28/21 | Bb maj Prelude | 6 | notes in pencil, 9-, basic voice-ldg.. |
Chopin | Op. | 28/21 | Bb maj Prelude | 7 | notes in pencil, mm. 1-15 |
Chopin | Op. | 28/21 | Bb maj Prelude | 8 | notes in blue pen |
Chopin | Op. | 28/21 | Bb maj Prelude | 9 | mini- A |
Chopin | Op. | 28/21 | Bb maj Prelude | 10 | mini- blue pen |
Chopin | Op. | 33/1 | G# min Mazurka | 1 | oversized |
Chopin | Op. | 33/1 | G# min Mazurka | unscanned | unmarked autograph copies |
Chopin | Op. | 47 | Ab Ballads | 1 | Chopin Editions |
Chopin | Op. | 47 | Ab Ballads | 2 | Manuscripts-- misc. comments |
Chopin | Op. | 47 | Ab Ballads | 3 | Handwritten- Jonas.. |
Chopin | Op. | 47 | Ab Ballads | 4 | The prob of the Eb |
Chopin | Op. | 47 | Ab Ballads | 5 | General characteristics |
Chopin | Op. | 47 | Ab Ballads | 6 | According to brown |
Chopin | Op. | 47 | Ab Ballads | 7 | Autograph.. P. 1 |
Chopin | Op. | 47 | Ab Ballads | 8 | autograph.. P. 2 |
Chopin | Op. | 47 | Ab Ballads | 9 | autograph.. P. 3 |
Chopin | Op. | 47 | Ab Ballads | 10 | autograph.. P. 4 |
Chopin | Op. | 48/1 | C min Nocturne | 1 | Oversized |
Chopin | Op. | 48/1 | C min Nocturne | 2 | notes in purple |
Chopin | Op. | 48/1 | C min Nocturne | 3 | copied notes |
Chopin | Op. | 59/1 | A min mazurka | 1 | oversized 1 |
Chopin | Op. | 59/1 | A min mazurka | 2 | oversized 2 |
Chopin | Op. | 59/2 | Ab Mazurka | 1 | Autograph p. 1-circled |
Chopin | Op. | 59/2 | Ab Mazurka | 2 | Autograph p. 2- circled |
Chopin | Op. | 59/2 | Ab Mazurka | 3 | Autograph p. 1) |
Chopin | Op. | 59/2 | Ab Mazurka | 4 | Autograph p. 2) |
Chopin | Op. | 59/2 | Ab Mazurka | 5 | Transcription of bottom of p. 2 |
Chopin | Op. | 59/2 | Ab Mazurka | 6 | Autograph p. 3) |
Chopin | Op. | 59/2 | Ab Mazurka | 7 | Copy of Autograph p. 1- circled |
Chopin | Op. | 59/2 | Ab Mazurka | 8 recto | notecard- "Autograph" |
Chopin | Op. | 59/2 | Ab Mazurka | 8 verso | Notecard- Η dded sixth͙Η |
Chopin | Op. | 59/2 | Ab Mazurka | 9 recto | Notecard- "Two sketch pages" |
Chopin | Op. | 59/2 | Ab Mazurka | 9 verso | Notecard- "Adjacencia" (?) |
Chopin | Op. | 59/2 | Ab Mazurka | 10 | Notecard- "Assimilation as process" |
Chopin | Op. | 59/2 | Ab Mazurka | 11 | Letter from Oster June 5 |
Chopin | Op. | 59/2 | Ab Mazurka | 12 | Oster's notes p. 1 |
Chopin | Op. | 59/2 | Ab Mazurka | 13 | Hand written 102 |
Chopin | Op. | 59/2 | Ab Mazurka | 14 | Sketch- mm 1, 42, 45 |
Chopin | Op. | 59/2 | Ab Mazurka | 15 | Sketch- mm 1, 4 12, 13͙ |
Chopin | Op. | 59/2 | Ab Mazurka | 16 | Sketch- mm 45 (Bass C-Db-C͙) |
Chopin | Op. | 59/2 | Ab Mazurka | 17 | Oster's Notes p. 3- mm. 77 |
Chopin | Op. | 59/2 | Ab Mazurka | 18 | Mini notes Bgd-Mgd |
Chopin | Op. | 59/2 | Ab Mazurka | unscanned | Unmarked score copy |
Chopin | Op. | 59/2 | Ab Mazurka | 19 | Oversized- Full analysis |
Chopin | Op. | 59/2 | Ab Mazurka | unscanned | Originals p. 19 |
Chopin | Op. | 59/2 | Ab Mazurka | unscanned | Copies p. 19 |
Chopin | Op. | 59/2 | Ab Mazurka | 20 | Notes on Coda |
Chopin | Op. | 59/2 | Ab Mazurka | 21 recto | m. 82- Reconstruction |
Chopin | Op. | 59/2 | Ab Mazurka | 21 verso | 1.10-4 |
Chopin | Op. | 59/2 | Ab Mazurka | 22 | mm. 80-89 |
Chopin | Op. | 59/2 | Ab Mazurka | 23 | Reduction to show contrapuntal function.. |
Chopin | Op. | 59/2 | Ab Mazurka | 24 | Sketch- 77.. |
Chopin | Op. | 59/2 | Ab Mazurka | unscanned | Another copy p. 19 |
Chopin | Op. | 59/2 | Ab Mazurka | 25 | Annotated editor's notes, p. 1 |
Chopin | Op. | 59/2 | Ab Mazurka | 26 | Annotated editor's notes, p. 2 |
Chopin | Op. | 59/2 | Ab Mazurka | 27 | Annotated score, p. 1 |
Chopin | Op. | 59/2 | Ab Mazurka | 28 | Annotated score, p. 2 |
Chopin | Op. | 59/2 | Ab Mazurka | 29 | Annotated score, p. 3 |
Chopin | Op. | 59/2 | Ab Mazurka | 30 | Annotated score, p. 4 |
Chopin | Op. | 68/4 | F min Mazurka | 1 | Score Copy, 1/2 |
Chopin | Op. | 68/4 | F min Mazurka | 2 | Score Copy, 2/2 |
Chopin | Op. 68/4 | F min Mazurka | 3 | Worksheet m. 23.. | |
Chopin | Op. 68/4 | F min Mazurka | 4 | m. 14.. | |
Chopin | Op. 68/4 | F min Mazurka | 5 | Old 1/3 | |
Chopin | Op. 68/4 | F min Mazurka | 6 | Old 2/3 | |
Chopin | Op. 68/4 | F min Mazurka | 7 | Old 3/3 | |
Chopin | Op. 68/4 | F min Mazurka | 8 | Oversized | |
Dallapiccola | Quaderno musicale di Annalibera (1952) | Folder 1- score master copy (All) | 1 | title page | |
Dallapiccola | Quaderno musicale di Annalibera (1952) | 2 | dedication | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | 3 | performance notes | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | 4 | p. 6 | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | 5 | p. 7 | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | 6 | p. 8 | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | 7 | p. 9 | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | 8 | p. 10 | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | 9 | p. 11 | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | 10 | p. 12 | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | 11 | p. 13 | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | 12 | p. 14 | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | 13 | p. 15 | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | 14 | p. 16 | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | 15 | p. 17 | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | 16 | p. 18 | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | unscanned | unmarked score copy | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | Folder 2- Simbolo- 1 | 1 | score p. 4 | |
Dallapiccola | Quaderno musicale di Annalibera (1952) | 2 | score p. 5 | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | 3 | row sucession | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | 4 | row matrix | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | 5 | thematic- motivic | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | Folder 3- Accenti 2 | 1 | score p. 6 | |
Dallapiccola | Quaderno musicale di Annalibera (1952) | 2 | sucessive row forms | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | folder 4- Contrapunctus primus | 1 | Score p. 7 | |
Dallapiccola | Quaderno musicale di Annalibera (1952) | 2 | Score p. 7 another take | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | 3 | long notes | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | 4 | sucessive row forms | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | Folder 5- Linee- 4 | 1 | Score p. 8 | |
Dallapiccola | Quaderno musicale di Annalibera (1952) | 2 | Score p. 8 another take | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | unscanned | unmarked score copy and blank staff paper | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | Folder 6- Contrapunctus secundis- 5 | 1 | Score p. 9 | |
Dallapiccola | Quaderno musicale di Annalibera (1952) | Folder 7- Fregi- 6 | 1 | Score p. 10 | |
Dallapiccola | Quaderno musicale di Annalibera (1952) | Folder 8- Andantino Amoroso..- 7 | 1 | Score p. 11 | |
Dallapiccola | Quaderno musicale di Annalibera (1952) | Folder 9- Ritmi- 8 | 1 | Score p. 12 | |
Dallapiccola | Quaderno musicale di Annalibera (1952) | 2 | Score p. 13 | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | 3 | Score p. 14 | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | Folder 10- Colore- 9 | 1 | Score p. 15 | |
Dallapiccola | Quaderno musicale di Annalibera (1952) | 2 | Score p. 15 by amy shimbo | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | Folder 11- Ombre- 10 | 1 | Score p. 16 | |
Dallapiccola | Quaderno musicale di Annalibera (1952) | 2 | Score p. 17 | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | 3 | notes in pencil | ||
Dallapiccola | Quaderno musicale di Annalibera (1952) | Folder 12- Quartina | 1 | Score p. 18 | |
Dallapiccola | Quaderno musicale di Annalibera (1952) | Folder 13- General | 1 | See.. | |
Debussy | Feuilles Mortes | unscanned | unmarked scores | ||
Debussy | Feuilles Mortes | 1 | marked score, 1/3 | ||
Debussy | Feuilles Mortes | 2 | marked score, 2/3 | ||
Debussy | Feuilles Mortes | 3 | marked scoe, 3/3 | ||
Debussy | Feuilles Mortes | 4 | long | ||
Debussy | Feuilles Mortes | 5 | no 4, 1/2 | ||
Debussy | Feuilles Mortes | 6 | no 4, 2/2 | ||
Debussy | Feuilles Mortes | 7 | mini marked score, 1/3 | ||
Debussy | Feuilles Mortes | 8 | mini marked score, 2/3 | ||
Debussy | Feuilles Mortes | 9 | mini marked score, 3/3 | ||
Debussy | Feuilles Mortes | unscanned | unmarked score copies | ||
Debussy | Ondine | Preludes- Book 2 no 8 | 1 | mm 1-26 | Folder 1 |
Debussy | Ondine | Preludes- Book 2 no 8 | 2 | mm 19-58 | |
Debussy | Ondine | Preludes- Book 2 no 8 | 3 | mm 62-64.. | |
Debussy | Ondine | Preludes- Book 2 no 8 | 4 | mm 1-20 | |
Debussy | Ondine | Preludes- Book 2 no 8 | 5 | score p. 1 | |
Debussy | Ondine | Preludes- Book 2 no 8 | 6 | score p. 2 | |
Debussy | Ondine | Preludes- Book 2 no 8 | 7 | score p. 3 | |
Debussy | Ondine | Preludes- Book 2 no 8 | 8 | score p. 4 | |
Debussy | Ondine | Preludes- Book 2 no 8 | 9 | score p. 5 | |
Debussy | Ondine | Preludes- Book 2 no 8 | 10 | score p. 6 | |
Debussy | Ondine | Preludes- Book 2 no 8 | 11 | score p. 7 | |
Debussy | Ondine | Preludes- Book 2 no 8 | unscanned | score copies | Folder 2- misc sketches |
Debussy | Ondine | Preludes- Book 2 no 8 | 12 | examples- oversized | |
Debussy | Ondine | Preludes- Book 2 no 8 | 13 | 24,27,28 | |
Debussy | Ondine | Preludes- Book 2 no 8 | 14 | 25,26 | |
Debussy | Ondine | Preludes- Book 2 no 8 | 15 | oversized wksht | |
Debussy | Ondine | Preludes- Book 2 no 8 | unscanned | unmarked scores, copies p. 5-11 | |
Debussy | Ondine | Preludes- Book 2 no 8 | 16 | notes p. 1 | Folder 3- Voice leading connections |
Debussy | Ondine | Preludes- Book 2 no 8 | 17 | p. 2 | |
Debussy | Ondine | Preludes- Book 2 no 8 | 18 | p. 3 | |
Debussy | Ondine | Preludes- Book 2 no 8 | 19 | p. 4 | |
Debussy | Ondine | Preludes- Book 2 no 8 | 20r | p. 5 | |
Debussy | Ondine | Preludes- Book 2 no 8 | 20v | notes | |
Debussy | Ondine | Preludes- Book 2 no 8 | 21r | p. 6 | |
Debussy | Ondine | Preludes- Book 2 no 8 | 21v | notes scratched out | |
Debussy | Ondine | Preludes- Book 2 no 8 | 22 | Sets, p. 1 | Folder 4 |
Debussy | Ondine | Preludes- Book 2 no 8 | 23 | p. 2 | |
Debussy | Ondine | Preludes- Book 2 no 8 | 24 | table c | |
Debussy | Ondine | Preludes- Book 2 no 8 | 25 | Ex. A- sets | |
Debussy | Ondine | Preludes- Book 2 no 8 | 26 | Ex. A- Relations | |
Debussy | Ondine | Preludes- Book 2 no 8 | 27r | See also.. | Folder 5 |
Debussy | Ondine | Preludes- Book 2 no 8 | 27v | Ex. 6 | |
Debussy | Ondine | Preludes- Book 2 no 8 | 28 | Ex. P | |
Debussy | Ondine | Preludes- Book 2 no 8 | 29r | Oversized- Debussy | |
Debussy | Ondine | Preludes- Book 2 no 8 | 29v | Oversized- Berg | Cross reference |
Debussy | Ondine | Preludes- Book 2 no 8 | 30 | Misc | |
Debussy | Les sons et les parfums͙ | Preludes- Book 1 no 4 | unscanned | unmarked score | |
Debussy | Les sons et les parfums͙ | Preludes- Book 1 no 4 | 1 | score p. 1 | |
Debussy | Les sons et les parfums͙ | Preludes- Book 1 no 4 | 2 | score p. 2 | |
Debussy | Les sons et les parfums͙ | Preludes- Book 1 no 4 | 3 | score p. 3 | |
Debussy | Les sons et les parfums͙ | Preludes- Book 1 no 4 | 4 | oversized 1 | |
Debussy | Les sons et les parfums͙ | Preludes- Book 1 no 4 | 5 | oversized 2 | |
Debussy | Les sons et les parfums͙ | Preludes- Book 1 no 4 | unscanned | copies of Harmonie du Soir (?) | |
Debussy | Les sons et les parfums͙ | Preludes- Book 1 no 4 | 6 | Oversized 3 | |
Debussy | Les sons et les parfums͙ | Preludes- Book 1 no 4 | 7 | unary transformations | |
Debussy | Les sons et les parfums͙ | Preludes- Book 1 no 4 | 8 | notes, some scratched out | |
Debussy | Les sons et les parfums͙ | Preludes- Book 1 no 4 | 9 | stretched out form.. | |
Debussy | Les sons et les parfums͙ | Preludes- Book 1 no 4 | 10 | gen. set 4-16 | |
Debussy | Les sons et les parfums͙ | Preludes- Book 1 no 4 | 11 | set 4-23 | |
Debussy | Les sons et les parfums͙ | Preludes- Book 1 no 4 | 12 | oversized sets | |
Debussy | Les sons et les parfums͙ | Preludes- Book 1 no 4 | 13 | p. 2 | |
Debussy | Les sons et les parfums͙ | Preludes- Book 1 no 4 | 14 | p. 3 | |
Debussy | Les sons et les parfums͙ | Preludes- Book 1 no 4 | 15 | genera matrix full | |
Debussy | Les sons et les parfums͙ | Preludes- Book 1 no 4 | 16 | reduced matrx | |
Debussy | La Mer | Folder 1- Notes, Analytical material | 1 | Thematic material (melodic) | |
Debussy | La Mer | 2 | cont'd | ||
Debussy | La Mer | 3 | score p. 1 | ||
Debussy | La Mer | 4 | p. 2 | ||
Debussy | La Mer | 5 | p. 3 | ||
Debussy | La Mer | 6 | p. 4 | ||
Debussy | La Mer | 7 | p. 5 | ||
Debussy | La Mer | 8 | p. 6 | ||
Debussy | La Mer | 9 | p. 7 | ||
Debussy | La Mer | 10 | p. 8 | ||
Debussy | La Mer | 11 | p. 9 | ||
Debussy | La Mer | 12 | p. 10 | ||
Debussy | La Mer | 13 | p. 11 | ||
Debussy | La Mer | 14 | p. 12 | ||
Debussy | La Mer | 15 | p. 13 | ||
Debussy | La Mer | 16 | p. 14 | ||
Debussy | La Mer | 17 | p. 15 | ||
Debussy | La Mer | 18 | p. 16 | ||
Debussy | La Mer | 19 | p. 17 | ||
Debussy | La Mer | 20 | redings | ||
Debussy | La Mer | unscanned | unmarked score | ||
Debussy | La Mer | 21 | sketch (Sibley library) p. 1 | ||
Debussy | La Mer | 22 | p. 2 | ||
Debussy | La Mer | 23 | p. 3 | ||
Debussy | La Mer | 24 | p. 4 | ||
Debussy | La Mer | 25 | p. 5 | ||
Debussy | La Mer | 26 | p. 6 | ||
Debussy | La Mer | 27 | p. 7 | ||
Debussy | La Mer | 28 | p. 8 | ||
Debussy | La Mer | 29 | p. 9 | ||
Debussy | La Mer | 30 | p. 10 | ||
Debussy | La Mer | 31 | p. 11 | ||
Debussy | La Mer | 32 | p. 12 | ||
Debussy | La Mer | Folder 2 | 33 | typed notes | |
Debussy | La Mer | unscanned | unmarked scores | ||
Debussy | Cello Sonata | 1 | Marked score p. 1 | ||
Debussy | Cello Sonata | 2 | p. 2 | ||
Debussy | Cello Sonata | 3 | p. 3 | ||
Debussy | Cello Sonata | 4 | p. 4 | ||
Debussy | Cello Sonata | 5 | notes on staff paper | ||
Debussy | Cello Sonata | unscanned | unmarked score | ||
Debussy | Nuages- Examples (Completed) | 1 | Table 1 | ||
Debussy | Nuages- Examples (Completed) | 2 | Table 2 | ||
Debussy | Nuages- Examples (Completed) | 3 | Ex. 1 | ||
Debussy | Nuages- Examples (Completed) | 4 | Ex. 2a | ||
Debussy | Nuages- Examples (Completed) | 5 | Ex. 2b | ||
Debussy | Nuages- Manuscript Draft | 1 | Permut. Gr. Of Degree 3 | ||
Debussy | Nuages- Manuscript Draft | 2 | Linear Features, 1/7 | ||
Debussy | Nuages- Manuscript Draft | 3 | Linear Features, 2/7 | ||
Debussy | Nuages- Manuscript Draft | 4 | Linear Features, 3/7 | ||
Debussy | Nuages- Manuscript Draft | 5 | Linear Features, 4/7 | ||
Debussy | Nuages- Manuscript Draft | 6 | Linear Features, 5/7 | ||
Debussy | Nuages- Manuscript Draft | 7 | Linear Features, 6/7 | ||
Debussy | Nuages- Manuscript Draft | 8 | Linear Features, 7/7 | ||
Debussy | Nuages- Draft examples | 1 | ΗTo be checked͙Η 1/3 | 1-3 Clipped Together | |
Debussy | Nuages- Draft examples | 2 | ΗTo be checked͙Η 2/3 | ||
Debussy | Nuages- Draft examples | 3 | ΗTo be checked͙Η 3/3 | ||
Debussy | Nuages- Draft examples | 4 thru 22 | Examples, 19 pp | 4-22 Clipped together | |
Debussy | Nuages- Draft examples | unscanned | copies | ||
Debussy | Nuages- Analytical Sketches | 1 | Large Scale- oversized, 1/3 | ||
Debussy | Nuages- Analytical Sketches | 2 | Large Scale- oversized, 2/3 | ||
Debussy | Nuages- Analytical Sketches | 3 | Large Scale- oversized, 3/3 | ||
Debussy | Nuages- Analytical Sketches | 4 Thru 21 | 18 pp Musical Examples | ||
Debussy | Nuages- Analytical Sketches | unscanned | Copies of Debussy's Letters | ||
Debussy | Nuages- Analytical Sketches | 22 | Hand written notes on torn paper | ||
Debussy | Nuages- Analytical Sketches | unscanned | Rolf examples | ||
Debussy | Nuages- Analytical Sketches | 23 | Code, 1/3 | ||
Debussy | Nuages- Analytical Sketches | 24 | Code, 2/3 | ||
Debussy | Nuages- Analytical Sketches | 25 | Code, 3/3 | ||
26 | Sketch, mini | ||||
Debussy | Nuages- Analytical Sketches | 26 verso | Sketch, mini | ||
Debussy | Nuages- Analytical Sketches | 27 | Sketch, upside- down | ||
Debussy | Nuages- Analytical Sketches | 28 | Blurb, typed | ||
Debussy | Nuages- Analytical Sketches | 28 Verso | Network | ||
Debussy | Nuages- Analytical Sketches | 29 | Example, 4 against 6 | ||
Debussy | Nuages- Analytical Sketches | unscanned | Incomplete copy of p29 | ||
Debussy | Nuages- Voice Leading Transformations | 1 | Theme 1a 1/2 | ||
Debussy | Nuages- Voice Leading Transformations | 2 | Theme 1a 2/2 | ||
Debussy | Nuages- Voice Leading Transformations | 3 | Urary for Contiguous | ||
Debussy | Nuages- Voice Leading Transformations | 4 | Urary for Boundary | ||
Debussy | Nuages- Voice Leading Transformations | 5 | Theme 1b Short | ||
Debussy | Nuages- Voice Leading Transformations | 6 | Theme 1b long | ||
Debussy | Nuages- Voice Leading Transformations | 7 | PI Mappings, 1/3 | ||
Debussy | Nuages- Voice Leading Transformations | 7 verso | notes | ||
Debussy | Nuages- Voice Leading Transformations | 8 | PI Mappings, 2/3 | ||
Debussy | Nuages- Voice Leading Transformations | 9 | PI Mappings, 3/3 | ||
Debussy | Nuages- Motives- Worksheets | 1 | Notes | ||
Debussy | Nuages- Motives- Worksheets | 2 | Notes | ||
Debussy | Nuages- Motives- Worksheets | 3 | Notes | ||
Debussy | Nuages- Motives- Worksheets | 3 Verso | Notes | ||
Debussy | Nuages- Motives- Worksheets | 4 | Notes | ||
Debussy | Nuages- Motives- Worksheets | 4 Verso | Notes | ||
Debussy | Nuages- Old Examples | 1 | Notes | ||
Debussy | Nuages- Old Examples | 2 | Notes | ||
Debussy/ Berg | Nuages/ Lyric Suite Examples | 1 | Notes | Berg Lyric Suite III- Cross reference? | |
Debussy/ Berg | Nuages/ Lyric Suite Examples | 2 | Notes | ||
Debussy/ Berg | Nuages/ Lyric Suite Examples | 3 | Notes | ||
Debussy | Nuages- Chapter Completed Examples | 1 | Cardboard Notes | ||
Debussy | Nuages- Chapter Completed Examples | 2 | Ex. 7 | ||
Debussy | Nuages- Chapter Completed Examples | 3 | Table 2, 1/4 | ||
Debussy | Nuages- Chapter Completed Examples | 4 | Table 2, 2/4 | ||
Debussy | Nuages- Chapter Completed Examples | 5 | Table 2, 3/4 | ||
Debussy | Nuages- Chapter Completed Examples | 6 | Table 2, 4/4 | ||
Debussy | Nuages- Chapter Completed Examples | 7 | Table 2- Permutation | ||
Debussy | Nuages- Chapter Completed Examples | 8 | Table 1 | ||
Debussy | Nuages- Chapter Completed Examples | 9 | Table 3 | ||
Debussy | Nuages- Chapter Completed Examples | 10 | Table 4 | ||
Debussy | Nuages- Chapter Completed Examples | 11 | Table 5 | ||
Debussy | Nuages- Chapter Completed Examples | Not to be scanne | Ex. 1- 13 | ||
Debussy | Nuages- Notes for Text | 1 | p. 39 | ||
Debussy | Nuages- Notes for Text | 1 Verso | Note In red pen | ||
Debussy | Nuages- Notes for Text | 2 | Mini notes | ||
Debussy | Nuages- Score | 1 | Marked Score | ||
Debussy | Nuages- Score | 2 | Marked Score | ||
Debussy | Nuages- Score | 3 | Marked Score | ||
Debussy | Nuages- Score | 4 | Marked Score | ||
Debussy | Nuages- Score | 5 | Marked Score | ||
Debussy | Nuages- Score | 6 | Marked Score | ||
Debussy | Nuages- Score | 7 | Marked Score | ||
Debussy | Nuages- Score | 8 | Marked Score | ||
Debussy | la Chevelure | Songs | 1 | Marked score, p.1 | |
Debussy | la Chevelure | Songs | 2 | p. 2 | |
Debussy | la Chevelure | Songs | 3 | p.3 | |
Debussy | la Chevelure | Songs | 4 | p.4 | |
Debussy | la Chevelure | Songs | 5 | Text | |
Debussy | la Chevelure | Songs | 6 | Marked score 2nd draft, p.1 | |
Debussy | la Chevelure | Songs | 7 | p. 2 | |
Debussy | la Chevelure | Songs | 8 | p.3 | |
Debussy | la Chevelure | Songs | 9 | p.4 | |
Debussy | la Chevelure | Songs | 10 | Staff notes | |
Debussy | la Chevelure | Songs | 11 | Text draft 2 | |
Debussy | la Chevelure | Songs | 12 | other transloation | |
Debussy | C'est l'extase | Songs | 1 | Text | |
Debussy | C'est l'extase | Songs | 2 | Marked Score, p. 1 | |
Debussy | C'est l'extase | Songs | 3 | p. 2 | |
Debussy | C'est l'extase | Songs | 4 | p. 3 | |
Debussy | C'est l'extase | Songs | unscanned | 3 copies unmarked score, copy of p. 1 | |
Debussy | L'ombre des arbres | Songs | 1 | Marked score, 1 | |
Debussy | L'ombre des arbres | Songs | 2 | marked score 2 | |
Debussy | L'ombre des arbres | Songs | 3 | notes, 1 | |
Debussy | L'ombre des arbres | Songs | 4 | notes, 2 | |
Debussy | L'ombre des arbres | Songs | 5 | VL Graph | Oversized, scanned |
Debussy | Les Ingenus | Songs | 1 | Marked score, p.1 | |
Debussy | Les Ingenus | Songs | 2 | p. 2 | |
Debussy | Les Ingenus | Songs | 3 | p.3 | |
Debussy | Les Ingenus | Songs | 4 | p.4 | |
Debussy | Les Ingenus | Songs | 5 | Linear features | |
Debussy | Les Ingenus | Songs | 6 | pc set motives | |
Debussy | Les Ingenus | Songs | 7 | Subsets p 1 | |
Debussy | Les Ingenus | Songs | 8 | p 2 | |
Debussy | Harmonie Du Soir | Songs | 1 | Heptads | |
Debussy | Harmonie Du Soir | Songs | 2 | Subsets, 1/2 | |
Debussy | Harmonie Du Soir | Songs | 3 | subsets, 2/2 | |
Debussy | Harmonie Du Soir | Songs | 4 | Marked score, p 1 | |
Debussy | Harmonie Du Soir | Songs | 4a | other reading from a prelude folder | |
Debussy | Harmonie Du Soir | Songs | 5 | p 2 | |
Debussy | Harmonie Du Soir | Songs | 6 | p 3 | |
Debussy | Harmonie Du Soir | Songs | 7 | p 4 | |
Debussy | Harmonie Du Soir | Songs | 8 | p 5 | |
Debussy | Harmonie Du Soir | Songs | 9 | septads of 8-28 | |
Debussy | Harmonie Du Soir | Songs | 10 | notes | |
Debussy | Harmonie Du Soir | Songs | 11 | text | |
Debussy | Harmonie Du Soir | Songs | 12 | subsets of 7-34 | |
Debussy | Harmonie Du Soir | Songs | 13 | subsets of 7-34 p 2 | |
Debussy | Harmonie Du Soir | Songs | 14 | heptad notes, 1/2 | |
Debussy | Harmonie Du Soir | Songs | 15 | heptad notes, 2/2 | |
Debussy | Harmonie Du Soir | Songs | unscanned | copy p 1 | |
Debussy | Le tombeua des naiades | Songs | 1 | Text | |
Debussy | Le tombeua des naiades | Songs | 2 | score p 1 | |
Debussy | Le tombeua des naiades | Songs | 3 | p 2 | |
Debussy | Le tombeua des naiades | Songs | 4 | p 3 | |
Debussy | Le tombeua des naiades | Songs | 5 | p 4 | |
Debussy | Le tombeua des naiades | Songs | unscanned | unmarked score | |
Debussy | Recueillement | Songs | 1 | Marked Score, p 1 | |
Debussy | Recueillement | Songs | 2 | p 2 | |
Debussy | Recueillement | Songs | 3 | p 3 | |
Debussy | Recueillement | Songs | 4 | p 4 | |
Debussy | Recueillement | Songs | 5 | p 5 | |
Debussy | La terrasse de audiences du clair de lune | 1 | wksht. P. 3 | ||
Debussy | La terrasse de audiences du clair de lune | 2 | W1 | ||
Debussy | La terrasse de audiences du clair de lune | 3 | W3 | ||
Debussy | La terrasse de audiences du clair de lune | 4 | W3 partial solution | ||
Debussy | La terrasse de audiences du clair de lune | 5 | oversized- w2 | ||
Debussy | La terrasse de audiences du clair de lune | 6 | p. 4 | ||
Debussy | La terrasse de audiences du clair de lune | 7 | p. 6 | ||
Debussy | La terrasse de audiences du clair de lune | 8 | p. 1 | ||
Debussy | La terrasse de audiences du clair de lune | 9 | oversized- p. 1 | folder 1 | |
Debussy | La terrasse de audiences du clair de lune | 10 | oversized- p. 2 | ||
Debussy | La terrasse de audiences du clair de lune | 11 | inventory, 1/3 | ||
Debussy | La terrasse de audiences du clair de lune | 12 | inventory, 2/3 | ||
Debussy | La terrasse de audiences du clair de lune | 13 | inventory, 3/3 | ||
Debussy | La terrasse de audiences du clair de lune | unscanned | unmarked scores, 2 copies | folder 2 | |
Debussy | La terrasse de audiences du clair de lune | 14 | hand copied- mini | ||
Debussy | La terrasse de audiences du clair de lune | unscanned | copy of p. 20 | ||
Debussy | La terrasse de audiences du clair de lune | 15 | oversized- linear aspects | ||
Debussy | La terrasse de audiences du clair de lune | 16 | p. 1/2 | folder 3- "Early versions" | |
Debussy | La terrasse de audiences du clair de lune | 17 | p. 2/2 | ||
Debussy | La terrasse de audiences du clair de lune | article by Fred Lerdahl | to be posted? | ||
Debussy | L'isle Joyeuse | 1 | Score p. 1 | ||
Debussy | L'isle Joyeuse | 2 | Score p. 1 2nd analysis | ||
Debussy | L'isle Joyeuse | 3 | Score p. 2 | ||
Debussy | L'isle Joyeuse | 4 | Score p. 2 2nd analysis | ||
Debussy | L'isle Joyeuse | 5 | p. 3 | ||
Debussy | L'isle Joyeuse | 6 | p. 4 | ||
Debussy | L'isle Joyeuse | 7 | p. 5 | ||
Debussy | L'isle Joyeuse | 8 | p. 6 | ||
Debussy | L'isle Joyeuse | 9 | p. 7 | ||
Debussy | L'isle Joyeuse | 10 | p. 8 | ||
Debussy | L'isle Joyeuse | 11 | p. 9 | ||
Debussy | L'isle Joyeuse | 12 | p. 10 | ||
Debussy | L'isle Joyeuse | 13 | p. 11 | ||
Debussy | L'isle Joyeuse | 14 | p. 12 | ||
Debussy | L'isle Joyeuse | 15 | p. 13 | ||
Debussy | L'isle Joyeuse | 16 | Notes | ||
Debussy | String Quartet I | 1 | Oversized | ||
Debussy | String Quartet I | 2 | Score, p 1 | ||
Debussy | String Quartet I | 3 | p. 2 | ||
Debussy | String Quartet I | 4 | p. 3 | ||
Debussy | String Quartet I | 5 | p. 4 | ||
Debussy | String Quartet I | 6 | p. 5 | ||
Debussy | String Quartet I | 7 | p. 6 | ||
Debussy | String Quartet I | 8 | p. 7 | ||
Debussy | String Quartet I | 9 | p. 8 | ||
Debussy | String Quartet I | 10 | p. 9 | ||
Debussy | String Quartet I | 11 | p. 10 | ||
Debussy | String Quartet I | 12 | p. 11 | ||
Debussy | String Quartet I | 13 | p. 12 | ||
Debussy | String Quartet I | 14 | p. 13 | ||
Debussy | String Quartet I | 15 | p. 14 | ||
Debussy | String Quartet I | 16 | p. 15 | ||
Debussy | String Quartet I | 17 | permutations of degree 3 | ||
Debussy | String Quartet I | 18 | long subsets | ||
Debussy | String Quartet I | 19 | form after parks | ||
Debussy | String Quartet III | 1 | oversized | ||
Debussy | String Quartet III | 2 | score p. 1 | ||
Debussy | String Quartet III | 3 | p. 2 | ||
Debussy | String Quartet III | 4 | p. 3 | ||
Debussy | String Quartet III | 5 | p. 4 | ||
Debussy | String Quartet III | 6 | oversized score p. 1 | ||
Debussy | String Quartet III | 7 | oversized score p. 2 | ||
Debussy | String Quartet III | 8 | notes in pencil | ||
Debussy | Sonates | Folder- "Sonate pur flute, alto, et harpe" | 1 | oversized- sonate pour violoncelle et piano (?) | |
Debussy | Sonates | 2 | marked score- Serenade et finale p. 1 | ||
Debussy | Sonates | 3 | typed notes on cello sonata | ||
Debussy | Sonates | unscanned | unmarked score- flute, alto et harpe | ||
Debussy | Ce qu'a vu le vent d'Ouest | Preludes, book 1 no VII | 1 | Oversized | |
Debussy | Ce qu'a vu le vent d'Ouest | Preludes, book 1 no VII | 2 | table | |
Debussy | Ce qu'a vu le vent d'Ouest | Preludes, book 1 no VII | 3 | score a p. 1 | |
Debussy | Ce qu'a vu le vent d'Ouest | Preludes, book 1 no VII | 4 | score a p. 2 | |
Debussy | Ce qu'a vu le vent d'Ouest | Preludes, book 1 no VII | 5 | score a p. 3 | |
Debussy | Ce qu'a vu le vent d'Ouest | Preludes, book 1 no VII | 6 | score a p. 4 | |
Debussy | Ce qu'a vu le vent d'Ouest | Preludes, book 1 no VII | 7 | score b p. 1 | |
Debussy | Ce qu'a vu le vent d'Ouest | Preludes, book 1 no VII | 8 | score b p. 2 | |
Debussy | Ce qu'a vu le vent d'Ouest | Preludes, book 1 no VII | 9 | score b p. 3 | |
Debussy | Ce qu'a vu le vent d'Ouest | Preludes, book 1 no VII | 10 | score b p. 4 | |
Debussy | Ce qu'a vu le vent d'Ouest | Preludes, book 1 no VII | 11 | score b p. 5 | |
Debussy | Ce qu'a vu le vent d'Ouest | Preludes, book 1 no VII | 12 | score b p. 6 | |
Debussy | Ce qu'a vu le vent d'Ouest | Preludes, book 1 no VII | 13 | score b p. 7 | |
Debussy | Etude X | Pour les Sonorites Opposees | 1 | Oversized 1 | |
Debussy | Etude X | Pour les Sonorites Opposees | 2 | Oversized 2 | |
Debussy | Etude X | Pour les Sonorites Opposees | 3 | barely marked score, p. 1 | |
Debussy | Etude X | Pour les Sonorites Opposees | 4 | p. 2 | |
Debussy | Etude X | Pour les Sonorites Opposees | 5 | p. 3 | |
Debussy | Etude X | Pour les Sonorites Opposees | 6 | p. 4 | |
Debussy | Etude X | Pour les Sonorites Opposees | 7 | Genera matrix | |
Debussy | Etude X | Pour les Sonorites Opposees | unscanned | numerous copies of genera matrix | |
Debussy | Etude X | Pour les Sonorites Opposees | 8 | genera matrix- filled in | |
Debussy | Etude X | Pour les Sonorites Opposees | 9 | staff paper notes | |
Debussy | Octatonic Passages | Folder | 1- Stage | 1 | Notes on Khamma |
Debussy | Octatonic Passages | Folder | 1- Stage | 2 | Khamma, Sc. II, p. 19 |
Debussy | Octatonic Passages | Folder | 1- Stage | 3 | Khamma, Sc. II, p. 15 |
Debussy | Octatonic Passages | Folder | 1- Stage | 4 | Khamma, Sc. I, p. 5 |
Debussy | Octatonic Passages | Folder | 1- Stage | 5 | Khamma, Prelude |
Debussy | Octatonic Passages | Folder | 1- Stage | 6 | Khamma, sc. II, p. 14 |
Debussy | Octatonic Passages | Folder | 1- Stage | 7 | Khamma, p. 4 |
Debussy | Octatonic Passages | Folder | 1- Stage | 8 | khamma, p. 3 |
Debussy | Octatonic Passages | Folder | 1- Stage | 9 | Pelléas, p. 25 |
Debussy | Octatonic Passages | Folder | 1- Stage | 10 | Pelléas, 45 |
Debussy | Octatonic Passages | Folder | 1- Stage | 11 | Pelléas, 55 |
Debussy | Octatonic Passages | Folder | 1- Stage | 12 | Pelléas, 56 |
Debussy | Octatonic Passages | Folder | 1- Stage | 13 | Pelléas, 130 |
Debussy | Octatonic Passages | Folder | 1- Stage | 14 | ?? P. 49 |
Debussy | Octatonic Passages | Folder | 1- Stage | 15 | From Musical Quarterly, ode bachique, Diane |
Debussy | Octatonic Passages | Folder | 1- Stage | 16 | Martyrs, p. 66 |
Debussy | Octatonic Passages | Folder | 1- Stage | 17 | Martyrs, p. 23 |
Debussy | Octatonic Passages | Folder | 1- Stage | 18 | Martyrs, p. 43. |
Debussy | Octatonic Passages | Folder | 1- Stage | 19 | Martyrs, p. 55 |
Debussy | Octatonic Passages | Folder | 1- Stage | 20 | Martyrs, p. 60 |
Debussy | Octatonic Passages | Folder | 1- Stage | 21 | Martyrs, p. 74 |
Debussy | Octatonic Passages | Folder | 1- Stage | 22 | Martyrs, 80 |
Debussy | Octatonic Passages | Folder | 1- Stage | 23 | Martyrs, p. 14 |
Debussy | Octatonic Passages | Folder | 1- Stage | 24 | martyrs, p. 46 |
Debussy | Octatonic Passages | Folder | 1- Stage | 25 | notes on damoiselle |
Debussy | Octatonic Passages | Folder | 1- Stage | 26 | L'Enfant p. 9 |
Debussy | Octatonic Passages | Folder | 1- Stage | 27 | L'Enfant, p. 22 |
Debussy | Octatonic Passages | Folder | 2- piano | 1 | Pour le Piano p. 73 |
Debussy | Octatonic Passages | Folder | 2- piano | 2 | pour le piano p. 49 |
Debussy | Octatonic Passages | Folder | 2- piano | 3 | pour le piano p. 51 |
Debussy | Octatonic Passages | Folder | 2- piano | 4 | pour le piano p. 35 |
Debussy | Octatonic Passages | Folder | 2- piano | 5 | pour le piano, p. 37 |
Debussy | Octatonic Passages | Folder | 2- piano | 6 | estampes, 102 |
Debussy | Octatonic Passages | Folder | 2- piano | 7 | ballade p. 54 |
Debussy | Octatonic Passages | Folder | 2- piano | 8 | estampes, 103 |
Debussy | Octatonic Passages | Folder | 2- piano | 9 | children's 64 |
Debussy | Octatonic Passages | Folder | 2- piano | 10 | children's 16 |
Debussy | Octatonic Passages | Folder | 2- piano | 11 | estampes 113 |
Debussy | Octatonic Passages | Folder | 2- piano | 12 | estampes 109 |
Debussy | Octatonic Passages | Folder | 2- piano | 13 | tierces 99 |
Debussy | Octatonic Passages | Folder | 2- piano | 14 | etudes 10 |
Debussy | Octatonic Passages | Folder | 2- piano | 15 | pour les notes 12 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 1 | Les Fees p. 69 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 2 | Feuilles p. 60 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 3 | Feuilles p. 59 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 4 | Feuilles p. 58 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 5 | Danse de Puck 48 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 6 | serenade 37 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 7 | coollines 17 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 8 | general 78 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 9 | general 78 copy 2 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 10 | tierces 103 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 11 | feux 112 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 12 | brouillards 56 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 13 | feux 118 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 14 | puerta 64 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 15 | fees 68 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 16 | terrasse 81 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 17 | ex. 14 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 18 | ce qua vent |
Debussy | Octatonic Passages | Folder | 3- Preludes | 19 | le vent dans 8 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 20 | des pas sur 23 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 21 | les sons 13 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 22 | brouillards 53 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 23 | tierces 99 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 24 | tierces 104 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 25 | feux 115 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 26 | ondine 86 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 27 | ondine 85 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 28 | les sons 14 |
Debussy | Octatonic Passages | Folder | 3- Preludes | 29 | tierces notes |
Debussy | Octatonic Passages | Folder | 3- Preludes | 30 | tierces m105 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 1 | 1 Bildp. 4 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 2 | le jet d'eau p. 52 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 3 | jet 53 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 4 | mort 60 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 5 | mort 61 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 6 | mort 62 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 7 | le mar- 90 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 8 | greve 109 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 9 | greve 110 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 10 | greve 113 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 11 | fleure 119 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 12 | tombeau 138 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 13 | tombeau 141 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 14 | claire de lune 87 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 15 | chevaux p. 23? |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 16 | chevaux 24 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 17 | chevaux 25 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 18 | reverie 8 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 19 | fetes galantes 77 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 20 | fetes 78 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 21 | fetes 81 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 22 | trois chansons 150 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 23 | grotto 146 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 24 | jardin 101 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 25 | serenade 19 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 26 | tombeau 140 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 27 | flute 132 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 28 | fleurs 116 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 29 | colloque 163 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 30 | jardin 100 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 31 | lombre |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 32 | green 27 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 33 | spleen |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 34 | balcon |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 35 | faune 155 |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 36 | souhat |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 38 | separate, stapled, top |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 39 | middle |
Debussy | Octatonic Passages | Folder | 4- Songs (1) | 40 | bottom |
Debussy | Octatonic Passages | Folder | 5- Chamber | 1 | flute, alto viola, 5 |
Debussy | Octatonic Passages | Folder | 5- Chamber | 2 | harpe 2 |
Debussy | Octatonic Passages | Folder | 5- Chamber | 3 | en blanc 20 |
Debussy | Octatonic Passages | Folder | 5- Chamber | 4 | en blanc 21 |
Debussy | Octatonic Passages | Folder | 5- Chamber | 5 | piano 4 |
Debussy | Octatonic Passages | Folder | 5- Chamber | 6 | SQ IV 36 |
Debussy | Octatonic Passages | Folder | 5- Chamber | 7 | VC et piano 2 |
Debussy | Octatonic Passages | Folder | 6- Orchestral | 1 | mini |
Debussy | Octatonic Passages | Folder | 6- Orchestral | 2 | jeux |
Debussy | Octatonic Passages | Folder | 6- Orchestral | 3 | jeux 33 |
Debussy | Octatonic Passages | Folder | 6- Orchestral | 4 | jeux 6-33 |
Debussy | Octatonic Passages | Folder | 6- Orchestral | 5 | jeux r10 |
Debussy | Octatonic Passages | Folder | 6- Orchestral | 6 | jeux r25 |
Debussy | Octatonic Passages | Folder | 6- Orchestral | 7 | jeux 17 |
Debussy | Octatonic Passages | Folder | 6- Orchestral | 8 | rondes p. 6 |
Debussy | Octatonic Passages | Folder | 6- Orchestral | 9 | nuages |
Debussy | Octatonic Passages | Folder | 6- Orchestral | 10 | la mer 17 |
Debussy | Octatonic Passages | Folder | 6- Orchestral | 11 | mer 27 |
Debussy | Octatonic Passages | Folder | 6- Orchestral | 12 | mer 26 |
Debussy | Octatonic Passages | Folder | 6- Orchestral | 13 | parfume 24 |
Debussy | Octatonic Passages | Folder | 6- Orchestral | 14 | prefude 441 |
Debussy | Octatonic Passages | Folder | 6- Orchestral | 15 | notes |
Debussy | Octatonic Passages | Folder | 6- Orchestral | 16 | images 6 |
Debussy | Octatonic Passages | Folder | 6- Orchestral | 17 | mer 2 |
Debussy | Octatonic Passages | Folder | 6- Orchestral | 18 | mer 10 |
Debussy | Octatonic Passages | Folder | 6- Orchestral | 19 | mer 22 |
Debussy | Octatonic Passages | Folder | 6- Orchestral | 20 | sirenes 4 |
Debussy | Octatonic Passages | Folder | 6- Orchestral | 21 | fetes 20 |
Debussy | Octatonic Passages | Folder | 6- Orchestral | 22 | fetes 3 |
Debussy | Octatonic Passages | Folder | 6- Orchestral | 23 | iimages 8 |
Debussy | Octatonic Passages | Folder | 6- Orchestral | 24 | images 7 |
Debussy | Prelude to Afternoon of a Faun | Folder | 1- Analytical sketches and piano score | 1 | Oversized analysis mm 1-48 |
Debussy | Prelude to Afternoon of a Faun | unscanned | copies p. 1 | ||
Debussy | Prelude to Afternoon of a Faun | 2 | oversized mm 51-58 | ||
Debussy | Prelude to Afternoon of a Faun | unscanned | unmarked score copies | ||
Debussy | Prelude to Afternoon of a Faun | 3 | notes | ||
Debussy | Prelude to Afternoon of a Faun | 4 | sketch of final section | ||
Debussy | Prelude to Afternoon of a Faun | 5 | some set/voice-ldg notes | ||
Debussy | Prelude to Afternoon of a Faun | 6 | ex. 10 | ||
Debussy | Prelude to Afternoon of a Faun | 7 | tetrachords | ||
Debussy | Prelude to Afternoon of a Faun | 8 | notes with red pen | ||
Debussy | Prelude to Afternoon of a Faun | 9 | genera matrix | ||
Debussy | Prelude to Afternoon of a Faun | 10 | unary notes | ||
Debussy | Prelude to Afternoon of a Faun | unscanned | publ Parks article "Tonal Referents.." | ||
Debussy | Prelude to Afternoon of a Faun | Folder 2- Final Section, linear analysis | 11 | another take on final section | |
Debussy | Prelude to Afternoon of a Faun | unscanned | copy p 11 | ||
Debussy | Prelude to Afternoon of a Faun | Folder 3- Piano duet arr. By Debussy | unscanned | unmarked score copies | |
Debussy | Prelude to Afternoon of a Faun | Folder 4- Last page transparency | unscanned | unmarked manuscript copies | |
Debussy | Prelude to Afternoon of a Faun | Folder 5 | unscanned | unmarked publ manuscript ed. | |
Debussy | Voiles | (Preludes, Book 1) | 1 | notes in pencil | |
Debussy | Voiles | (Preludes, Book 1) | 2 | typed notes 1 | |
Debussy | Voiles | (Preludes, Book 1) | 3 | typed notes 2 | |
Debussy | Danseuses de Delphes | Preludes, Book 1 | 1 | p. 1 score | |
Debussy | Danseuses de Delphes | Preludes, Book 1 | 2 | p. 2 | |
Debussy | Images I, 1. Reflets dans l'eau | Dbssy_ImagesI_Reflets_p | 1 | Marked score, p. 1 | |
Debussy | Images I, 1. Reflets dans l'eau | 2 | p. 2 | ||
Debussy | Images I, 1. Reflets dans l'eau | 3 | p. 3 | ||
Debussy | Images I, 1. Reflets dans l'eau | 4 | p. 4 | ||
Debussy | Images I, 1. Reflets dans l'eau | 5 | p. 5 | ||
Debussy | Images I, 1. Reflets dans l'eau | 6 | p. 6 | ||
Debussy | Images I, 1. Reflets dans l'eau | 7 | p. 7 | ||
Debussy | Images I, 1. Reflets dans l'eau | 8 | oversized | ||
Debussy | Images I, 1. Reflets dans l'eau | 9 | wksht- 22-23 | ||
Debussy | Images I, 1. Reflets dans l'eau | 10 | wksht- 3-7 | ||
Debussy | Images I- Reflets dans l'eau | Dbssy_Images1_no1_px and so on | 11 | Score p. 1 | |
Debussy | Images I- Reflets dans l'eau | 12 | score p. 2 | ||
Debussy | Images I- Reflets dans l'eau | 13 | score p. 3 | ||
Debussy | Images I- Reflets dans l'eau | 14 | score p. 4 | ||
Debussy | Images I- Reflets dans l'eau | 15 | Oversized score, cover | ||
Debussy | Images I- Reflets dans l'eau | 16 | p. 1 | ||
Debussy | Images I- Reflets dans l'eau | 17 | p. 2 | ||
Debussy | Images I- Reflets dans l'eau | 18 | p. 3 | ||
Debussy | Images I- Reflets dans l'eau | 19 | p. 4 | ||
Debussy | Images I- Reflets dans l'eau | 20 | p. 5 | ||
Debussy | Images I- Reflets dans l'eau | 21 | p. 6 | ||
Debussy | Images I- Reflets dans l'eau | 22 | p. 7 | ||
Debussy | Images I- Hommage a Rameau | 1 | Score p. 1 | ||
Debussy | Images I- Hommage a Rameau | 2 | p. 2 | ||
Debussy | Images I- Hommage a Rameau | 3 | p. 3 | ||
Debussy | Images I- Hommage a Rameau | 4 | p. 4 | ||
Debussy | Images I- Hommage a Rameau | 5 | p. 5 | ||
Debussy | Images I- Hommage a Rameau | 6 | p. 6 | ||
Debussy | Images I- Mouvement | 1 | Score p. 1 | ||
Debussy | Images I- Mouvement | 2 | p. 2 | ||
Debussy | Images I- Mouvement | 3 | p. 3 | ||
Debussy | Images I- Mouvement | 4 | p. 4 | ||
Debussy | Images I- Mouvement | 5 | p. 5 | ||
Debussy | Images I- Mouvement | 6 | p. 6 | ||
Debussy | Images I- Mouvement | 7 | p. 7 | ||
Debussy | Images I- Mouvement | 8 | p. 8 | ||
Debussy | Images I- Mouvement | 9 | p. 9 | ||
Debussy | Images I- Mouvement | 10 | p. 10 | ||
Debussy | Images I- Mouvement | 11 | p. 11 | ||
Debussy | Images II- Cloches a travers.. | 1 | Typed notes | ||
Debussy | Images II- Cloches a travers.. | 2 | unary | ||
Debussy | Images II- Cloches a travers.. | 3 | Score p. 1 | ||
Debussy | Images II- Cloches a travers.. | 4 | p. 2 | ||
Debussy | Images II- Cloches a travers.. | 5 | p. 3 | ||
Debussy | Images II- Cloches a travers.. | 6 | p. 4 | ||
Debussy | Images II- Cloches a travers.. | 7 | p. 5 | ||
Debussy | Images II- Cloches a travers.. | 8 | p. 6 | ||
Debussy | Images II- Cloches a travers.. | 9 | p. 7 | ||
Debussy | Images II- et la lune | 1 | notes on staff paper | ||
Debussy | Images II- et la lune | 2 | Score p. 1 | ||
Debussy | Images II- et la lune | 3 | p. 2 | ||
Debussy | Images II- et la lune | 4 | p. 3 | ||
Debussy | Images II- et la lune | 5 | p. 4 | ||
Debussy | Images II- et la lune | 6 | p. 5 | ||
Debussy | Images II- et la lune | 7 | typed notes p. 1 | ||
Debussy | Images II- et la lune | 8 | p. 2 | ||
Debussy | Images II- Poissans | 1 | notes on staff paper | ||
Debussy | Images II- Poissans | 2 | Score p. 1 | ||
Debussy | Images II- Poissans | 3 | p. 2 | ||
Debussy | Images II- Poissans | 4 | p. 3 | ||
Debussy | Images II- Poissans | 5 | p. 4 | ||
Debussy | Images II- Poissans | 6 | p. 5 | ||
Debussy | Images II- Poissans | 7 | p. 6 | ||
Debussy | Images II- Poissans | 8 | p. 7 | ||
Debussy | Images II- Poissans | 9 | p. 8 | ||
Debussy | Images II- Poissans | 10 | p. 9 | ||
Debussy | Images II- Poissans | 11 | p. 10 | ||
Debussy | Images II- Poissans | 12 | p. 11 | ||
Debussy | Images II- Poissans | 13 | p. 12 | ||
Debussy | Images II- Poissans | 14 | p. 13 | ||
Debussy | Etude 4 | 1 | Score p. 1 | ||
Debussy | Etude 4 | 2 | p. 2 | ||
Debussy | Etude 4 | 3 | p. 3 | ||
Debussy | Etude 1 | 1 | notes on staff paper | ||
Debussy | Etude 1 | 2 | Score p. 1 | ||
Debussy | Etude 1 | 3 | p. 2 | ||
Debussy | Etude 1 | 4 | p. 3 | ||
Debussy | Etude 1 | 5 | p. 4 | ||
Debussy | Etude 1 | 6 | p. 5 | ||
Debussy | Etude 1 | 7 | p. 6 | ||
Debussy | Etude 1 | 8 | p. 7 | ||
Debussy | Etude 1 | 9 | p. 8 | ||
Debussy | Etude 2 | 1 | Score p. 1 | ||
Debussy | Etude 2 | 2 | p. 2 | ||
Debussy | Etude 2 | 3 | p. 3 | ||
Debussy | Etude 2 | 4 | p. 4 | ||
Debussy | Etude 2 | 5 | p. 5 | ||
Debussy | Etude 3 | 1 | notes on staff paper | ||
Debussy | Etude 3 | 2 | Score p. 1 | ||
Debussy | Etude 3 | 3 | p. 2 | ||
Debussy | Etude 3 | 4 | p. 3 | ||
Debussy | Etude 3 | 5 | p. 4 | ||
Debussy | Etude 7 | 1 | Score p. 1 | ||
Debussy | Etude 7 | 2 | p. 2 | ||
Debussy | Etude 7 | 3 | p. 3 | ||
Debussy | Etude 7 | 4 | p. 4 | ||
Debussy | Etude 7 | 5 | p. 5 | ||
Debussy | Etude 7 | 6 | p. 6 | ||
Debussy | Etude 7 | 7 | p. 7 | ||
Debussy | Etude 7 | 8 | p. 8 | ||
Debussy | Etude 11 | 1 | Score p. 1 | ||
Debussy | Etude 11 | 2 | p. 2 | ||
Debussy | Etude 11 | 3 | p. 3 | ||
Debussy | Etude 11 | 4 | p. 4 | ||
Debussy | Etude 11 | 5 | p. 5 | ||
Debussy | Etude 11 | 6 | p. 6 | ||
Debussy | Etude 11 | ||||
Debussy | Harmonic Fields General | 1 | Ex. 1 | ||
Debussy | Harmonic Fields General | 2 | principal pentads | ||
Debussy | Harmonic Fields General | 3 | mini 1 | ||
Debussy | Harmonic Fields General | 4 | mini 2 | ||
Debussy | Harmonic Fields General | 5 | ex. 1-1 | ||
Debussy | Harmonic Fields General | 6r | pencil notes TRI TET | ||
Debussy | Harmonic Fields General | 6v | 587-34.PRN | ||
Debussy | Harmonic Fields General | 7 | Subsets of 5-31 | ||
Debussy | Harmonic Fields General | 8 | subsets of 5-34 | ||
Debussy | Harmonic Fields General | 9r | sightseer's guide (7-34, 7-35, 7-31) | ||
Debussy | Harmonic Fields General | 9v | ex. 2 | ||
Debussy | Harmonic Fields General | 10 | skinny | ||
Debussy | Harmonic Fields General | 11 | sightseer's guide (5-31, 5-33...) | ||
Debussy/forte | piano music lecture | 11 page pdf | Etudes, Images, L'Isle | ||
Forte | Academic and Research Materials | Historical Analysis Materials | 1 | Heinichen excerpts | |
Forte | Academic and Research Materials | Historical Analysis Materials | 2 | Heinichen melodic structure examples | |
Forte | Academic and Research Materials | Historical Analysis Materials | 3 | melodic structure and development | |
Forte | Academic and Research Materials | Historical Analysis Materials | 4 | Heinichen musical excerpt | |
Forte | Academic and Research Materials | Historical Analysis Materials | 5 | Kirnberger excerpt | |
Forte | Academic and Research Materials | Historical Analysis Materials | 6 | Kirnberger musical excerpt | |
Forte | Academic and Research Materials | Historical Analysis Materials | 7 | Mattheson musical excerpt | |
Forte | Academic and Research Materials | Historical Analysis Materials | 8 | Kollmann "Eine Neue Theorie" | |
Forte | Academic and Research Materials | Historical Analysis Materials | 9 | Sulzer "Modulation" | |
Forte | Academic and Research Materials | Historical Analysis Materials | 10 | Niedt - Musicalische Handleitung | |
Forte | Academic and Research Materials | Historical Analysis Materials | 11 | Heinichen musical example | |
Forte | Academic and Research Materials | Historical Analysis Materials | 12 | Heinichen ref. to Circul | |
Forte | Academic and Research Materials | Historical Analysis Materials | 13 | Heinichen - Musicalischer Circul | |
Forte | Academic and Research Materials | Tristan Sketches by Hans Weisse | 1 | Act I Scene I | |
Forte | Academic and Research Materials | Tristan Sketches by Hans Weisse | 2 | Analysis of Act I Scene I-III | |
Forte | Academic and Research Materials | Weiss Lecture | 20 page PDF | "The Music Teacher's Dilemma" | |
Forte | Academic and Research Materials | Exercises and Solutions | 1 | Beethoven 2nd Symphony Op. 36 II. Exercise | |
Forte | Academic and Research Materials | Exercises and Solutions | 2 | Mozart Symphony K.511, I. exercise | |
Forte | Academic and Research Materials | Exercises and Solutions | 3 | Bach and Beethoven exercises | |
Forte | Academic and Research Materials | Exercises and Solutions | 4 | Brahms exercise | |
Forte | Academic and Research Materials | Exercises and Solutions | 5 | Brahms score p1 | |
Forte | Academic and Research Materials | Exercises and Solutions | 6 | Brahms score p2 | |
Forte | Academic and Research Materials | Exercises and Solutions | 7 | Schenker Course - Introductory Examples p1 | |
Forte | Academic and Research Materials | Exercises and Solutions | 8 | Schenker Course - Introductory Examples p2 | |
Forte | Academic and Research Materials | Exercises and Solutions | 9 | Schenker Course - Introductory Examples p3 | |
Forte | Academic and Research Materials | Exercises and Solutions | 10 | Schenker Course - Introductory Examples p4 | |
Forte | Academic and Research Materials | Exercises and Solutions | 11 | Schenker Course - Introductory Examples p5 | |
Forte | Academic and Research Materials | Exercises and Solutions | 12 | Schenker Course - Introductory Examples p6 | |
Forte | Academic and Research Materials | Exercises and Solutions | 13 | Schenker Course - Introductory Examples p7 | |
Forte | Academic and Research Materials | Exercises and Solutions | 14 | Schenker Course - Introductory Examples p8 | |
Forte | Academic and Research Materials | Exercises and Solutions | 15 | Schenker Course - Introductory Examples p9 | |
Forte | Academic and Research Materials | Exercises and Solutions | 16 | Schenker Course - Introductory Examples p10 | |
Forte | Academic and Research Materials | Exercises and Solutions | 17 | Schenker Course - Introductory Examples p11 | |
Forte | Academic and Research Materials | Exercises and Solutions | 18 | Schenker Course - Introductory Examples p12 | |
Forte | Academic and Research Materials | Exercises and Solutions | 19 | Schenker Course - Introductory Examples p13 | |
Forte | Academic and Research Materials | Exercises and Solutions | 20 | Schenker Course - Introductory Examples p14 | |
Forte | Academic and Research Materials | Exercises and Solutions | 21 | Schenker Course - Introductory Examples p15 | |
Forte | Academic and Research Materials | Exercises and Solutions | 22 | Bach - Orchestral Suite No. 3 p2 exercise | |
Forte | Academic and Research Materials | Exercises and Solutions | 23 | Bach - Orchestral Suite No. 3 p3 exercise | |
Forte | Academic and Research Materials | Exercises and Solutions | 24 | Bach and Mozart exercises | |
Forte | Academic and Research Materials | Exercises and Solutions | 25 | Beethoven and Haydn exercises | |
Forte | Academic and Research Materials | Exercises and Solutions | 26 | Beethoven and Mozart exercises | |
Forte | Academic and Research Materials | Exercises and Solutions | 27 | Misc. exercises p1 | |
Forte | Academic and Research Materials | Exercises and Solutions | 28 | Misc. exercises p2 | |
Forte | Academic and Research Materials | Exercises and Solutions | 29 | Misc. exercises p3 | |
Forte | Academic and Research Materials | Exercises and Solutions | 30 | Misc. exercises p4 | |
Forte | Academic and Research Materials | Exercises and Solutions | 31 | Misc. exercises p5 | |
Forte | Academic and Research Materials | Exercises and Solutions | 32 | Misc. exercises p6 | |
Forte | Academic and Research Materials | Exercises and Solutions | 33 | Bach - English Suite sketch | |
Forte | Academic and Research Materials | Exercises and Solutions | 34 | Haydn - A major Sonata sketch | |
Forte | Academic and Research Materials | Exercises and Solutions | 35 | Exercise solutions 2, 28 | |
Forte | Academic and Research Materials | Exercises and Solutions | 36 | Exercise solutions 3, 4, 11 | |
Forte | Academic and Research Materials | Exercises and Solutions | 37 | Exercise solutions 17, 23, 27 | |
Forte | Academic and Research Materials | Exercises and Solutions | 38 | Exercise solutions 12, 19 | |
Forte | Academic and Research Materials | Exercises and Solutions | 39 | Exercise solutions 20, 21, 26 | |
Forte | Academic and Research Materials | Exercises and Solutions | 40 | Exercise solutions 29, 32 | |
Forte | Academic and Research Materials | Exercises and Solutions | 41 | Exercise solutions 15, 24 | |
Forte | Academic and Research Materials | Exercises and Solutions | 42 | Exercise solutions 16, 18 | |
Forte | Academic and Research Materials | Exercises and Solutions | 43 | Exercise solutions 8,13 | |
Forte | Academic and Research Materials | Exercises and Solutions | 44 | Misc. exercises | |
Forte | Academic and Research Materials | Exercises and Solutions | 45 | Misc. sketch | |
Forte | Academic and Research Materials | Exercises and Solutions | 46 | Chapter 6 exercises | |
Forte | Academic and Research Materials | Exercises and Solutions | 47 | Misc. exercises | |
Forte | Academic and Research Materials | Exercises and Solutions | 48 | Chapter 13 Exercise 5 | |
Forte | Academic and Research Materials | Exercises and Solutions | 49 | Exercise 10-5 | |
Forte | Academic and Research Materials | Exercises and Solutions | 50 | Chapter 7 Exercise 3 | |
Forte | Academic and Research Materials | Exercises and Solutions | 51 | Chapter 7 Exercise 2 | |
Forte | Academic and Research Materials | Exercises and Solutions | 52 | Exercise 18-3 | |
Forte | Academic and Research Materials | Exercises and Solutions | 53 | Exercise 18-2 | |
Forte | Academic and Research Materials | Exercises and Solutions | 54 | Exercise 19-1 and 19-2 | |
Forte | Academic and Research Materials | Exercises and Solutions | 55 | Exercise 19-3 | |
Forte | Academic and Research Materials | Exercises and Solutions | 56 | Exercise 19-4 | |
Forte | Academic and Research Materials | Exercises and Solutions | 57 | Exercise 19-5 | |
Forte | Academic and Research Materials | Exercises and Solutions | 58 | Exercise 19-6 | |
Forte | Academic and Research Materials | Exercises and Solutions | 59 | Exercise 20-A2 | |
Forte | Academic and Research Materials | Exercises and Solutions | 60 | Chopin Op. 17-2 sketch | |
Forte | Academic and Research Materials | Gershwin Class Scores | 1 | Who Cares? p1 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 2 | Who Cares? p2 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 3 | Who Cares? p3 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 4 | Isn't It A Pity? p1 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 5 | Isn't It A Pity? p2 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 6 | Isn't It A Pity? p3 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 7 | Isn't It A Pity? p4 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 8 | Isn't It A Pity? p5 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 9 | Who Cares? (unmarked) | |
Forte | Academic and Research Materials | Gershwin Class Scores | 10 | sketch | |
Forte | Academic and Research Materials | Gershwin Class Scores | 11 | Notes on Harmony and Counterpoint | |
Forte | Academic and Research Materials | Gershwin Class Scores | 12 | But Not For Me p1 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 13 | But Not For Me p2 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 14 | But Not For Me p3 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 15 | But Not For Me p4 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 16 | Embraceable You p1 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 17 | Embraceable You p2 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 18 | Embraceable You p3 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 19 | Embraceable You p4 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 20 | How Long Has This Been Going On? p1 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 21 | How Long Has This Been Going On? p2 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 22 | How Long Has This Been Going On? p3 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 23 | How Long Has This Been Going On? p4 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 24 | Bidin' My Time p1 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 25 | Bidin' My Time p2 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 26 | Someone To Watch Over Me p1 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 27 | Someone To Watch Over Me p2 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 28 | Someone To Watch Over Me p3 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 29 | Someone To Watch Over Me p4 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 30 | The Man I Love p1 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 31 | The Man I Love p2 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 32 | The Man I Love p3 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 33 | The Man I Love p4 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 34 | 'S Wonderful p1 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 35 | 'S Wonderful p2 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 36 | 'S Wonderful p3 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 37 | 'S Wonderful p4 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 38 | Soon p1 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 39 | Soon p2 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 40 | Soon p3 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 41 | Soon p4 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 42 | Somebody Loves Me p1 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 43 | Somebody Loves Me p2 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 44 | Somebody Loves Me p3 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 45 | Somebody Loves Me p4 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 46 | Somebody Loves Me - bridge sketch | |
Forte | Academic and Research Materials | Gershwin Class Scores | 47 | Notes on Here to Stay p1 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 48 | Notes on Here to Stay p2 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 49 | Someone to Watch Over Me p1 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 50 | Someone to Watch Over Me p2 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 51 | Someone to Watch Over Me p3 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 52 | Someone to Watch Over Me p4 | |
Forte | Academic and Research Materials | Gershwin Class Scores | 53 | Someone to Watch Over Me sketch | |
Forte | Academic and Research Materials | Lecture on Gershwin-Berg Connection | 25 page PDF | ||
Forte | Academic and Research Materials | Letter to Salzer, etc. | 1 | Irving Kolodin Article | |
Forte | Academic and Research Materials | Letter to Salzer, etc. | 2 | Letter to Salzer (copy and translation) p1 | |
Forte | Academic and Research Materials | Letter to Salzer, etc. | 3 | Letter to Salzer (copy and translation) p2 | |
Forte | Academic and Research Materials | Letter to Salzer, etc. | 4 | Letter to Salzer (typed in German) | |
Forte | Academic and Research Materials | Letter to Salzer, etc. | 5 | Sketch | |
Forte | Academic and Research Materials | Letter to Salzer, etc. | 6 | Receipt | |
Forte | Academic and Research Materials | Schenkerian Analysis Class - Workbook | 3 individual pages | ||
Forte | Academic and Research Materials | Schenkerian Analysis Class - Workbook | 0 individual pages | ||
Forte | Academic and Research Materials | Music 315A Handouts | 1 | Bach Chorale Voice Leading | |
Forte | Academic and Research Materials | Music 315A Handouts | 2 | Mozart Exercise | |
Forte | Academic and Research Materials | Music 315A Handouts | 3 | Sonata Example | |
Forte | Academic and Research Materials | Music 315A Handouts | 4 | Menuetto Example | |
Forte | Academic and Research Materials | Music 315A Handouts | 5 | Sketch | |
Forte | Academic and Research Materials | Music 315A Handouts | 6 | Mozart Sonata Example | |
Forte | Academic and Research Materials | Music 315A Handouts | 7 | Reserve List | |
Forte | Academic and Research Materials | Music 315A Handouts | 8 | Andantino Example | |
Forte | Academic and Research Materials | Music 315A Handouts | 9 | Valse Example | |
Forte | Academic and Research Materials | Reflections on the Gershwin-Berg Connection | 1 | example and photo | |
Forte | Academic and Research Materials | Reflections on the Gershwin-Berg Connection | 2 | examples p2 | |
Forte | Academic and Research Materials | Reflections on the Gershwin-Berg Connection | 3 | examples p3 | |
Forte | Academic and Research Materials | Reflections on the Gershwin-Berg Connection | 4 | examples p4 | |
Forte | Academic and Research Materials | Reflections on the Gershwin-Berg Connection | 5 | examples p5 | |
Forte | Academic and Research Materials | Schenker Sketches of Brahms Op.76/4 | 1 | sketch p1 | |
Forte | Academic and Research Materials | Schenker Sketches of Brahms Op.76/4 | 2 | sketch p2 | |
Forte | Academic and Research Materials | Schenker Sketches of Brahms Op.76/4 | 3 | sketch p3 | |
Forte | Academic and Research Materials | Schenker Sketches of Brahms Op.76/4 | 4 | sketch p4 | |
Forte | Academic and Research Materials | Schenker Sketches of Brahms Op.76/4 | 5 | sketch p5 | |
Forte | Academic and Research Materials | Schenker Sketches of Brahms Op.76/4 | 6 | final sketch | |
Forte | Academic and Research Materials | Schenker sketches prepared by Oster | 1 | examples p1 | |
Forte | Academic and Research Materials | Schenker sketches prepared by Oster | 2 | examples p2 | |
Forte | Academic and Research Materials | Schenker sketches prepared by Oster | 3 | sketch p1 | |
Forte | Academic and Research Materials | Schenker sketches prepared by Oster | 4 | sketch p2 | |
Forte | Academic and Research Materials | Schenker sketches prepared by Oster | 5 | large sketch (left half) | |
Forte | Academic and Research Materials | Schenker sketches prepared by Oster | 6 | large sketch (right half) | |
Forte | Academic and Research Materials | Schenker sketches prepared by Oster | 7 | examples | |
Forte | Academic and Research Materials | Schenker sketches prepared by Oster | 8 | sketch (photocopy) p1 | |
Forte | Academic and Research Materials | Schenker sketches prepared by Oster | 9 | sketch (photocopy) p2 | |
Forte | Academic and Research Materials | Schenker sketches prepared by Oster | 10 | Schenker/Oster analyis p1 | |
Forte | Academic and Research Materials | Schenker sketches prepared by Oster | 11 | Schenker/Oster analyis p2 (left half) | |
Forte | Academic and Research Materials | Schenker sketches prepared by Oster | 12 | Schenker/Oster analyis p2 (right half) | |
Forte | Academic and Research Materials | Schenker sketches prepared by Oster | 13 | Schenker/Oster analyis p3 (left half) | |
Forte | Academic and Research Materials | Schenker sketches prepared by Oster | 14 | Schenker/Oster analyis p3 (right half) | |
Forte | Academic and Research Materials | Schenker sketches prepared by Oster | 15 | Schenker/Oster analyis p4 (left half) | |
Forte | Academic and Research Materials | Schenker sketches prepared by Oster | 16 | Schenker/Oster analyis p4 (right half) | |
Forte | Correspondence with Sherlaw- Johnson | Re: Messaien | 1 | handwritten | To be Cross referenced |
Forte | Correspondence with Sherlaw- Johnson | Re: Messaien | 2 | Structure article | |
Forte | Correspondence with Sherlaw- Johnson | Re: Messaien | 3 | Structure article | |
Forte | Correspondence with Sherlaw- Johnson | Re: Messaien | 4 | Structure article | |
Forte | Correspondence with Sherlaw- Johnson | Re: Messaien | 5 | Structure article | |
Forte | Correspondence with Sherlaw- Johnson | Re: Messaien | 6 | Structure article | |
Forte | Correspondence with Sherlaw- Johnson | Re: Messaien | 7 | Structure article | |
Forte | Correspondence with Sherlaw- Johnson | Re: Messaien | 8 | Structure article | |
Forte | Correspondence with Sherlaw- Johnson | Re: Messaien | 9 | Structure article | |
Forte | Correspondence with Sherlaw- Johnson | Re: Messaien | 10 | AF to RSJ p. 1/1 | |
Forte | Correspondence with Sherlaw- Johnson | Re: Messaien | 11 | p. 2/2 | |
Forte | Correspondence with Sherlaw- Johnson | Re: Messaien | 12 | RSJ to AF | |
Forte | Correspondence with Sherlaw- Johnson | Re: Messaien | 13 | RSJ to AF | |
Forte | Messiaen Concert notes | 13 pp | |||
Forte | Messiaen Concert notes | 1 | Ex p. 1 | ||
Forte | Messiaen Concert notes | 2 | Ex p. 2 | ||
Forte | Messiaen Concert notes | 3 | Ex. p. 3 | ||
Forte | Messiaen Lecture Notes | Re: Quartet for the End of Time | 1 | Notes p1 | |
Forte | Messiaen Lecture Notes | Re: Quartet for the End of Time | 2 | Notes p2 | |
Forte | Messiaen Lecture Notes | Re: Quartet for the End of Time | 3 | Notes p3 | |
Forte | Messiaen Lecture Notes | Re: Quartet for the End of Time | 4 | Notes p4 | |
Forte | Messiaen Lecture Notes | Re: Quartet for the End of Time | 5 | Notes p5 | |
Forte | Messiaen Lecture Notes | Re: Quartet for the End of Time | 6 | Charts p1 | |
Forte | Messiaen Lecture Notes | Re: Quartet for the End of Time | 7 | Charts p2 | |
Forte | Messiaen Lecture Notes | Re: Quartet for the End of Time | 8 | Tone Rows p1 | |
Forte | Messiaen Lecture Notes | Re: Quartet for the End of Time | 9 | Tone Rows p2 | |
Forte | Messiaen Lecture Notes | Re: Quartet for the End of Time | 10 | Order Number Mappings p1 | |
Forte | Messiaen Lecture Notes | Re: Quartet for the End of Time | 11 | Order Number Mappings p2 | |
Forte | Messiaen Lecture 2 Notes | Re: Piano Preludes and Vingt Regards | 1 | ||
Forte | Messiaen Lecture 2 Notes | Re: Piano Preludes and Vingt Regards | 2 | ||
Forte | Messiaen Lecture 2 Notes | Re: Piano Preludes and Vingt Regards | 3 | ||
Forte | Messiaen Lecture 2 Notes | Re: Piano Preludes and Vingt Regards | 4 | ||
Forte | Messiaen Lecture 2 Notes | Re: Piano Preludes and Vingt Regards | 5 | ||
Forte | Messiaen Lecture 2 Notes | Re: Piano Preludes and Vingt Regards | 6 | ||
Forte | Messiaen Lecture 2 Notes | Re: Piano Preludes and Vingt Regards | 7 | ||
Forte | Messiaen Lecture 2 Notes | Re: Piano Preludes and Vingt Regards | 8 | ||
Forte | Messiaen Lecture 2 Notes | Re: Piano Preludes and Vingt Regards | 9 | ||
Forte | Messiaen Lecture 2 Notes | Re: Piano Preludes and Vingt Regards | 10 | ||
Forte | Messiaen Lecture 2 Notes | Re: Piano Preludes and Vingt Regards | 11 | ||
Forte | Messiaen Lecture Examples | Various Pieces | 1 | Integer Notation | |
Forte | Messiaen Lecture Examples | Various Pieces | 2 | Modes of Limited Transposition | |
Forte | Messiaen Lecture Examples | Various Pieces | 3 | La Colombe notated score | |
Forte | Messiaen Lecture Examples | Various Pieces | 4 | Prelude notated score | |
Forte | Messiaen Lecture Examples | Various Pieces | 5 | Quartet for the End of Time notated score | |
Forte | Messiaen Lecture Examples | Various Pieces | 6 | Chord list | |
Forte | Messiaen Lecture Examples | Various Pieces | 7 | 12 set classes | |
Forte | Messiaen Lecture Examples | Various Pieces | 8 | Theme d'accords | |
Forte | Messiaen Lecture Examples | Various Pieces | 9 | Theme d'accords | |
Forte | Messiaen Lecture Examples | Various Pieces | 10 | Theme d'amour | |
Forte | Messiaen Lecture Examples | Various Pieces | 11 | Chord list | |
Forte | Messiaen Lecture Examples | Various Pieces | 12 | Tone rows | |
Forte | Messiaen Lecture Examples | Various Pieces | 13 | Tone rows | |
Forte | Messiaen Talk | 18 page PDF | |||
Forte | Messiaen Talk (recording script) | 12 page PDF | |||
Forte | Messiaen Talk (program notes) | 1 | |||
Forte | Messiaen Talk (program notes) | 2 | |||
Forte | Essay | Olivier Messiaen as Serialist | 32 page PDF | ||
Forte | Program and Correspondence | Southwestern University, Texas | 1 | program | |
Forte | Program and Correspondence | Southwestern University, Texas | 2 | program | |
Forte | Program and Correspondence | Southwestern University, Texas | 3 | program | |
Forte | Program and Correspondence | Southwestern University, Texas | 4 | letters | |
Forte | Program and Correspondence | Southwestern University, Texas | 5 | letters | |
Forte | Debussy Book | 17 page PDF | Holloway article | ||
Forte | Debussy Book | 3 page PDF | Eckert Article | ||
Forte | Debussy Book | 12 page PDF | Notes from folder 2 | ||
Forte | Debussy Book | 8 page PDF | List of Octatonic passages- folder 3 | ||
Forte, et al. | Diminution in Jazz Lecture | English version, 1958 | 1 | Intro | |
Forte, et al. | Diminution in Jazz Lecture | English version, 1958 | 2 | Lecture, 1/17 | |
Forte, et al. | Diminution in Jazz Lecture | English version, 1958 | 3 | Lecture, 2/17 | |
Forte, et al. | Diminution in Jazz Lecture | English version, 1958 | 4 | Lecture, 3/17 | |
Forte, et al. | Diminution in Jazz Lecture | English version, 1958 | 5 | Lecture, p4 insert | |
Forte, et al. | Diminution in Jazz Lecture | English version, 1958 | 6 | Lecture, 4/17 | |
Forte, et al. | Diminution in Jazz Lecture | English version, 1958 | 7 | Lecture, 5/17 | |
Forte, et al. | Diminution in Jazz Lecture | English version, 1958 | 8 | Lecture, 6/17 | |
Forte, et al. | Diminution in Jazz Lecture | English version, 1958 | 9 | Lecture, 7/17 | |
Forte, et al. | Diminution in Jazz Lecture | English version, 1958 | 10 | Lecture, 8/17 | |
Forte, et al. | Diminution in Jazz Lecture | English version, 1958 | 11 | Lecture, 9/17 | |
Forte, et al. | Diminution in Jazz Lecture | English version, 1958 | 12 | Lecture, 10/17 | |
Forte, et al. | Diminution in Jazz Lecture | English version, 1958 | 13 | Lecture, 11/17 | |
Forte, et al. | Diminution in Jazz Lecture | English version, 1958 | 14 | Lecture, 12/17 | |
Forte, et al. | Diminution in Jazz Lecture | English version, 1958 | 15 | Lecture, 13/17 | |
Forte, et al. | Diminution in Jazz Lecture | English version, 1958 | 16 | Lecture, 14/17 | |
Forte, et al. | Diminution in Jazz Lecture | English version, 1958 | 17 | Lecture, 15/17 | |
Forte, et al. | Diminution in Jazz Lecture | English version, 1958 | 18 | Lecture, 16/17 | |
Forte, et al. | Diminution in Jazz Lecture | English version, 1958 | 19 | Lecture, 17/17 | |
Forte, et al. | Diminution in Jazz Lecture | German version, 1958 | 1 | Title Page | |
Forte, et al. | Diminution in Jazz Lecture | German version, 1958 | 2 recto | p 1/13 | |
Forte, et al. | Diminution in Jazz Lecture | German version, 1958 | 2 verso | Oster's comments | |
Forte, et al. | Diminution in Jazz Lecture | German version, 1958 | 3 | p2/13 | |
Forte, et al. | Diminution in Jazz Lecture | German version, 1958 | 4 | p 3/13 | |
Forte, et al. | Diminution in Jazz Lecture | German version, 1958 | 5 | p 4/13 | |
Forte, et al. | Diminution in Jazz Lecture | German version, 1958 | 6 | p 5/13 | |
Forte, et al. | Diminution in Jazz Lecture | German version, 1958 | 7 | p 6/13 | |
Forte, et al. | Diminution in Jazz Lecture | German version, 1958 | 8 | p 7/13 | |
Forte, et al. | Diminution in Jazz Lecture | German version, 1958 | 9 | p 8/13 | |
Forte, et al. | Diminution in Jazz Lecture | German version, 1958 | 10 | p 9/13 | |
Forte, et al. | Diminution in Jazz Lecture | German version, 1958 | 11 | p 10/13 | |
Forte, et al. | Diminution in Jazz Lecture | German version, 1958 | 12 | p 11/13 | |
Forte, et al. | Diminution in Jazz Lecture | German version, 1958 | 13 | p 12/13 | |
Forte, et al. | Diminution in Jazz Lecture | German version, 1958 | 14 | p 13/13 | |
Forte, et al. | Diminution in Jazz Lecture | Figures | 1 | Handel Air reduction | |
Forte, et al. | Diminution in Jazz Lecture | Figures | 2 | Handel Air | |
Forte, et al. | Diminution in Jazz Lecture | Figures | 3 | Handel var 3 | |
Forte, et al. | Diminution in Jazz Lecture | Figures | 4 | Brahms var 2 | |
Forte, et al. | Diminution in Jazz Lecture | Figures | 5 | Blues in A flat/ guitar fig | |
Forte, et al. | Diminution in Jazz Lecture | Figures | 6 | Armstrong- Bridewell Blues | |
Forte, et al. | Diminution in Jazz Lecture | Figures | 7 | Young- Blues 'n Bells | |
Forte, et al. | Diminution in Jazz Lecture | Figures | 8 | Chord "evolution" | |
Forte, et al. | Diminution in Jazz Lecture | Figures | 9 | Bluesology | |
Forte, et al. | Diminution in Jazz Lecture | Figures | 10 | Parker- first chorus | |
Forte, et al. | Diminution in Jazz Lecture | Figures | 11 | Comparing old and new progressions | |
Forte, et al. | Diminution in Jazz Lecture | Figures | 12 | Parker- second chorus | |
Forte, et al. | Diminution in Jazz Lecture | Figures | 13 | Corrections for fig 12 | small |
Forte, et al. | Diminution in Jazz Lecture | Figures | 14 | Young- These foolish things | |
Forte, et al. | Diminution in Jazz Lecture | Figures | 15 | Parker- I'm in the mood for love | small |
Forte, et al. | Diminution in Jazz Lecture | Figures | 16 | Parker- Mood, p2 | small |
Forte, et al. | Diminution in Jazz Lecture | Figures | 17 | Unused example sketch | |
Forte, et al. | Diminution in Jazz Lecture | Figures | 18 | Brubeck transcription, unused | |
Forte, et al. | Diminution in Jazz Lecture | Figures | 19 | Brubeck transcription, unused p2 | |
Forte, et al. | Diminution in Jazz Lecture | Figures | 20 | Desmond transcription, unused | |
Forte, et al. | Diminution in Jazz Lecture | Figures | 21 | Desmond transcription, unused p2 | |
Forte, et al. | Diminution in Jazz Lecture | Figures | 22 | Yancey transcription, unused | |
Forte | Elements of a Permutation͙ | 1 | Degree 5 | ||
Forte | Elements of a Permutation͙ | 2 | Degree 5, p. 2 | ||
Forte | Elements of a Permutation͙ | 3 | Degree 4 | ||
Forte | Elements of a Permutation͙ | 4 | Relation betw. Permutations and partitions | ||
Forte | Experimental "Tradition" in 19th c. Music | 42 page PDF | |||
Forte | Harmony Study | 1 | note | ||
Forte | Harmony Study | 2 | introduction p1 | ||
Forte | Harmony Study | 3 | introduction p2 | ||
Forte | Harmony Study | 4 | sketches p1 | ||
Forte | Harmony Study | 5 | sketches p2 | ||
Forte | Harmony Study | 6 | sketches p3 | ||
Forte | Interval vectors | 1 | Pyramid, Pairs non- equivalent | ||
Forte | Interval vectors | 2 | mini- Interval chart | ||
Forte | Interval vectors | 3 | mini- equal distribution | ||
Forte | Interval vectors | 4 | mini- mapping of 5x5 | ||
Forte | Interval vectors | 5 | List of sets with Max Ics | ||
Forte | Interval vectors | 6 | Notes on Gen. Functional relation | ||
Forte | Interval vectors | 7 | Examine properties of intrval vectors | ||
Forte | Interval vectors | 8 | Four sets have interval vectors͙ | ||
Forte | Interval vectors | 9 | Relation between cardinal #... | ||
Forte | Interval vectors | 10 | Relation betw. Pitch- sets.. | ||
Forte | Interval vectors | 11 | Functional relation of odd & even | ||
Forte | Interval vectors | 12 | Systematics | ||
Forte | Interval vectors | 13 | Prove: | ||
Forte | Interval vectors | 14 | After Babbitt | ||
Forte | Order Relations | 1 | Subgroups | ||
Forte | Order Relations | 2 | "the 4 proper subgroups" | ||
Forte | Order Relations | 3 | Table showing increase.. | ||
Forte | Order Relations | 4 | the # of permutations.. | ||
Forte | Order Relations | 5 | the # of permutations.. Cont | ||
Forte | Order Relations | 6 | Interpretation of order relations͙ | ||
Forte | Order Relations | 7 | Linear sects | ||
Forte | Order Relations | 8 | Interpreatation of order inversions | ||
Forte | Order Relations | 9 | Explanation of numerical basis | ||
Forte | Order Relations | 10 | Interpretation of order inversions͙ | ||
Forte | Order Relations | 11 | Chap 4 | ||
Forte | Order Relations | 12 | As an example | ||
Forte | Order Relations | 13 | Permutation defined | ||
Forte | Order Relations | 14 | Pattern in4-23 | pp 14-18 paperclipped | |
Forte | Order Relations | 15 | Pattern in 4-9 | ||
Forte | Order Relations | 16 | Patterns of interval succession | ||
Forte | Order Relations | 17 | 4-6: 0,1,2,7 | ||
Forte | Order Relations | 18 | 4-24:0,2,4,8 | ||
Forte | Order Relations | 19 | # of patterns & partition | ||
Forte | Order Relations | 20 | Permutations of degree 5 1-1, 1/2 | ||
Forte | Order Relations | 21 | Permutations of degree 5 1-1, 1/2 | ||
Forte | Order Relations | 22 | Cyclic notation | ||
Forte | Order Relations | 23 | Relations between permutations | ||
Forte | Order Relations | 24 | Interpretation of order-inversions | ||
Forte | Order Relations | 25 | Parity, contd | ||
Forte | Order Relations | 26 | Permutation multiplication | ||
Forte | Order Relations | 27 | G* | ||
Forte | Order Relations | 28 | Groups, def.. | ||
Forte | Order Relations | 29 | Example of a group | ||
Forte | Order Relations | 30 | Permutation Multiplication-- the group͙ | ||
Forte | Order Relations | 31 | Significance of inverse͙ | ||
Forte | Order Relations | 32 | Partition of a set definition | ||
Forte | Order Relations | 33 | Order relations- general remarks | ||
Forte | Order Relations | 34 | Comparisons of unordered and ordered | ||
Forte | Order Relations | 35 | factorials | ||
Forte | Order Relations | 36 | Comparisons of unordered and ordered, table | ||
Forte | Proportions | 1 | Notes, typed, p. 1 | ||
Forte | Proportions | 2 | notes, typed, p. 2 | ||
Forte | Harmonic Relations: | Amer. & Euro. Kin (unpubl.) | 1 | Title Page | |
Forte | Harmonic Relations: | Amer. & Euro. Kin (unpubl.) | 2 | Abstract | |
Forte | Harmonic Relations: | Amer. & Euro. Kin (unpubl.) | 3 thru 35 | 32 Page Paper | |
Forte | Harmonic Relations: | Amer. & Euro. Kin (unpubl.) | 35 thru 45 | 9 Pages Notes, 2 Pages References | |
Forte | Harmonic Relations: | Amer. & Euro. Kin (unpubl.) | 46 thru 50 | 5 Pages Musical Examples | |
Forte | Schoenberg as Webern | Lecture with edits | 30 page PDF | with edits | |
Forte | Schoenberg as Webern | Lecture (draft 1) | 13 page PDF | with edits and biblography | |
Forte | Schoenberg as Webern | Lecture (draft 2) | 13 page PDF | with edits and biblography | |
Forte | Schoenberg as Webern | Musical Examples to accompany Lecture | 1 | ||
Forte | Schoenberg as Webern | Musical Examples to accompany Lecture | 2 | ||
Forte | Schoenberg as Webern | Musical Examples to accompany Lecture | 3 | ||
Forte | Schoenberg as Webern | Musical Examples to accompany Lecture | 4 | ||
Forte | Schoenberg as Webern | Musical Examples to accompany Lecture | 5 | ||
Forte | Schoenberg as Webern | Musical Examples to accompany Lecture | 6 | ||
Forte | Schoenberg as Webern | Musical Examples to accompany Lecture | 7 | ||
Forte/ Various | Loose Leaves | Webern Op. 10/5 | 1 | Rhythm and segmentation | Cross-referenced |
Forte/ Various | Loose Leaves | Schoenberg, Op. 19/3 | 2 | Each Ηbass note͙Η | Cross-referenced |
Forte/ Various | Loose Leaves | Schoenberg, Op. 21/1 | 3 | Η short example͙Η | Cross-referenced |
Forte/ Various | Loose Leaves | Bartok, Second Quartet, III | 4 | Segmentation chart | Cross-referenced |
Forte/ Various | Loose Leaves | Bartok, First Quartet, II | 5 | Segmentation chart | Cross-referenced |
Forte/ Various | Loose Leaves | Bartok, First Quartet, II | 6 | Segmentation chart, 11, 15 | Cross-referenced |
Forte/ Various | Loose Leaves | Webern, Op. 6/8 | 7 | 1 measure | Cross-referenced |
Forte/ Various | Loose Leaves | Webern, Op. 6/5 | 8 | "Needs more work" | Cross-referenced |
Forte/ Various | Loose Leaves | Webern, Op. 6/5 | 9 | Unlabled | Cross-referenced |
Forte/ Various | Loose Leaves | [Schoenberg], Op. 21/1 | 10 | Author left out, believed to be Schoenberg | Cross-referenced |
Forte/ Various | Loose Leaves | Schoenberg, op. 16/11 | 11 | "Some rhythmic features" | Cross-referenced |
Forte/ Various | Bips Exs | 1 | mini- Bips exs | ||
Forte/ Various | Bips Exs | 2 | List of exs to copy | ||
Forte/ Various | Bips Exs | 3 | Srvnsky, Trois poemes II | ||
Forte/ Various | Bips Exs | 4 | Wozzeck, Act I | ||
Forte/ Various | Bips Exs | 5 | Pierrot lunaire 21/1 | ||
Forte/ Various | Bips Exs | 6 | Berg- Reigen op 6/2 | ||
Forte/ Various | Bips Exs | 7 | 5-28, 5-16, 5-31 | ||
Forte/ Various | Bips Exs | 8 | Bartok, op 6/6 | ||
Forte/ Various | Bips Exs | 9 | Schoenberg op 16/1 | ||
Forte/ Various | Bips Exs | 10 | Scriabin's mystic chord | ||
Forte/ Various | Bips Exs | 11 | Schoenberg various, "unique" | ||
Forte/ Various | Bips Exs | 12r | Webern, op 24 | ||
Forte/ Various | Bips Exs | 12v | crossed out | ||
Forte/ Various | Bips Exs | 13 | Berg Lyric suite | ||
Forte/ Various | Bips Exs | 14 | Exs of non-unique | ||
Forte/ Various | Bips Exs | 15 | exs of unique- webern | ||
Forte/ Various | Bips Exs | 16 | Schoenberg: 12-tone sets | ||
Forte/ Various | Bips Exs | 17 | Berg Lyric suite II | ||
Forte/ Various | Bips Exs | 18 | exs of non-special | ||
Forte/ Various | Bips Exs | 19 | Schoenberg Erwartung | ||
Forte/ Various | Bips Exs | 20 | Schoenberg, Op 11/1 | ||
Forte/ Various | Bips Exs | 21 | unique- Webern, op. 10/3 | ||
Forte/ Various | Bips Exs | 22 | Bartok: music for SPC II, m 187 | ||
Forte/ Various | Bips Exs | 23 | Bartok: music for SPC II, m 114 | ||
Forte | Tetrachord ID test | 1 | p. 1 | ||
Forte | Tetrachord ID test | 2 | p. 2 | ||
Forte | New Subset List | 26 pp | 26 page PDF of subsets | ||
Forte | Complete list of R2 & Rp Hexachords | ||||
Gershwin | Porgy and Bess | Folder 1- Notes | 1 | Murder chord | |
Gershwin | Porgy and Bess | Folder 1- Notes | 2 | forte-gilbert email | |
Gershwin | Porgy and Bess | Folder 2- I loves you porgy | 1 | p. 350 | |
Gershwin | Porgy and Bess | Folder 2- I loves you porgy | 2 | p. 351 | |
Gershwin | Porgy and Bess | Folder 2- I loves you porgy | 3 | p. 351 2nd copy | |
Gershwin | Porgy and Bess | Folder 2- I loves you porgy | 4 | p. 352 | |
Gershwin | Porgy and Bess | Folder 2- I loves you porgy | 5 | p. 353 | |
Gershwin | Porgy and Bess | Folder 2- I loves you porgy | 6 | notes- m. 212 | |
Gershwin | Porgy and Bess | Folder 2- I loves you porgy | 7 | octatonic frame | |
Gershwin | Porgy and Bess | Folder 2- I loves you porgy | 8 | notes- inverse.. | |
Gershwin | Porgy and Bess | Folder 2- I loves you porgy | 9 | transition from bridge to refrain | |
Gershwin | Porgy and Bess | Folder 2- I loves you porgy | unscanned | 2 unmarked score copies | |
Gershwin | Porgy and Bess | Folder 3- My man's gone now | 1 | p. 154 | |
Gershwin | Porgy and Bess | Folder 3- My man's gone now | 2 | p. 155 | |
Gershwin | Porgy and Bess | Folder 3- My man's gone now | 3 | p. 156 | |
Gershwin | Porgy and Bess | Folder 3- My man's gone now | 4 | p. 157 | |
Gershwin | Porgy and Bess | Folder 3- My man's gone now | 5 | forte-gilbert email | |
Gershwin | Porgy and Bess | Folder 4- Bess, you is my woman now | 1 | Score p. 146 | bunch 1 |
Gershwin | Porgy and Bess | Folder 4- Bess, you is my woman now | 2 | Score p. 147 | |
Gershwin | Porgy and Bess | Folder 4- Bess, you is my woman now | 3 | score p. 148 | |
Gershwin | Porgy and Bess | Folder 4- Bess, you is my woman now | 4 | score p. 149 | |
Gershwin | Porgy and Bess | Folder 4- Bess, you is my woman now | unscanned | score pp. 150-154 unmarked | |
Gershwin | Porgy and Bess | Folder 4- Bess, you is my woman now | 5 | notes in pencil | |
Gershwin | Porgy and Bess | Folder 4- Bess, you is my woman now | 6 | Keys and common tones | bunch 2 |
Gershwin | Porgy and Bess | Folder 4- Bess, you is my woman now | unscanned | copies of p. 6 | |
Gershwin | Porgy and Bess | Folder 4- Bess, you is my woman now | unscanned | various unmarked score copies | bunch 3 |
Gershwin | Porgy and Bess | Folder 4- Bess, you is my woman now | 7 | score p. 150 | |
Gershwin | Porgy and Bess | Folder 4- Bess, you is my woman now | 8 | score p. 151 | |
Gershwin | Porgy and Bess | Folder 4- Bess, you is my woman now | 9 | score p. 152 | |
Gershwin | Porgy and Bess | Folder 4- Bess, you is my woman now | 10 | score p. 153 | |
Gershwin | Porgy and Bess | Folder 5- It ain't necessarily so | unscanned | 3 unamarked score pages | |
Gershwin | Porgy and Bess | Folder 6- Handouts | 1 | Untermeyer handout | |
Gershwin | Porgy and Bess | Folder 6- Handouts | 2 | T9 notes | |
Gershwin | Porgy and Bess | Folder 6- Handouts | 3 | Score p. 350 | |
Gershwin | Porgy and Bess | Folder 6- Handouts | 4 | Score p. 351 | |
Gershwin | Porgy and Bess | Folder 6- Handouts | 5 | Score p. 352 | |
Handel | Suite V in E maj, Air | Harmonious blacksmith | 1 | Oversized | |
Handel | Suite V in E maj, Air | Harmonious blacksmith | 2 | Notes- m4 | |
Handel | Suite V in E maj, Air | Harmonious blacksmith | 3 | Oster- "Simplicity.." | |
Handel | Suite V in E maj, Air | Harmonious blacksmith | 4 | Oster 2 | |
Handel | Courante from Suite VIII in F minor | 1 | Oversized | ||
Handel | Courante from Suite VIII in F minor | 2 | Notes, 14-20 | ||
Handel | Courante from Suite VIII in F minor | 3 | Rothgeb mm.36 | ||
Handel | Courante from Suite VIII in F minor | 4 | Ernst | ||
Handel | Courante from Suite VIII in F minor | unscanned | unmarked score | ||
Handel | Menuetto from Suite X in D min | 1 | notes | ||
Handel | Menuetto from Suite X in D min | unscanned | unmarked score | ||
Handel | Courante from Suite XI | 1 | Oversized | ||
Handel | Courante from Suite XI | 2 | mini- m. 10 | ||
Handel | Courante from Suite XI | 3 | notes- m. 5 voice leading | ||
Haydn | Quartet in D major, Op. 76/5 (II) | 1 | oversized 1/2 | ||
Haydn | Quartet in D major, Op. 76/5 (II) | 2 | oversized 2/2 | ||
Haydn | Quartet in D major, Op. 76/5 (II) | 3 | devel. | ||
Haydn | Quartet in D major, Op. 76/5 (II) | 4 | 2nd theme | ||
Haydn | Quartet in D major, Op. 76/5 (II) | 5r | notes, m. 45 | ||
Haydn | Quartet in D major, Op. 76/5 (II) | 5v | scratched out | ||
Haydn | Piano Sonata in E major, II | Hob. XVI/22 andante | 1 | Oversized p. 1 | |
Haydn | Piano Sonata in E major, II | Hob. XVI/22 andante | 2 | Oversized p. 1 | |
Haydn | Keyboard Sonata No. 43 in E-flat | H. XVI/28, Minuet | 1 | p. 1 notes | |
Haydn | Keyboard Sonata No. 43 in E-flat | H. XVI/28, Minuet | 2 | p. 2 trio | |
Haydn | Keyboard Sonata No. 43 in E-flat | H. XVI/28, Minuet | 3 | Analysis by student Bernard | |
Haydn | Keyboard Sonata No. 43 in E-flat | H. XVI/28, Minuet | unscanned | unmarked score | |
Haydn | Keyboard Sonata in C major, I | H. XVI/21, 1 | 1 | Long, p. 1 | |
Haydn | Keyboard Sonata in C major, I | H. XVI/21, 1 | 2 | long, p. 2 | |
Haydn | Farewell Symphony, II | 1 | Wksht, p. 1 | ||
Haydn | Farewell Symphony, II | 2 | Wksht, p. 2 | ||
Haydn | Farewell Symphony, II | 3 | Wksht, p. 3 | ||
Haydn | Farewell Symphony, II | 4 | Wksht, p. 4 | ||
Haydn | Piano Sonata in G minor | No. 32, Hob.XVI:44 | 1 | Oster Letter, 1/2 | Haydn_SonataGmin_p |
Haydn | Piano Sonata in G minor | No. 32, Hob.XVI:44 | 2 | Oster, 2/2 | |
Haydn | Piano Sonata in G minor | No. 32, Hob.XVI:44 | 3 | Oster-expo p. 1 | |
Haydn | Piano Sonata in G minor | No. 32, Hob.XVI:44 | 4 | Oster-expo p. 2 | |
Haydn | Piano Sonata in G minor | No. 32, Hob.XVI:44 | 5 | Forte notes | |
Haydn | Piano Sonata in G minor | No. 32, Hob.XVI:44 | 6 | Oster- dev | |
Haydn | Die Vorstellung des Chaos (3rd Draft) | Die Schopfung | 1 | yellow p. 1 | |
Haydn | Die Vorstellung des Chaos (3rd Draft) | Die Schopfung | 2 | p. 2 | |
Haydn | Die Vorstellung des Chaos (3rd Draft) | Die Schopfung | 3 | p. 3 | |
Haydn | Die Vorstellung des Chaos (3rd Draft) | Die Schopfung | 4 | p. 4 | |
Haydn | Die Vorstellung des Chaos (3rd Draft) | Die Schopfung | 5 | p. 5 | |
Haydn | Die Vorstellung des Chaos (3rd Draft) | Die Schopfung | 6 | Score p. 1 | |
Haydn | Die Vorstellung des Chaos (3rd Draft) | Die Schopfung | 7 | p. 2 | |
Haydn | Die Vorstellung des Chaos (3rd Draft) | Die Schopfung | 8 | p. 3 | |
Haydn | Die Vorstellung des Chaos (3rd Draft) | Die Schopfung | 9 | p. 4 | |
Haydn | Die Vorstellung des Chaos (3rd Draft) | Die Schopfung | 10 | p. 5 | |
Haydn | Die Vorstellung des Chaos (3rd Draft) | Die Schopfung | 11 | p. 6 | |
Haydn | Die Vorstellung des Chaos (2nd Draft) | Die Schopfung | 1 | yellow p. 1 | |
Haydn | Die Vorstellung des Chaos (2nd Draft) | Die Schopfung | 2 | p. 2 | |
Haydn | Die Vorstellung des Chaos (2nd Draft) | Die Schopfung | 3 | Score p. 1 | |
Haydn | Die Vorstellung des Chaos (2nd Draft) | Die Schopfung | 4 | p. 2 | |
Haydn | Die Vorstellung des Chaos (2nd Draft) | Die Schopfung | 5 | p. 3 | |
Haydn | Die Vorstellung des Chaos (2nd Draft) | Die Schopfung | 6 | p. 4 | |
Haydn | Die Vorstellung des Chaos (2nd Draft) | Die Schopfung | 7 | Facs. Of draft p. 1 | |
Haydn | Die Vorstellung des Chaos (2nd Draft) | Die Schopfung | 8 | facs. Of draft p. 2 | |
Haydn | Die Vorstellung des Chaos (1st Draft) | Die Schopfung | 1 | Yellow 1/1 | |
Haydn | Die Vorstellung des Chaos (1st Draft) | Die Schopfung | 2 | Hand-copy | |
Haydn | Die Vorstellung des Chaos (1st Draft) | Die Schopfung | 3 | facs | |
Haydn | Die Vorstellung des Chaos (1st Draft) | Die Schopfung | 4 | Score transcription | |
Haydn | Die Vorstellung des Chaos (1st Draft) | Die Schopfung | 5 | notes 1/2 | |
Haydn | Die Vorstellung des Chaos (1st Draft) | Die Schopfung | 6 | notes 2/2 | |
Ives | 114 Songs | Afterglow | 1 | genera matrix | |
Ives | 114 Songs | Afterglow | 2 | final worksheet p1 | |
Ives | 114 Songs | Afterglow | 3 | final worksheet p2 and comments | |
Ives | 114 Songs | Soliloquy | 1 | comments and questions | |
Ives | 114 Songs | Soliloquy | 2 | marked score | |
Ives | 114 Songs | Maple Leaves | 1 | marked score | |
Ives | 114 Songs | Maple Leaves | 2 | sketch p1 | |
Ives | 114 Songs | Maple Leaves | 3 | sketch p2 | |
Ives | 114 Songs | Maple Leaves | 4 | sketch p3 | |
Ives | 114 Songs | Maple Leaves | 5 | Kh table p1 | |
Ives | 114 Songs | Maple Leaves | 6 | Kh table p2 | |
Ives | 114 Songs | Maple Leaves | 7 | Kh table p3 | |
Ives | 114 Songs | Maple Leaves | 8 | Kh table p4 | |
Ives | 114 Songs | Notes and General Info on Various Songs | 1 | No. 15 set list p1 | |
Ives | 114 Songs | Notes and General Info on Various Songs | 2 | No. 15 set list p2 | |
Ives | 114 Songs | Notes and General Info on Various Songs | 3 | The Majority pitch classes | |
Ives | 114 Songs | Notes and General Info on Various Songs | 4 | No. 23 pitch classes | |
Ives | 114 Songs | Notes and General Info on Various Songs | 5 | various notes and observations p1 | |
Ives | 114 Songs | Notes and General Info on Various Songs | 6 | various notes and observations p2 | |
Ives | 114 Songs | Notes and General Info on Various Songs | 7 | various notes and observations p3 | |
Ives | 114 Songs | Notes and General Info on Various Songs | 8 | various notes and observations p4 | |
Ives | 114 Songs | Notes and General Info on Various Songs | 9 | various notes and observations p5 | |
Ives | 114 Songs | Notes and General Info on Various Songs | 10 | various notes and observations p6 | |
Ives | 114 Songs | Notes and General Info on Various Songs | 11 | various notes and observations p7 | |
Ives | 114 Songs | Notes and General Info on Various Songs | 12 | various notes and observations p8 | |
Ives | 114 Songs | Notes and General Info on Various Songs | 13 | various notes and observations p9 | |
Ives | 114 Songs | Notes and General Info on Various Songs | 14 | various notes and observations p10 | |
Ives | 114 Songs | Notes and General Info on Various Songs | 15 | songs with "little or no musical value" | |
Ives | Piano Sonata No. 2 | Concord Sonata | 1 | outline of transformations of 2 main themes | |
Ives | Piano Sonata No. 2 | Concord Sonata: IV. Thoreau | 2 | notes p1 | |
Ives | Piano Sonata No. 2 | Concord Sonata: IV. Thoreau | 3 | notes p2 | |
Ives | Piano Sonata No. 2 | Concord Sonata: IV. Thoreau | 4 | notes p3 | |
Ives | Piano Sonata No. 2 | Concord Sonata: IV. Thoreau | 5 | notes p4 | |
Ives | Piano Sonata No. 2 | Concord Sonata: IV. Thoreau | 6 | notes p5 | |
Ives | Piano Sonata No. 2 | Concord Sonata: IV. Thoreau | 7 | notes p6 | |
Ives | Piano Sonata No. 2 | Concord Sonata: IV. Thoreau | 8 | notes p7 | |
Ives | Piano Sonata No. 2 | Concord Sonata: IV. Thoreau | 9 | notes p8 | |
Ives | Piano Sonata No. 2 | Concord Sonata: IV. Thoreau | 10 | notes p9 | |
Ives | Piano Sonata No. 2 | Concord Sonata: IV. Thoreau | 11 | notes p10 | |
Ives | Piano Sonata No. 2 | Concord Sonata: IV. Thoreau | 12 | notes p11 | |
Ives | Piano Sonata No. 2 | Concord Sonata: IV. Thoreau | 13 | notes p12 | |
Ives | Piano Sonata No. 2 | Concord Sonata: IV. Thoreau | 14 | notes p13 | |
Ives | Piano Sonata No. 2 | Concord Sonata: IV. Thoreau | 15 | notes p14 | |
Ives | Piano Sonata No. 2 | Concord Sonata: IV. Thoreau | 16 | notes p15 | |
Ives | Piano Sonata No. 2 | Concord Sonata: IV. Thoreau | 17 | notes p16 | |
Ives | Piano Sonata No. 2 | Concord Sonata: IV. Thoreau | 18 | notes p17 | |
Ives | Piano Sonata No. 2 | Concord Sonata: IV. Thoreau | 19 | notes p18 | |
Ives | Piano Sonata No. 2 | Concord Sonata: IV. Thoreau | 20 | notes p19 | |
Ives | Piano Sonata No. 2 | Concord Sonata: IV. Thoreau | 21 | tentative list of sets | |
Ives | Piano Sonata No. 2 | Concord Sonata: IV. Thoreau | 22 | sets and operations to be discussed | |
Ives | The Unanswered Question | 1 | notes | ||
Ives | The Unanswered Question | 2 | Kh table | ||
Ives | The Unanswered Question | 3 | set sketches p1 | ||
Ives | The Unanswered Question | 4 | set sketches p2 | ||
Ives | The Unanswered Question | 5 | sketch | ||
Ives | The Unanswered Question | 6 | sketch | ||
Ives | The Unanswered Question | 7 | sketch | ||
Ives | The Unanswered Question | 8 | sketch | ||
Ives | The Unanswered Question | 9 | differences between sketch and final version | ||
Ives | The Unanswered Question | 10 | sketch | ||
Ives | The Unanswered Question | 11 | sketch | ||
Ives | The Unanswered Question | 12 | list of sets p1 | ||
Ives | The Unanswered Question | 13 | list of sets p2 | ||
Ives | Second Sonata for Violin and Piano | Movement III | 1 | marked score (1) p1 | |
Ives | Second Sonata for Violin and Piano | Movement III | 2 | marked score (1) p2 | |
Ives | Second Sonata for Violin and Piano | Movement III | 3 | marked score (1) p3 | |
Ives | Second Sonata for Violin and Piano | Movement III | 4 | marked score (1) p4 | |
Ives | Second Sonata for Violin and Piano | Movement III | 5 | marked score (1) p5 | |
Ives | Second Sonata for Violin and Piano | Movement III | 6 | example sketches | |
Ives | Second Sonata for Violin and Piano | Movement III | 7 | marked score (2) p1 | |
Ives | Second Sonata for Violin and Piano | Movement III | 8 | marked score (2) p2 | |
Ives | Second Sonata for Violin and Piano | Movement III | 9 | marked score (2) p3 | |
Ives | Second Sonata for Violin and Piano | Movement III | 10 | marked score (2) p4 | |
Ives | Second Sonata for Violin and Piano | Movement III | 11 | marked score (2) p5 | |
Ives | Second Sonata for Violin and Piano | Movement III | 12 | analysis of and comparison with Wyeth | |
Ives | Second Sonata for Violin and Piano | Movement III | 13 | set examples p1 | |
Ives | Second Sonata for Violin and Piano | Movement III | 14 | set examples p2 | |
Ives | Second Sonata for Violin and Piano | Movement III | 15 | generator sets p1 | |
Ives | Second Sonata for Violin and Piano | Movement III | 16 | generator sets p2 | |
Ives | Second Sonata for Violin and Piano | Movement III | 17 | generator sets p3 | |
Ives | Second Sonata for Violin and Piano | Movement III | 18 | generator sets p4 | |
Ives | Second Sonata for Violin and Piano | Movement III | 19 | set derivation | |
Ives | Second Sonata for Violin and Piano | Movement III | 20 | pitch materials | |
Ives | Second Sonata for Violin and Piano | Movement III | 21 | genera matrix | |
Ives | Second Sonata for Violin and Piano | Movement III | 22 | some observations | |
Liszt | Années de Pèlerinage (Years of Pilgrimage) | Sposalizio | 1 | mini- attached to p. 2 | |
Liszt | Années de Pèlerinage (Years of Pilgrimage) | Sposalizio | 2 | Oversized 1 | |
Liszt | Années de Pèlerinage (Years of Pilgrimage) | Sposalizio | unscanned | Oversized blank | |
Liszt | Piano Sonata in B minor | 1 | Preface | ||
Liszt | Piano Sonata in B minor | 2 | Examples | ||
Liszt | Piano Sonata in B minor | 3 | Examples | ||
Liszt | Piano Sonata in B minor | 4 | Graphic Analysis | ||
Liszt | Piano Sonata in B minor | 5 | Graphic Analysis | ||
Liszt | Valleé d'Obermann | 1 | comments | ||
Liszt | Valleé d'Obermann | 2 | topics | ||
Liszt | Valleé d'Obermann | 3 | diagram | ||
Liszt | Valleé d'Obermann | 4 | sketch p1 | ||
Liszt | Valleé d'Obermann | 5 | sketch p2 | ||
Liszt | Valleé d'Obermann | 6 | sketch p3 | ||
Liszt | Valleé d'Obermann | 7 | sketch p4 | ||
Liszt | Valleé d'Obermann | 8 | sketch p5 | ||
Liszt | Valleé d'Obermann | 9 | Graphic Analysis p1 | ||
Liszt | Valleé d'Obermann | 10 | Graphic Analysis p2 | ||
Mahler | Songs of a Wayfarer | Die zwei blauen Augen | 1 | Text trns, 1/2 | |
Mahler | Songs of a Wayfarer | Die zwei blauen Augen | 2 | text trns, 2/2 | |
Mahler | Das Lied von der Erde III | von der Jugend | 1 | Student- F. Hamao, ed Forte. | |
Mahler | Das Lied von der Erde III | von der Jugend | 2 | p. 2 | |
Mahler | Das Lied von der Erde III | von der Jugend | 3 | p. 3 | |
Mahler | Das Lied von der Erde III | von der Jugend | 4 | p. 4 | |
Mahler | Adagietto from 5th symphony | Folder 1- Piano Red. Of full score | 1 | 1st page of manuscript labeled | |
Mahler | Adagietto from 5th symphony | Folder 1- Piano Red. Of full score | 2 | Score p. 1 | |
Mahler | Adagietto from 5th symphony | Folder 1- Piano Red. Of full score | 3 | p. 2 | |
Mahler | Adagietto from 5th symphony | Folder 1- Piano Red. Of full score | 4 | p. 3 | |
Mahler | Adagietto from 5th symphony | Folder 1- Piano Red. Of full score | 5 | p. 4 | |
Mahler | Adagietto from 5th symphony | Folder 1- Piano Red. Of full score | 6 | p. 5 | |
Mahler | Adagietto from 5th symphony | Folder 2- Lecture exs | unscanned | 1st page of manuscript copy | |
Mahler | Adagietto from 5th symphony | Folder 2- Lecture exs | 1 | exs 1a, 1b and2 | |
Mahler | Adagietto from 5th symphony | Folder 2- Lecture exs | 2 | exs 3-6 | |
Mahler | Adagietto from 5th symphony | Folder 2- Lecture exs | 3 | exs 7-9 | |
Mahler | Adagietto from 5th symphony | Folder 3- Alma's copy, Analytical sketch | unscanned | Long analysis (mini of p. 5) | |
Mahler | Adagietto from 5th symphony | Folder 3- Alma's copy, Analytical sketch | 1 | my lecture͙ | |
Mahler | Adagietto from 5th symphony | Folder 3- Alma's copy, Analytical sketch | 2recto | Analysis oversized | |
Mahler | Adagietto from 5th symphony | Folder 3- Alma's copy, Analytical sketch | 2verso | "Not for Texas" | |
Mahler | Adagietto from 5th symphony | Folder 3- Alma's copy, Analytical sketch | 3recto | "first page of lecture" | |
Mahler | Adagietto from 5th symphony | Folder 3- Alma's copy, Analytical sketch | 3verso | set | |
Mahler | Adagietto from 5th symphony | Folder 3- Alma's copy, Analytical sketch | 4 | Lecture notes | |
Mahler | Adagietto from 5th symphony | Folder 3- Alma's copy, Analytical sketch | 5 | oversized | |
Mahler | Adagietto from 5th symphony | Folder 3- Alma's copy, Analytical sketch | unscanned | unmarked score copy | |
Mahler | Adagietto from 5th symphony | Folder 3- Alma's copy, Analytical sketch | unscanned | copy of publ. article | |
Mahler | Adagietto from 5th symphony | Folder 4- Alma's copy(opening) Stichvorlag | unscanned | copies of exs in folder 2 | |
Mahler | Adagietto from 5th symphony | Folder 4- Alma's copy(opening) Stichvorlag | 1 | blown up score with red pen | |
Mahler | Adagietto from 5th symphony | Folder 4- Alma's copy(opening) Stichvorlag | 2 | Alma's score w/ corrections | |
Mahler | Adagietto from 5th symphony | Folder 4- Alma's copy(opening) Stichvorlag | unscanned | paperwork for trip to Hanyang | |
Mahler | Adagietto from 5th symphony | Folder 5- Lecture notes | 1 | For Yale Summer course.. | |
Mahler | Adagietto from 5th symphony | Folder 5- Lecture notes | 2 | On score transcription | |
Mahler | Adagietto from 5th symphony | Folder 5- Lecture notes | 3 | Performance.. | |
Mahler | Adagietto from 5th symphony | Folder 5- Lecture notes | 4 | page from Mahler in love article | |
Mahler | Adagietto from 5th symphony | Folder 5- Lecture notes | unscanned | another copy of 1st page manuscript | |
Mahler | Adagietto from 5th symphony | Folder 5- Lecture notes | 5 | p. 1 of exs- notes in margin | |
Mahler | Adagietto from 5th symphony | Folder 6- Middleground Motives | 1 | Summary for Kaplan, p. 1 | |
Mahler | Adagietto from 5th symphony | Folder 6- Middleground Motives | 2 | p. 2 "appog.." | |
Mahler | Adagietto from 5th symphony | Folder 6- Middleground Motives | unscanned | copies pp. 1,2 | |
Mahler | Adagietto from 5th symphony | Folder 6- Middleground Motives | unscanned | copies of exs in folder 2 | |
Mahler | Adagio from 9th Symphony | 1 | Notes | ||
Mahler | Adagio from 9th Symphony | 2 | Notes | ||
Mahler | Adagio from 9th Symphony | 3 | Graphic Analysis | ||
Mendelssohn | Op. 54 | Variations serieuses | 1 | oversized | |
Messiaen | Early Piano Music Lecture | 1 | Modes of lim. Transposition | ||
Messiaen | Early Piano Music Lecture | 2 | columbe p. 1 | ||
Messiaen | Early Piano Music Lecture | 3 | |||
Messiaen | Early Piano Music Lecture | 4 | |||
Messiaen | Early Piano Music Lecture | 5 | |||
Messiaen | Early Piano Music Lecture | 6 | |||
Messiaen | Early Piano Music Lecture | 7 | |||
Messiaen | Early Piano Music Lecture | 8 | |||
Messiaen | Early Piano Music Lecture | 9 | |||
Messiaen | Early Piano Music Lecture | 10 | |||
Messiaen | Early Piano Music Lecture | 11 | |||
Messiaen | Early Piano Music Lecture | 12 | |||
Messiaen | Early Piano Music Lecture | 13 | |||
Messiaen | Early Piano Music Lecture | 14 | |||
Messiaen | Early Piano Music Lecture | 15 | |||
Messiaen | Piano Prelude I | La Colombe | 1 | marked score | |
Messiaen | Piano Prelude I | La Colombe | 2 | marked score | |
Messiaen | Piano Prelude IV | Instants defunts | 1 | marked score | |
Messiaen | Piano Prelude IV | Instants defunts | 2 | marked score | |
Messiaen | Piano Prelude IV | Instants defunts | 3 | marked score | |
Messiaen | Piano Prelude IV | Instants defunts | 4 | marked score | |
Messiaen | Piano Prelude VII | 1 | marked score p.1 | ||
Messiaen | Piano Prelude VII | 2 | marked score p.1 w. notes | ||
Messiaen | Piano Prelude VII | 3 | marked score p.2 w. notes | ||
Messiaen | Piano Prelude VII | 4 | notes | ||
Messiaen | Livre d'ogrue: Introduction | 1 | notes on the movement | ||
Messiaen | Livre d'ogrue: Introduction | 2 | notes on the movement | ||
Messiaen | Livre d'ogrue: Introduction | 3 | notes on the movement | ||
Messiaen | Livre d'ogrue: Introduction | 4 | notes on the movement | ||
Messiaen | Livre d'ogrue: Introduction | 5 | notes on the movement | ||
Messiaen | Livre d'ogrue: Introduction | 6 | notes on the movement | ||
Messiaen | Livre d'ogrue: Introduction | 7 | notes on the movement | ||
Messiaen | Livre d'orgue I | Analytical Materials | 1 | rows 1 & 6 | |
Messiaen | Livre d'orgue I | Analytical Materials | 2 | rows 1 & 6 (Interversion) | |
Messiaen | Livre d'orgue I | Analytical Materials | 3 | rows 2 & 5 | |
Messiaen | Livre d'orgue I | Analytical Materials | 4 | rows 3 & 4 | |
Messiaen | Livre d'orgue I | Analytical Materials | 5 | hexachords | |
Messiaen | Livre d'orgue I | Analytical Materials | 6 | trichords | |
Messiaen | Livre d'orgue I | Analytical Materials | 7 | row sketches | |
Messiaen | Livre d'orgue I | Analytical Materials | 8 | tone rows: passing the interversions | |
Messiaen | Livre d'orgue I | Reprises par interversion | 1 | marked score | |
Messiaen | Livre d'orgue I | Reprises par interversion | 2 | marked score | |
Messiaen | Livre d'orgue I | Reprises par interversion | 3 | marked score | |
Messiaen | Livre d'orgue I | Reprises par interversion | 4 | marked score | |
Messiaen | Livre d'orgue II | Pièce en trio | 1 | comments on the movement | |
Messiaen | Livre d'orgue II | Pièce en trio | 2 | comments on the movement/hexachords | |
Messiaen | Livre d'orgue II | Pièce en trio | 3 | comments on the movement | |
Messiaen | Livre d'orgue II | Pièce en trio | 4 | comments on the movement | |
Messiaen | Livre d'orgue II | Pièce en trio | 5 | score p2 | |
Messiaen | Livre d'orgue II | Pièce en trio | 6 | score p1 | |
Messiaen | Livre d'orgue II | Pièce en trio | 7 | score p2 (additional markings) | |
Messiaen | Livre d'orgue II | Pièce en trio | 8 | diagrams p1 | |
Messiaen | Livre d'orgue II | Pièce en trio | 9 | diagrams p2 | |
Messiaen | Livre d'orgue II | Pièce en trio | 10 | diagrams p3 | |
Messiaen | Livre d'orgue II | Pièce en trio | 11 | diagram - final draft | |
Messiaen | Livre d'orgue II | Pièce en trio | 12 | diagrams p4 | |
Messiaen | Livre d'orgue II | Pièce en trio | 13 | charts p1 | |
Messiaen | Livre d'orgue II | Pièce en trio | 14 | charts p2 | |
Messiaen | Livre d'orgue II | Pièce en trio | 15 | charts p3 | |
Messiaen | Livre d'orgue II | Pièce en trio | 16 | list of rhythms | |
Messiaen | Livre d'orgue III | Les mains de l'abîme | 1 | marked score p1 | |
Messiaen | Livre d'orgue III | Les mains de l'abîme | 2 | marked score p2 | |
Messiaen | Livre d'orgue III | Les mains de l'abîme | 3 | marked score p3 | |
Messiaen | Livre d'orgue III | Les mains de l'abîme | 4 | marked score p4 | |
Messiaen | Livre d'orgue III | Les mains de l'abîme | 5 | marked score p5 | |
Messiaen | Livre d'orgue III | Les mains de l'abîme | 6 | marked score p6 | |
Messiaen | Livre d'orgue III | Les mains de l'abîme | 7 | examples p1 | |
Messiaen | Livre d'orgue III | Les mains de l'abîme | 8 | examples p2 | |
Messiaen | Livre d'orgue III | Les mains de l'abîme | 9 | examples p3 | |
Messiaen | Livre d'orgue III | Les mains de l'abîme | 10 | example | |
Messiaen | Livre d'orgue III | Les mains de l'abîme | 11 | hexachords p1 | |
Messiaen | Livre d'orgue III | Les mains de l'abîme | 12 | hexachords p2 | |
Messiaen | Livre d'orgue III | Les mains de l'abîme | 13 | hexachords p3 | |
Messiaen | Livre d'orgue III | Les mains de l'abîme | 14 | genera matrix (1) | |
Messiaen | Livre d'orgue III | Les mains de l'abîme | 15 | genera matrix (2) | |
Messiaen | Livre d'orgue III | Les mains de l'abîme | 16 | lecture notes/discussion p1 | |
Messiaen | Livre d'orgue III | Les mains de l'abîme | 17 | lecture notes/discussion p2 | |
Messiaen | Livre d'orgue III | Les mains de l'abîme | 18 | lecture notes/discussion p3 | |
Messiaen | Livre d'orgue III | Les mains de l'abîme | 19 | lecture notes/discussion p4 | |
Messiaen | Livre d'orgue III | Les mains de l'abîme | 20 | lecture notes/discussion p5 | |
Messiaen | Livre d'orgue III | Les mains de l'abîme | 21 | lecture notes/discussion p6 | |
Messiaen | Livre d'orgue III | Les mains de l'abîme | 22 | lecture notes/discussion p7 | |
Messiaen | Livre d'orgue III | Les mains de l'abîme | 23 | lecture notes/discussion p8 | |
Messiaen | Livre d'orgue III | Les mains de l'abîme | 24 | lecture notes/discussion p9 | |
Messiaen | Livre d'orgue IV | Chants d'oiseaux | 1 | comments | |
Messiaen | Livre d'orgue IV | Chants d'oiseaux | 2 | marked score p1 | |
Messiaen | Livre d'orgue IV | Chants d'oiseaux | unscanned | score p2 | |
Messiaen | Livre d'orgue V | Pièce en trio | 1 | comments | |
Messiaen | Livre d'orgue V | Pièce en trio | 2 | chart p1 | |
Messiaen | Livre d'orgue V | Pièce en trio | 3 | chart p2 | |
Messiaen | Livre d'orgue V | Pièce en trio | 4 | comments | |
Messiaen | Livre d'orgue V | Pièce en trio | 5 | marked score p1 | |
Messiaen | Livre d'orgue V | Pièce en trio | 6 | marked score p2 | |
Messiaen | Livre d'orgue V | Pièce en trio | unscanned | ||
Messiaen | Livre d'orgue V | Pièce en trio | 7 | diagrams p1 | |
Messiaen | Livre d'orgue V | Pièce en trio | 8 | diagrams p2 | |
Messiaen | Livre d'orgue V | Pièce en trio | 9 | charts p1 | |
Messiaen | Livre d'orgue V | Pièce en trio | 10 | charts p2 | |
Messiaen | Livre d'orgue VI | Les yeux dans les roues | 1 | list of hexachords p1 | |
Messiaen | Livre d'orgue VI | Les yeux dans les roues | 2 | list of hexachords p2 | |
Messiaen | Livre d'orgue VI | Les yeux dans les roues | 3 | list of hexachords p3 | |
Messiaen | Livre d'orgue VI | Les yeux dans les roues | 4 | list of hexachords p4 | |
Messiaen | Livre d'orgue VI | Les yeux dans les roues | 35 page PDF | Article draft, notes and examples | |
Messiaen | Livre d'orgue VI | Les yeux dans les roues | 37 page PDF | Analytical material | |
Messiaen | Livre d'orgue VI | Les yeux dans les roues | 1 | note durations | |
Messiaen | Livre d'orgue VI | Les yeux dans les roues | 2 | row charts: interversions p1 | |
Messiaen | Livre d'orgue VI | Les yeux dans les roues | 3 | row charts: interversions p2 | |
Messiaen | Livre d'orgue VI | Les yeux dans les roues | 4 | row charts: interversions p2 (duplicate) | |
Messiaen | Livre d'orgue VI | Les yeux dans les roues | 5 | row charts: interversions p3 | |
Messiaen | Livre d'orgue VI | Les yeux dans les roues | 6 | permutations | |
Messiaen | Livre d'orgue VI | Les yeux dans les roues | 7 | tone rows: pitches | |
Messiaen | Livre d'orgue VI | Les yeux dans les roues | 8 | order number permutations | |
Messiaen | Livre d'orgue VI | Les yeux dans les roues | 1 | marked score p1 | |
Messiaen | Livre d'orgue VI | Les yeux dans les roues | 2 | marked score p2 | |
Messiaen | Livre d'orgue VI | Les yeux dans les roues | 3 | marked score p3 | |
Messiaen | Livre d'orgue VI | Les yeux dans les roues | 4 | marked score p4 | |
Messiaen | Livre d'orgue VI | Les yeux dans les roues | 5 | marked score p5 | |
Messiaen | Livre d'orgue VI | Les yeux dans les roues | 6 | marked score p6 | |
Messiaen | Livre d'orgue VII | Soixante quatre durées | 1 | marked score p1 | |
Messiaen | Livre d'orgue VII | Soixante quatre durées | unscanned | score p2 | |
Messiaen | Quatuor pour la fin du temps | Liturgie de cristal | 1 | score p1 | |
Messiaen | Quatuor pour la fin du temps | Liturgie de cristal | 2 | excerpt | |
Messiaen | Quatuor pour la fin du temps | Liturgie de cristal | 3 | chords | |
Messiaen | Quatuor pour la fin du temps | Liturgie de cristal | 4 | genera matrix (1) | |
Messiaen | Quatuor pour la fin du temps | Liturgie de cristal | 5 | genera matrix (2) | |
Messiaen | Vingt Regards | X. Regard de l'Esprit de Joie | 1 | marked score | |
Messiaen | Vingt Regards | X. Regard de l'Esprit de Joie | 2 | marked score | |
Messiaen | Vingt Regards | X. Regard de l'Esprit de Joie | 3 | marked score | |
Messiaen | Vingt Regards | X. Regard de l'Esprit de Joie | 4 | marked score | |
Messiaen | Vingt Regards | X. Regard de l'Esprit de Joie | 5 | marked score | |
Messiaen | Vingt Regards | X. Regard de l'Esprit de Joie | 6 | marked score | |
Mozart | Don Giovanni | Dalla sua pace͙ | 1 | rough sketch, p. 1 | |
Mozart | Don Giovanni | Dalla sua pace͙ | 2 | p. 2 | |
Mozart | K. 280 Allegro Assai | WAM_K280_mvtI_p | 1 | Dev. mm 57-78 | |
Mozart | K. 280 Allegro Assai | Piano Sonata in F Major, I | 2 | dev. mm 67-83 | |
Mozart | K. 280 Allegro Assai | Piano Sonata in F Major, I | 3 | wksht- expo | |
Mozart | K. 280 Allegro Assai | Piano Sonata in F Major, I | 4 | Resprise | |
Mozart | K. 280 Allegro Assai | Piano Sonata in F Major, I | 5 | Sketch in red pen | |
Mozart | K. 280 Allegro Assai | Piano Sonata in F Major, I | 6 | mm 17-26 | |
Mozart | K. 280 Allegro Assai | Piano Sonata in F Major, I | 7 | Condensed sketches | |
Mozart | K. 280 Allegro Assai | Piano Sonata in F Major, I | 8 | unlabeled pencil sketch, some crossed out | |
Mozart | K. 280 Adagio | WAM_K280_mvtII_p | 1 | Barely marked score, 1/2 | |
Mozart | K. 280 Adagio | Piano Sonata in F Major, II | 2 | Barely marked score, 2/2 | |
Mozart | K. 280 Adagio | Piano Sonata in F Major, II | 3 | Prolong Bb | |
Mozart | K. 280 Adagio | Piano Sonata in F Major, II | 4 | Oversized, p. 1 | Oversized, Scanned |
Mozart | K. 280 Adagio | Piano Sonata in F Major, II | 5 | Oversized, p. 2 | Oversized, Scanned |
Mozart | K. 280 Adagio | Piano Sonata in F Major, II | 6 | Oversized working sketch (dev) | Oversized, Scanned |
Mozart | K. 280 Adagio | Piano Sonata in F Major, II | 7 | Oversized, Dev. Summary | Oversized, Scanned |
Mozart | K. 280 Adagio | Piano Sonata in F Major, II | 8 | Oversized, Suppl. Sketches a,b,c | Oversized, Scanned |
Mozart | K. 280 Adagio | Piano Sonata in F Major, II | 9 | Oversized, More condensed sketch | Oversized, Scanned |
Mozart | K. 280 Presto | Piano Sonata in F Major, III | 1 | Middleground | |
Mozart | K. 280 Presto | Piano Sonata in F Major, III | 2 | Oversized th 1&2 | Oversized, Scanned |
Mozart | K. 280 Presto | Piano Sonata in F Major, III | 3 | Oversized mm 46-77 | Oversized, Scanned |
Mozart | K. 280 Presto | Piano Sonata in F Major, III | 4 | Oversized Dev | Oversized, Scanned |
Mozart | K. 280 Presto | Piano Sonata in F Major, III | 5 | unlabled sketch | |
Mozart | K. 280 Presto | Piano Sonata in F Major, III | 6 | Oversized, Annotated copy of p. 2 | Oversized, Scanned |
Mozart | K. 282, I | Piano Sonata in E-flat Major | 1 | sketch | |
Mozart | K. 282, Finale | Piano Sonata in E-flat Major | 1 | Oversized, p. 1 | |
Mozart | K. 282, Finale | Piano Sonata in E-flat Major | 2 | Oversized, p. 2 | |
Mozart | K. 282, Finale | Piano Sonata in E-flat Major | 3 | wksht development mm. 40-61 | |
Mozart | K. 282, Finale | Piano Sonata in E-flat Major | 4 | Motives | |
Mozart | K. 330, Andante Cantabile | C Major Piano Sonata, II | unscanned | unmarked score | |
Mozart | K. 330, Andante Cantabile | C Major Piano Sonata, II | 1 | notes, mm .2-36 | |
Mozart | K. 330, Andante Cantabile | C Major Piano Sonata, II | 2 | notes, m 29 | |
Mozart | K. 330, Andante Cantabile | C Major Piano Sonata, II | 3 | Oversized 1 | |
Mozart | K. | 330, Andante Cantabile | C Major Piano Sonata, II | 4 | Oversized 2 |
Mozart | K. | 331 Andante grazioso | Piano Sonata in A Major | 1 | Oster letter |
Mozart | K. | 331 Andante grazioso | Piano Sonata in A Major | 2 | Notes with red pencil |
Mozart | K. | 331 Andante grazioso | Piano Sonata in A Major | 3 | long |
Mozart | K. | 331 Andante grazioso | Piano Sonata in A Major | 4 | notes- 1969 |
Mozart | K. | 331 Andante grazioso | Piano Sonata in A Major | 5 | notes 2 |
Mozart | K. | 332 I | Piano Sonata in F Major | 1 | mini |
Mozart | K. | 332 I | Piano Sonata in F Major | 2 | Oversized score reduction 1 |
Mozart | K. | 332 I | Piano Sonata in F Major | 3 | reduction p. 2 |
Mozart | K. | 332 I | Piano Sonata in F Major | 4 | reduction p. 3 |
Mozart | K. | 332 I | Piano Sonata in F Major | 5 | mini mm 23-40 |
Mozart | K. | 332 I | Piano Sonata in F Major | 6 | suppl sketch |
Mozart | K. | 332 I | Piano Sonata in F Major | 7r | notes- dev. |
Mozart | K. | 332 I | Piano Sonata in F Major | 7v | passing notes |
Mozart | K. | 332 II | F Major Piano Sonata | 1 | Oversized 1 |
Mozart | K. | 332 II | F Major Piano Sonata | 2 | Ex 4.231 |
Mozart | K. | 333, Slow mvt | 1 | Oversized | |
Mozart | K. | 335 D maj Minuett | 1 | Long | |
Mozart | K. | 335 D maj Minuett | 2 | mini | |
Mozart | K. | 335 D maj Minuett | 3 | notes | |
Mozart | K. | 421 Menuetto | D Minor Quartet | 1 | Marked Score |
Mozart | K. | 421 Menuetto | D Minor Quartet | 2 | Tentative notes |
Mozart | K. | 421 Menuetto | D Minor Quartet | 3 | VL graph, p 1 |
Mozart | K. | 421 Menuetto | D Minor Quartet | 4 | p. 2 |
Mozart | K. | 428, II | Quartet in E-flat Major | 1 | marked score p1 |
Mozart | K. | 428, II | Quartet in E-flat Major | 2 | marked score p2 |
Mozart | K. | 428, II | Quartet in E-flat Major | 3 | marked score p3 |
Mozart | K. | 428, II | Quartet in E-flat Major | 4 | development sketch |
Mozart | K. | 428, II | Quartet in E-flat Major | 5 | analysis p1 |
Mozart | K. | 428, II | Quartet in E-flat Major | 6 | analysis p2 |
Mozart | K. | 428, II | Quartet in E-flat Major | 7 | analysis p3 |
Mozart | K. | 464, I | A Major Quartet | 1 | reading of theme: a problem of melodic analysis |
Mozart | K. | 464, I | A Major Quartet | 2 | sketch |
Mozart | K. | 464, I | A Major Quartet | 3 | tentative overall sketch |
Mozart | K. | 464, I | A Major Quartet | 4 | sketch |
Mozart | K. | 464, I | A Major Quartet | 5 | development sketch |
Mozart | K. | 464, I | A Major Quartet | 6 | sketch |
Mozart | K. | 464, I | A Major Quartet | 7 | sketch mm 16-25 |
Mozart | K. | 464, I | A Major Quartet | 8 | analysis p1 |
Mozart | K. | 464, I | A Major Quartet | 9 | analysis p2 |
Mozart | K. | 464, I | A Major Quartet | 10 | analysis p3 |
Mozart | K. | 465, II (Adagio) | "Dissonance" String Quartet | 1 | marked score |
Mozart | K. | 465, II (Adagio) | "Dissonance" String Quartet | 2 | survey of analyses p1 |
Mozart | K. | 465, II (Adagio) | "Dissonance" String Quartet | 3 | survey of analyses p2 |
Mozart | K. | 465, II (Adagio) | "Dissonance" String Quartet | 4 | Schenker on the quartet sketch |
Mozart | K. | 465, II (Adagio) | "Dissonance" String Quartet | 5 | Weber on the quartet |
Mozart | K. | 465, II (Adagio) | "Dissonance" String Quartet | 6 | reconstruction analysis sketch p1 |
Mozart | K. | 465, II (Adagio) | "Dissonance" String Quartet | 7 | reconstruction analysis sketch p2 |
Mozart | K. | 465, II (Adagio) | "Dissonance" String Quartet | 8 | sketch |
Mozart | K. | 465, II | "Dissonance" String Quartet | 1 | marked score p1 |
Mozart | K. | 465, II | "Dissonance" String Quartet | 2 | marked score p2 |
Mozart | K. | 465, II | "Dissonance" String Quartet | 3 | marked score p3 |
Mozart | K. | 465, II | "Dissonance" String Quartet | 4 | marked score p4 |
Mozart | K. | 465, II | "Dissonance" String Quartet | 5 | sketch |
Mozart | K. | 488, II | Piano Concerto in A Major | 1 | analysis p1 |
Mozart | K. | 488, II | Piano Concerto in A Major | 2 | analysis p2 |
Mozart | K. | 511, Rondo | 1 | Marked score p1 | |
Mozart | K. | 511, Rondo | 2 | Marked score p2 | |
Mozart | K. | 511, Rondo | 3 | Marked score p3 | |
Mozart | K. | 511, Rondo | 4 | Refrain | |
Mozart | K. | 511, Rondo | 5 | Oversized 1 | |
Mozart | K. | 511, Rondo | 6 | Oversized 2 | |
Mozart | K. | 511, Rondo | 7 | Oversized 3 | |
Mozart | K. | 511, Rondo | 8 | Pencil notes | |
Mozart | K. | 511, Rondo | 9 | mini supplementary sketch | |
Mozart | K. | 511, Rondo | 10 | suppl. mm 112-120 | |
Mozart | K. | 511, Rondo | 11 | mini mm 8-30 | |
Mozart | K. | 525, II | Eine Kleine Nachtmusik, Serenade in G | 1 | p. 310 |
Mozart | K. | 525, II | Eine Kleine Nachtmusik, Serenade in G | 2 | p. 307 |
Mozart | K. | 525, II | Eine Kleine Nachtmusik, Serenade in G | 3 | p. 308 |
Mozart | K. | 525, II | Eine Kleine Nachtmusik, Serenade in G | 4 | p. 309 |
Mozart | K. | 525, II | Eine Kleine Nachtmusik, Serenade in G | 5 | p. 311 |
Mozart | K. | 525, II | Eine Kleine Nachtmusik, Serenade in G | 6 | pencil- episode 2 |
Mozart | K. | 525, II | Eine Kleine Nachtmusik, Serenade in G | 7 | oversized |
Mozart | K. | 533, Andante | 1 | See Kochel | |
Mozart | K. | 533, Andante | 2RH | really long LH | |
Mozart | K. | 533, Andante | 2LH | really long RH | |
Mozart | K. | 533, Andante | 3 | mm 1-12 | |
Mozart | K. | 533, Andante | 4 | mm 1-31 | |
Mozart | K. | 533, Andante | 5 | mm 32-46 | |
Mozart | K. | 533, Andante | 6 | mm 47-67 | |
Mozart | K. | 533, Andante | 7 | mm 68- 91 | |
Mozart | K. | 533, Andante | 8 | mm 92- 107 | |
Mozart | K. | 533, Andante | 9 | mm 108-122 | |
Mozart | K. 533, Andante | 10 | dev. Notes | ||
Mozart | K. 533, Andante | 11 | reprise notes | ||
Mozart | K. 533, Andante | 12 | mm 1-42 notes | ||
Mozart | K. 533, Andante | 13 | dev notes 2 | ||
Mozart | K. 540, Adagio in B min | 1 | Overisized full scale analysis | ||
Mozart | K. 540, Adagio in B min | 2L | Long, left side | ||
Mozart | K. 540, Adagio in B min | 2R | Long, right | ||
Mozart | K. 540, Adagio in B min | 3 | Oversized wksht | ||
Mozart | K. 540, Adagio in B min | 4 | development | ||
Mozart | K. 540, Adagio in B min | 5 | dev. Sketch | ||
Mozart | K. 545, I | Piano Sonata in C Major | 1 | analysis and notes | |
Mozart | K. 570, Adagio | Piano Sonata in B-flat Major | 1 | marked score p1 | |
Mozart | K. 570, Adagio | Piano Sonata in B-flat Major | 2 | marked score p2 | |
Mozart | K. 570, Adagio | Piano Sonata in B-flat Major | 3 | marked score p3 | |
Mozart | K. 570, Adagio | Piano Sonata in B-flat Major | 4 | sketch | |
Mozart | K. 570, Adagio | Piano Sonata in B-flat Major | 5 | sketch | |
Mozart | Piano Sonata Themes | 1 | K 310, I | ||
Mozart | Piano Sonata Themes | 2 | K 281, III | ||
Mozart | Piano Sonata Themes | 3 | K 309, I | ||
Mozart | Piano Sonata Themes | 4 | K 279, II | ||
Mozart | Piano Sonata Themes | 5 | K 310, I notes | ||
Mozart | Piano Sonata Themes | 6 | K 279, II notes | ||
Mozart | Piano Sonata Themes | 7 | K 281. III notes | ||
Mozart | Piano Sonata Themes | 8 | K 309, I notes | ||
Mozart | Piano Sonata Themes | 9 | K 283, I notes | ||
Mozart | Piano Sonata Themes | 10 | K 283, II notews | ||
Mussorgsky | Boris Godunov: Clock Scene | Examples related to the Clock Scene | 1 | ||
Mussorgsky | Boris Godunov: Clock Scene | Examples related to the Clock Scene | 2 | ||
Mussorgsky | Boris Godunov: Clock Scene | Examples related to the Clock Scene | 3 | ||
Mussorgsky | Boris Godunov: Clock Scene | Examples related to the Clock Scene | 4 | ||
Mussorgsky | Boris Godunov: Clock Scene | Examples related to the Clock Scene | 5 | ||
Mussorgsky | Boris Godunov: Clock Scene | Examples related to the Clock Scene | 6 | ||
Mussorgsky | Boris Godunov: Clock Scene | Examples related to the Clock Scene | 7 | ||
Mussorgsky | Boris Godunov: Clock Scene | First and Second Versions for Comparison | 1 | first version p1 | |
Mussorgsky | Boris Godunov: Clock Scene | First and Second Versions for Comparison | 2 | first version p2 | |
Mussorgsky | Boris Godunov: Clock Scene | First and Second Versions for Comparison | 3 | first version p3 | |
Mussorgsky | Boris Godunov: Clock Scene | First and Second Versions for Comparison | 4 | second version p1 | |
Mussorgsky | Boris Godunov: Clock Scene | First and Second Versions for Comparison | 5 | second version p2 | |
Mussorgsky | Boris Godunov: Clock Scene | First and Second Versions for Comparison | 6 | second version p3 | |
Mussorgsky | Boris Godunov: Clock Scene | First and Second Versions for Comparison | 7 | second version p4 | |
Mussorgsky | Boris Godunov: Clock Scene | First Version | 1 | letter size p1 | |
Mussorgsky | Boris Godunov: Clock Scene | First Version | 2 | letter size p2 | |
Mussorgsky | Boris Godunov: Clock Scene | First Version | 3 | letter size p3 | |
Mussorgsky | Boris Godunov: Clock Scene | First Version | 4 | letter size p4 | |
Mussorgsky | Boris Godunov: Clock Scene | First Version | 5 | letter size p5 | |
Mussorgsky | Boris Godunov: Clock Scene | First Version | 6 | legal size p1 | |
Mussorgsky | Boris Godunov: Clock Scene | First Version | 7 | legal size p2 | |
Mussorgsky | Boris Godunov: Clock Scene | First Version | 8 | legal size p3 | |
Mussorgsky | Boris Godunov: Clock Scene | First Version | 9 | legal size p4 | |
Mussorgsky | Boris Godunov: Clock Scene | Graphs | 1 | ||
Mussorgsky | Boris Godunov: Clock Scene | Graphs | 2 | ||
Mussorgsky | Boris Godunov: Clock Scene | Graphs | 3 | ||
Mussorgsky | Boris Godunov: Clock Scene | Graphs | 4 | ||
Mussorgsky | Boris Godunov: Clock Scene | Graphs | 5 | ||
Mussorgsky | Boris Godunov: Clock Scene | Graphs | 6 | ||
Mussorgsky | Boris Godunov: Clock Scene | Graphs | 7 | ||
Mussorgsky | Boris Godunov: Clock Scene | Graphs | 8 | ||
Mussorgsky | Boris Godunov: Clock Scene | Graphs | 9 | ||
Mussorgsky | Boris Godunov: Clock Scene | Inventory of PC sets | 1 | ||
Mussorgsky | Boris Godunov: Clock Scene | Inventory of PC sets | 2 | ||
Mussorgsky | Boris Godunov: Clock Scene | Inventory of PC sets | 3 | ||
Mussorgsky | Boris Godunov: Clock Scene | Scene with Russian Text | 1 | score with text p1 | |
Mussorgsky | Boris Godunov: Clock Scene | Scene with Russian Text | 2 | score with text p2 | |
Mussorgsky | Boris Godunov: Clock Scene | Scene with Russian Text | 3 | score with text p3 | |
Mussorgsky | Boris Godunov: Clock Scene | Scene with Russian Text | 4 | score with text p4 | |
Mussorgsky | Boris Godunov: Clock Scene | Scene with Russian Text | 5 | score with text p5 | |
Mussorgsky | Boris Godunov: Clock Scene | Scene with Russian Text | 6 | score with text p6 | |
Mussorgsky | Boris Godunov: Clock Scene | Scene with Russian Text | 7 | score with text p7 | |
Mussorgsky | Boris Godunov: Clock Scene | Scene with Russian Text | 8 | notes | |
Mussorgsky | Boris Godunov: Clock Scene | Scene with Russian Text | 9 | notes | |
Mussorgsky | Boris Godunov: Clock Scene | Summary of Set-Class Relations & Motivic PCS | 1 | ||
Mussorgsky | Boris Godunov: Clock Scene | Summary of Set-Class Relations & Motivic PCS | 2 | ||
Mussorgsky | Boris Godunov: Clock Scene | Summary of Set-Class Relations & Motivic PCS | 3 | ||
Mussorgsky | Boris Godunov: Clock Scene | Summary of Set-Class Relations & Motivic PCS | 4 | ||
Mussorgsky | Boris Godunov: Clock Scene | Summary of Set-Class Relations & Motivic PCS | 5 | ||
Mussorgsky | Boris Godunov: Clock Scene | Summary of Set-Class Relations & Motivic PCS | 6 | ||
Mussorgsky | Boris Godunov: Clock Scene | Summary of Set-Class Relations & Motivic PCS | 7 | ||
Mussorgsky | Boris Godunov: Clock Scene | Summary of Set-Class Relations & Motivic PCS | 8 | ||
Mussorgsky | Boris Godunov | Darms Code | 1 | ||
Mussorgsky | Boris Godunov | Darms Code | 2 | ||
Mussorgsky | Boris Godunov | Darms Code | 3 | ||
Mussorgsky | Boris Godunov | Darms Code | 4 | ||
Mussorgsky | Boris Godunov | Darms Code | 5 | ||
Mussorgsky | Boris Godunov | Darms Code | 6 | ||
Mussorgsky | Boris Godunov | Darms Code | 7 | ||
Mussorgsky | Boris Godunov | Darms Code | 8 | ||
Mussorgsky | Boris Godunov | Darms Code | 9 | ||
Mussorgsky | Boris Godunov | Darms Code | 10 | ||
Mussorgsky | Boris Godunov | Darms Code | 11 | ||
Mussorgsky | Boris Godunov | Miscellaneous | 1 | notes | |
Mussorgsky | Boris Godunov | Miscellaneous | 2 | sketch | |
Mussorgsky | Boris Godunov | Terem Scene | 1 | sketch p1 | |
Mussorgsky | Boris Godunov | Terem Scene | 2 | sketch p2 | |
Oster/ Forte | Correspondence, post 1971 | 1 recto | Postcard recto | ||
Oster/ Forte | Correspondence, post 1971 | 1 verso | postcard verso | ||
Oster/ Forte | Correspondence, post 1971 | 2 | Obituary | ||
Oster/ Forte | Correspondence, post 1971 | 3 | Letter- Fulton/Oster 10-1976 | ||
Oster/ Forte | Correspondence, post 1971 | 4 | Letter- Forte/Oster 2-1976 | ||
Oster/ Forte | Correspondence, post 1971 | 5 | Comment- Mopsa was born | ||
Oster/ Forte | Correspondence, post 1971 | 6 | Letter Oster/Forte 8-1975 1/3 | ||
Oster/ Forte | Correspondence, post 1971 | 7 | Letter Oster/Forte 8-1975 2/3 | ||
Oster/ Forte | Correspondence, post 1971 | 8 | Letter Oster/Forte 8-1975 3/3 | ||
Oster/ Forte | Correspondence, post 1971 | 9 | Oster- Resume | ||
Oster/ Forte | Correspondence, post 1971 | 10 | Letter Oster/Forte 1-1977 | ||
Prokofiev | Op. 22/2 | Visions Fugitives | 1 | Score annotated in pen | |
Prokofiev | Op. 22/2 | Visions Fugitives | 2 | Set- Complex table | |
Prokofiev | Op. 22/2 | Visions Fugitives | 3 | Score annotated- typed | |
Prokofiev | Op. 22/2 | Visions Fugitives | 4 | Comments on p. 3 | |
Prokofiev | Op. 22/2 | Visions Fugitives | 5 | notes on staff paper | |
Prokofiev | Op. 22/2 | Visions Fugitives | 6 | red pen on score | |
Prokofiev | Op. 22/2 | Visions Fugitives | 7 | pitch classes | |
Prokofiev | Op. 22/11 | Visions Fugitives | 1 | Comments on terminal exercise | |
Prokofiev | Op. 22/11 | Visions Fugitives | 2 | score p. 1 | |
Prokofiev | Op. 22/11 | Visions Fugitives | 3 | score p. 2 | |
Prokofiev | Op. 22/11 | Visions Fugitives | 4 | notes on descant | |
Prokofiev | Romeo and Juliet | Balcony scene | 1 | long | |
Prokofiev | Romeo and Juliet | Balcony scene | 2 | score p. 1 | |
Prokofiev | Romeo and Juliet | Balcony scene | 3 | p. 2 | |
Prokofiev | Romeo and Juliet | Balcony scene | p. 3 | ||
Ravel | Chanson Madécasses | No. 2 | 1 | marked score p1 | |
Ravel | Chanson Madécasses | No. 2 | 2 | marked score p2 | |
Ravel | Chanson Madécasses | No. 2 | 3 | marked score p3 | |
Ravel | Chanson Madécasses | No. 2 | 4 | marked score p4 | |
Ravel | Chanson Madécasses | No. 2 | 5 | marked score p5 | |
Ravel | Chanson Madécasses | No. 2 | 6 | marked score p6 | |
Ravel | Chanson Madécasses | No. 2 | 7 | marked score p7 | |
Ravel | Chanson Madécasses | No. 2 | 8 | sketch | |
Ravel | Miroirs | Oiseaux Tristes | 1 | marked score p1 | |
Ravel | Miroirs | Oiseaux Tristes | 2 | marked score p2 | |
Ravel | Miroirs | Oiseaux Tristes | 3 | marked score p3 | |
Ravel | Miroirs | Oiseaux Tristes | 4 | marked score p4 | |
Ravel | Miroirs | Oiseaux Tristes | 5 | subsets | |
Ravel | Trois Poèmes de Mallarmé | III. Surgi de la croupe et du bond | 1 | Poem text | |
Ravel | Trois Poèmes de Mallarmé | III. Surgi de la croupe et du bond | 2 | Sketch | |
Ravel | Trois Poèmes de Mallarmé | III. Surgi de la croupe et du bond | 3 | Linear Aspects | |
Ravel | Trois Poèmes de Mallarmé | III. Surgi de la croupe et du bond | 4 | Sketch | |
Ravel | Trois Poèmes de Mallarmé | III. Surgi de la croupe et du bond | 5 | Marked Score p1 | |
Ravel | Trois Poèmes de Mallarmé | III. Surgi de la croupe et du bond | 6 | Marked Score p2 | |
Ravel | Trois Poèmes de Mallarmé | III. Surgi de la croupe et du bond | 7 | Marked Score p3 | |
Ravel | Trois Poèmes de Mallarmé | III. Surgi de la croupe et du bond | 8 | Marked Score (2) p1 | |
Ravel | Trois Poèmes de Mallarmé | III. Surgi de la croupe et du bond | 9 | Marked Score (2) p2 | |
Ravel | Trois Poèmes de Mallarmé | III. Surgi de la croupe et du bond | 10 | Marked Score (2) p3 | |
Schoenberg | Op. 6 General notes | 1 | Chronology | ||
Schoenberg | Op. 6 General notes | 2 | Chronology details | ||
Schoenberg | Lied: Am Strande | 1 | notes on the piece p1 | ||
Schoenberg | Lied: Am Strande | 2 | notes on the piece p2 | ||
Schoenberg | Lied: Am Strande | 3 | text | ||
Schoenberg | Lied: Am Strande | 4 | genus | ||
Schoenberg | Lied: Am Strande | 5 | analytical sketch p1 | ||
Schoenberg | Lied: Am Strande | 6 | analytical sketch p2 | ||
Schoenberg | Lied: Am Strande | 7 | analytical sketch p3 | ||
Schoenberg | Lied: Am Strande | 8 | analytical sketch p4 | ||
Schoenberg | Lied: Am Strande | 9 | analytical sketch p5 | ||
Schoenberg | Lied: Am Strande | 10 | analytical sketch p6 | ||
Schoenberg | Lied: Am Strande | 11 | analytical sketch p7 | ||
Schoenberg | Lied: Am Strande | 12 | analytical sketch p8 | ||
Schoenberg | Lied: Am Strande | 13 | diagram | ||
Schoenberg | Lied: Am Strande | 14 | relevant literature | ||
Schoenberg | Lied: Am Strande | 15 | tentative list of sets | ||
Schoenberg | Lied: Am Strande | 16 | Kh table | ||
Schoenberg | Gedenken | 1 | Set notes p. 1 | ||
Schoenberg | Gedenken | 2 | p. 2 | ||
Schoenberg | Gedenken | 3 | p. 3 | ||
Schoenberg | Gedenken | 4 | p. 4 | ||
Schoenberg | Gedenken | 5 | p. 5 | ||
Schoenberg | Gedenken | 6 | p. 6 | ||
Schoenberg | Gedenken | 7 | notes | ||
Schoenberg | Gurrelieder | Part One Prelude | 1 | sketch | |
Schoenberg | Gurrelieder | Part One Prelude | 2 | analysis by A. Yih p1 | |
Schoenberg | Gurrelieder | Part One Prelude | 3 | analysis by A. Yih p2 | |
Schoenberg | Gurrelieder | Part One Prelude | 4 | sketch | |
Schoenberg | Gurrelieder | Part One Prelude | 5 | final analysis p1 | |
Schoenberg | Gurrelieder | Part One Prelude | 6 | final analysis p2 | |
Schoenberg | Gurrelieder | Part One Prelude | 7 | sketch | |
Schoenberg | Gurrelieder | Part One Excerpts and Sketches | 1 | Du sendest mir einen Liebesblick | |
Schoenberg | Gurrelieder | Part One Excerpts and Sketches | 2 | Waldemar's first song | |
Schoenberg | Gurrelieder | Part One Excerpts and Sketches | 3 | Du wunderliche Tove! | |
Schoenberg | Gurrelieder | General Notes and References | 1 | ||
Schoenberg | Gurrelieder | General Notes and References | 2 | ||
Schoenberg | Gurrelieder | General Notes and References | 3 | ||
Schoenberg | Gurrelieder | General Notes and References | 4 | ||
Schoenberg | Gurrelieder | General Notes and References | 5 | ||
Schoenberg | Gurrelieder | General Notes and References | 6 | ||
Schoenberg | Gurrelieder | General Notes and References | 7 | ||
Schoenberg | Gurrelieder | General Notes and References | 8 | ||
Schoenberg | Gurrelieder | Part Two | 1 | notes | |
Schoenberg | Gurrelieder | Part Two | 2 | marked score p1 | |
Schoenberg | Gurrelieder | Part Two | 3 | marked score p2 | |
Schoenberg | Gurrelieder | Part Two | 4 | analytical sketch p1 | |
Schoenberg | Gurrelieder | Part Two | 5 | analytical sketch p2 | |
Schoenberg | Gurrelieder | Part Two | 6 | analysis | |
Schoenberg | Op. | 2 | 1 | no 1 notes | |
Schoenberg | Op. | 2 | 2 | no 1 sketches | |
Schoenberg | Op. | 2 | 3 | no 2 notes | |
Schoenberg | Op. | 2 | 4 | no 3 notes | |
Schoenberg | Op. | 2 | 5 | no 4 notes | |
Schoenberg | Op. | 2 | 6 | rothstein 1 | |
Schoenberg | Op. | 2 | 7 | rothstein 2 | |
Schoenberg | Op. | 3 | 1 | notes on 3/1 | |
Schoenberg | Op. | 3 | 2 | notes on 3/2 | |
Schoenberg | Op. | 3 | 3 | on 3/3 | |
Schoenberg | Op. | 3 | 4 | on 3/4 | |
Schoenberg | Op. | 3 | 5 | on 3/5 | |
Schoenberg | Op. | 3 | 6 | on 3/6 | |
Schoenberg | Op. | 6/1 | Traumleben | 1 | Some analyses |
Schoenberg | Op. | 6/1 | Traumleben | 2 | score, 1/3 |
Schoenberg | Op. | 6/1 | Traumleben | 3 | score, 2/3 |
Schoenberg | Op. | 6/1 | Traumleben | 4 | score, 3/3 |
Schoenberg | Op. | 6/1 | Traumleben | 5 | Typed notes 1/2 |
Schoenberg | Op. | 6/1 | Traumleben | 6 | typed notes, 2/2 |
Schoenberg | Op. | 6/1 | Traumleben | 7 | Octatonic features |
Schoenberg | Op. | 6/2 | "Alles" | 1 | Text |
Schoenberg | Op. | 6/2 | "Alles" | 2 | Marked score, p. 1 |
Schoenberg | Op. | 6/2 | "Alles" | 3 | p. 2 |
Schoenberg | Op. | 6/2 | "Alles" | 4 | p. 3 |
Schoenberg | Op. | 6/2 | "Alles" | 5 | p. 4 |
Schoenberg | Op. | 6/2 | "Alles" | 6 | Oversized |
Schoenberg | Op. | 6/2 | "Alles" | unscannned | unmarked score |
Schoenberg | Op. | 6/3 | "Mädchenlied" | 1 | notes on sets |
Schoenberg | Op. | 6/6 | "Am Wegrand" | 1 | Text |
Schoenberg | Op. | 6/6 | "Am Wegrand" | 2 | Marked score, p. 1 |
Schoenberg | Op. | 6/6 | "Am Wegrand" | 3 | p. 2 |
Schoenberg | Op. | 6/6 | "Am Wegrand" | 4 | p. 3 |
Schoenberg | Op. | 6/6 | "Am Wegrand" | 5 | p. 4 |
Schoenberg | Op. | 6/6 | "Am Wegrand" | 6 | Notes |
Schoenberg | Op. | 6/6 | "Am Wegrand" | 7 | mm8-9͙ |
Schoenberg | Op. | 6/6 | "Am Wegrand" | 8 | Oversized |
Schoenberg | Op. | 6/6 | "Am Wegrand" | 9 | Quotes in͙ |
Schoenberg | Op. | 6/6 | "Am Wegrand" | 10 | Misc notes |
Schoenberg | Op. | 6/7 | "Lockung" | 1 | Notes: ex. Of Ηtransitional͙Η |
Schoenberg | Op. | 6/7 | "Lockung" | 2 | m. 39 |
Schoenberg | Op. | 6/7 | "Lockung" | 3 | m 50 |
Schoenberg | Op. | 6/7 | "Lockung" | 4 | m 34 |
Schoenberg | Op. | 6/7 | "Lockung" | 5 | notes mm.24-25 |
Schoenberg | Op. | 6/7 | "Lockung" | 6 | oversized 1 |
Schoenberg | Op. | 6/7 | "Lockung" | 7 | ex. 1 |
Schoenberg | Op. | 6/7 | "Lockung" | 8 | texture.. |
Schoenberg | Op. | 6/7 | "Lockung" | 9 | main points |
Schoenberg | Op. | 6/7 | "Lockung" | 10 | misc. notes, overall schematic |
Schoenberg | Op. | 6/7 | "Lockung" | 11 | transitional sections |
Schoenberg | Op. | 6/7 | "Lockung" | 12 | oversized 2, 1/3 |
Schoenberg | Op. | 6/7 | "Lockung" | 13 | oversized 3 2/3 |
Schoenberg | Op. | 6/7 | "Lockung" | 14 | oversized 4, 3/3 |
Schoenberg | Op. | 6/7 | "Lockung" | 15 | oversized 5, full scale |
Schoenberg | Op. | 6/7 | "Lockung" | unscanned | unmarked score |
Schoenberg | Op. | 6/8 | "Der Wanderer" | 1 | notes |
Schoenberg | Op. | 6/8 | "Der Wanderer" | 2 | scratched out |
Schoenberg | Op. | 6/8 | "Der Wanderer" | 3 | sets 1/5 |
Schoenberg | Op. | 6/8 | "Der Wanderer" | 4 | sets 2/5 |
Schoenberg | Op. | 6/8 | "Der Wanderer" | 5 | sets 3/5 |
Schoenberg | Op. | 6/8 | "Der Wanderer" | 6 | sets 4/5 |
Schoenberg | Op. | 6/8 | "Der Wanderer" | 7 | sets 5/5 |
Schoenberg | Op. | 7 | String Quartet No. 1 | 1 | notes |
Schoenberg | Op. | 8 | 1 | general notes | |
Schoenberg | Op. | 8 | 2 | notes on 8/1 | |
Schoenberg | Op. | 8 | 3 | on 8/2 | |
Schoenberg | Op. | 8 | 4 | on 8/3 | |
Schoenberg | Op. | 8 | 5 | on 8/4 | |
Schoenberg | Op. | 8 | 6 | on 8/5 | |
Schoenberg | Op. | 8 | 7 | on 8/6 | |
Schoenberg | Op. | 8 | 8 | oversized 1 | |
Schoenberg | Op. | 8 | 9 | oversized 2 | |
Schoenberg | Op. | 9 | 1st Chamber symphony | unscanned | copy of Berg's thematic analyis article |
Schoenberg | Op. | 9 | 1st Chamber symphony | 1 | Check of all the main themes- notes |
Schoenberg | Op. | 9 | 1st Chamber symphony | 2 | contrapuntal styles- notes |
Schoenberg | Op. | 9 | 1st Chamber symphony | 3 | special passages- notes |
Schoenberg | Op. | 9 | 1st Chamber symphony | 4 | carries adumbrations- notes |
Schoenberg | Op. | 9 | 1st Chamber symphony | 5 | misc. notes |
Schoenberg | Op. | 10/4 | 1 | Op. 10 Chronology | |
Schoenberg | Op. | 10/4 | 2 | Segmentation 1 | |
Schoenberg | Op. | 10/4 | 3 | see piano arr. | |
Schoenberg | Op. | 10/4 | 4 | m 25 notes | |
Schoenberg | Op. | 10/4 | 5 | m 1 notes | |
Schoenberg | Op. | 10/4 | 6 | ex 3 | |
Schoenberg | Op. | 10/4 | 7 | m. 5 | |
Schoenberg | Op. | 10/4 | 8 | Marked Score, p. 1 | |
Schoenberg | Op. | 10/4 | 9 | p 2 | |
Schoenberg | Op. | 10/4 | 10 | p 3 | |
Schoenberg | Op. | 10/4 | 11 | p 4 | |
Schoenberg | Op. | 10/4 | 12 | p 5 | |
Schoenberg | Op. | 10/4 | 13 | p 6 | |
Schoenberg | Op. | 10/4 | 14 | p 7 | |
Schoenberg | Op. | 10/4 | 15 | p8 | |
Schoenberg | Op. | 10/4 | 16 | p 9 | |
Schoenberg | Op. | 10/4 | 17 | p 10 | |
Schoenberg | Op. | 10/4 | unscanned | 16 pp unmarked score | |
Schoenberg | Op. | 10/4 | 18 | Oversized 1/2 | |
Schoenberg | Op. | 10/4 | 19 | Oversized 2/2 | |
Schoenberg | Op. | 11/1 | unscanned | fax of publ. article | |
Schoenberg | Op. | 11/1 | 1 | Genera Matrix | |
Schoenberg | Op. | 11/1 | 2 | Marked Score | |
Schoenberg | Op. | 11/1 | 3 | Sets, p1 | |
Schoenberg | Op. | 11/1 | 4 | Sets, p2 | |
Schoenberg | Op. | 11/1 | 5 | Sets, p3 | |
Schoenberg | Op. | 11/1 | 6 | Sets, p4 | |
Schoenberg | Op. | 11/1 | 7 | Sets, p5a | |
Schoenberg | Op. | 11/1 | 8 | Sets, p5b | |
Schoenberg | Op. | 11/1 | 9 | Sets, p5c | |
Schoenberg | Op. | 11/1 | 10 | Sets, p6 | |
Schoenberg | Op. | 11/1 | 11 | Sets, p7 | |
Schoenberg | Op. | 11/1 | 12 | Sets, p8 | |
Schoenberg | Op. | 11/1 | 13 | Sets, p9 | |
Schoenberg | Op. | 11/1 | 14 | Sets, p10 | |
Schoenberg | Op. | 11/1 | 15 | Sets, p11a | |
Schoenberg | Op. | 11/1 | 16 | Sets, p11b | |
Schoenberg | Op. | 11/1 | 17 | Sets, p12 | |
Schoenberg | Op. | 11/1 | 18 | Sets, p13 | |
Schoenberg | Op. | 11/1 | 19 | Sets, p14 | |
Schoenberg | Op. | 11/1 | 20 | Sets, p15 | |
Schoenberg | Op. | 11/1 | 21 | Sets, p16 | |
Schoenberg | Op. | 11/1 | 22 | Sets, p17a | |
Schoenberg | Op. | 11/1 | 23 | Sets, p17b | |
Schoenberg | Op. | 11/1 | 24 | Sets, p18 | |
Schoenberg | Op. | 11/1 | 25 | Sets, p19 | |
Schoenberg | Op. | 11/1 | 26 | Sets, p20 | |
Schoenberg | Op. | 11/1 | unscanned | unmarked score | |
Schoenberg | Op. | 11/1 | 27 | Rhythmic features | |
Schoenberg | Op. | 11/1 | unscanned | unmarked score, mini | |
Schoenberg | Op. | 11/1 | 28 | Inclusion Relations | |
Schoenberg | Op. | 11/1 | 29 | 3-3 is.. | |
Schoenberg | Op. | 11/1 | 30 | Intervallic Similarities | |
Schoenberg | Op. | 11/1 | 31 | Similarity relations | |
Schoenberg | Op. | 11/1 | 32 | Example 1 | |
Schoenberg | Op. | 11/1 | unscanned | Example 1 mini | |
Schoenberg | Op. | 11/1 | 33 | Style and Idea | |
Schoenberg | Op. | 11/1 | 34 | Segmentation, hand written | |
Schoenberg | Op. | 11/1 | 35 | Wittlich | |
Schoenberg | Op. | 11/1 | 36 | Brinkman's | |
Schoenberg | Op. | 11/1 | 37 | Oversized 1 | |
Schoenberg | Op. | 11/1 | 38 | Oversized 2 | |
Schoenberg | Op. | 11/1 | 39 | Oversized 3 | |
Schoenberg | Op. | 11/1 | 40 | Khs | |
Schoenberg | Op. | 11/1 | 41 | Generation of add. Harmonies | |
Schoenberg | Op. | 11/1 | 42 | mm 1-5 | |
Schoenberg | Op. | 11/1 | 43 | mm 6-11 | |
Schoenberg | Op. | 11/1 | 44 | mm 12-13 | |
Schoenberg | Op. | 11/1 | 45 | Re: mm13-14 | |
Schoenberg | Op. | 11/1 | 46 | mm 14-20 | |
Schoenberg | Op. | 11/1 | 47 | mm 19-26 | |
Schoenberg | Op. | 11/1 | 48 | mm 25-28 | |
Schoenberg | Op. | 11/1 | 49 | mm 28-29 | |
Schoenberg | Op. | 11/1 | 50 | mm 30-32 | |
Schoenberg | Op. | 11/1 | 51 | mm 31-34 | |
Schoenberg | Op. | 11/1 | 52 | Kh2 | |
Schoenberg | Op. | 11/1 | 53 | Cardinal 6 | |
Schoenberg | Op. | 11/1 | 54 | Cardinal 4 | |
Schoenberg | Op. | 11/1 | unscanned | 3 pp unmarked score | |
Schoenberg | Op. | 11/1 | 55 | Oversized 4 | |
Schoenberg | Op. | 11/1 | unscanned | 2 pp unmarked score | |
Schoenberg | Op. | 11/1 | 56 | oversized kh | |
Schoenberg | Op. | 11/1 | 57 | mini | |
Schoenberg | Op. | 11/2 | 1 | Music 5-137 | |
Schoenberg | Op. | 11/2 | 2 | Marked score, p 1 | |
Schoenberg | Op. | 11/2 | 3 | p. 2 | |
Schoenberg | Op. | 11/2 | 4 | p. 3 | |
Schoenberg | Op. | 11/2 | 5 | p. 4 | |
Schoenberg | Op. | 11/2 | 6 | p. 5 | |
Schoenberg | Op. | 11/2 | 7 | Oversized 1/3 | |
Schoenberg | Op. | 11/2 | 8 | Oversized 2/3 | |
Schoenberg | Op. | 11/2 | 9 | Oversized 3/3 | |
Schoenberg | Op. | 11/2 | 10 | examples | |
Schoenberg | Op. | 11/2 | 11 | m. 17 | |
Schoenberg | Op. | 11/2 | 12 | m. 18 | |
Schoenberg | Op. | 11/2 | 13 | m. 24 | |
Schoenberg | Op. | 11/2 | 14 | m. 25 | |
Schoenberg | Op. | 11/2 | 15 | m. 26 | |
Schoenberg | Op. | 11/2 | 16 | m. 30 | |
Schoenberg | Op. | 11/2 | 17 | m. 32 | |
Schoenberg | Op. | 11/2 | 18 recto | m. 39 | |
Schoenberg | Op. | 11/2 | 18 verso | m. 40 | |
Schoenberg | Op. | 11/2 | 19 | m. 41 | |
Schoenberg | Op. | 11/2 | 20 | m. 42 | |
Schoenberg | Op. | 11/2 | 21 | m. 45 | |
Schoenberg | Op. | 11/2 | 22 | m. 50 | |
Schoenberg | Op. | 11/2 | 23 | m. 59 | |
Schoenberg | Op. | 11/2 | 24 | m. 60 | |
Schoenberg | Op. | 11/2 | 25 | m. 61 | |
Schoenberg | Op. | 11/2 | 26 | octa-hexa reading | |
Schoenberg | Op. | 11/2 | 27 | marked score, p. 1/1 | |
Schoenberg | Op. | 11/2 | unscanned | unmarked score pp 2-4 | |
Schoenberg | Op. | 11/2 | 28 | typed notes, p. 1 | |
Schoenberg | Op. | 11/2 | 29 | p. 2 | |
Schoenberg | Op. | 11/2 | 30 | p. 3 | |
Schoenberg | Op. | 11/2 | 31 | hand written notes, p. 1 | |
Schoenberg | Op. | 11/2 | 32 | p. 2 | |
Schoenberg | Op. | 11/3 | 1 | mini: see͙ | |
Schoenberg | Op. | 11/3 | 2 | m. 1 | |
Schoenberg | Op. | 11/3 | 3 | m. 3 | |
Schoenberg | Op. | 11/3 | 4 | m. 4 | |
Schoenberg | Op. | 11/3 | 5 | m. 7 | |
Schoenberg | Op. | 11/3 | 6 | m. 10 | |
Schoenberg | Op. | 11/3 | 7 | m. 11 | |
Schoenberg | Op. | 11/3 | 8 | m. 14 | |
Schoenberg | Op. | 11/3 | 9 | end of m.16 | |
Schoenberg | Op. | 11/3 | 10 | m. 19 | |
Schoenberg | Op. | 11/3 | 11 | end m. 18 | |
Schoenberg | Op. | 11/3 | 12 | mini 2 | |
Schoenberg | Op. | 11/3 | 13 | m. 21 | |
Schoenberg | Op. | 11/3 | 14 | m. 23 | |
Schoenberg | Op. | 11/3 | 15 | m. 26 | |
Schoenberg | Op. | 11/3 | 16 | m. 27-28 | |
Schoenberg | Op. | 11/3 | 17 | m. 27 | |
Schoenberg | Op. | 11/3 | 18 | m. 29 | |
Schoenberg | Op. | 11/3 | 19 | m. 31 | |
Schoenberg | Op. | 11/3 | 20 | typed and hand- written | |
Schoenberg | Op. | 11/3 | 21 | 4-7, | |
Schoenberg | Op. | 11/3 | 22 | 4-13. | |
Schoenberg | Op. | 11/3 | 23 | 4-18. | |
Schoenberg | Op. | 11/3 | 24 | 4-z29 | |
Schoenberg | Op. | 11/3 | 25 | 5-7. | |
Schoenberg | Op. | 11/3 | 26 | 5-13. | |
Schoenberg | Op. | 11/3 | 27 | 5-z17 | |
Schoenberg | Op. | 11/3 | 28 | 5-z18 | |
Schoenberg | Op. | 11/3 | 29 | 5-21. | |
Schoenberg | Op. | 11/3 | 30 | 5-z37 | |
Schoenberg | Op. | 11/3 | 31 | 5-z38 | |
Schoenberg | Op. | 11/3 | 32 | 6-5. | |
Schoenberg | Op. | 11/3 | 33 | 6-z17 | |
Schoenberg | Op. | 11/3 | 34 | 6-27. | |
Schoenberg | Op. | 11/3 | 35 | kh | |
Schoenberg | Op. | 11/3 | 36 | notes | |
Schoenberg | Op. | 11/3 | 37 | notes | |
Schoenberg | Op. | 12 | Songs | 1 | general notes |
Schoenberg | Op. | 12 | Songs | 2 | general notes |
Schoenberg | Op. | 12 | Songs | 3 | general notes |
Schoenberg | Op. | 14/1 | Ich darf nicht dankend | 1 | exs |
Schoenberg | Op. | 14/1 | Ich darf nicht dankend | 2 | marked score |
Schoenberg | Op. | 14/2 | In diesen Wintertagen | 1 | Trans. Article |
Schoenberg | Op. | 14/2 | In diesen Wintertagen | 2 | Trans. Text |
Schoenberg | Op. | 14/2 | In diesen Wintertagen | unscanned | copy of p. 2 |
Schoenberg | Op. | 14/2 | In diesen Wintertagen | 3 | verticals, p. 1 |
Schoenberg | Op. | 14/2 | In diesen Wintertagen | 4 | linear, p. 1 |
Schoenberg | Op. | 14/2 | In diesen Wintertagen | 5 | verticals, p. 2 |
Schoenberg | Op. | 14/2 | In diesen Wintertagen | 6 | linear, p. 2 |
Schoenberg | Op. | 15/1 | 15 Gedichte aus Das Buch der hängenden Gärten | 1 | Marked Score |
Schoenberg | Op. | 15/1 | 15 Gedichte aus Das Buch der hängenden Gärten | 2 | Marked Score |
Schoenberg | Op. | 15/2 | 15 Gedichte aus Das Buch der hängenden Gärten | 1 | Marked Score |
Schoenberg | Op. | 15/2 | 15 Gedichte aus Das Buch der hängenden Gärten | 2 | Marked Score |
Schoenberg | Op. | 15/3 | 15 Gedichte aus Das Buch der hängenden Gärten | 1 | Marked Score |
Schoenberg | Op. | 15/3 | 15 Gedichte aus Das Buch der hängenden Gärten | 2 | Marked Score |
Schoenberg | Op. | 15/3 | 15 Gedichte aus Das Buch der hängenden Gärten | 3 | Marked Score |
Schoenberg | Op. | 15/4 | 15 Gedichte aus Das Buch der hängenden Gärten | 1 | Marked score |
Schoenberg | Op. | 15/4 | 15 Gedichte aus Das Buch der hängenden Gärten | 2 | Marked score |
Schoenberg | Op. | 15/4 | 15 Gedichte aus Das Buch der hängenden Gärten | 3 | Translated Text |
Schoenberg | Op. | 15/4 | 15 Gedichte aus Das Buch der hängenden Gärten | 4 | Sketch |
Schoenberg | Op. | 15/4 | 15 Gedichte aus Das Buch der hängenden Gärten | 5 | Comments/ notes |
Schoenberg | Op. | 15/5 | 15 Gedichte aus Das Buch der hängenden Gärten | 1 | Translated Text |
Schoenberg | Op. | 15/5 | 15 Gedichte aus Das Buch der hängenden Gärten | 2 | examples |
Schoenberg | Op. | 15/5 | 15 Gedichte aus Das Buch der hängenden Gärten | 3 | Marked Score, 1st draft, 1/2 |
Schoenberg | Op. | 15/5 | 15 Gedichte aus Das Buch der hängenden Gärten | four | Marked Score, 1st draft, 2/2 |
Schoenberg | Op. | 15/5 | 15 Gedichte aus Das Buch der hängenden Gärten | 5 | Marked Score, 2nd draft, 1/1 |
Schoenberg | Op. | 15/5 | 15 Gedichte aus Das Buch der hängenden Gärten | unscanned | Unmarked Score, p1 |
Schoenberg | Op. | 15/5 | 15 Gedichte aus Das Buch der hängenden Gärten | unscanned | Unmarked Score, p2 |
Schoenberg | Op. | 15/5 | 15 Gedichte aus Das Buch der hängenden Gärten | 6 | Notes on examples for JMT article |
Schoenberg | Op. | 15/5 | 15 Gedichte aus Das Buch der hängenden Gärten | 7 | Comments/ notes |
Schoenberg | Op. | 15/5 | 15 Gedichte aus Das Buch der hängenden Gärten | 8 | Voice leading Graph (final) |
Schoenberg | Op. | 15/6 | 15 Gedichte aus Das Buch der hängenden Gärten | 1 | Translated Text |
Schoenberg | Op. | 15/6 | 15 Gedichte aus Das Buch der hängenden Gärten | 2 | Marked Score, 1 of 2 |
Schoenberg | Op. | 15/6 | 15 Gedichte aus Das Buch der hängenden Gärten | 3 | Marked Score, 2 of 2 |
Schoenberg | Op. | 15/6 | 15 Gedichte aus Das Buch der hängenden Gärten | 4 | Facsimile of analysis, 1 of 3 |
Schoenberg | Op. | 15/6 | 15 Gedichte aus Das Buch der hängenden Gärten | 5 | Facsimile of analysis, 2 of 3 |
Schoenberg | Op. | 15/6 | 15 Gedichte aus Das Buch der hängenden Gärten | 6 | Facsimile of analysis, 3 of 3 |
Schoenberg | Op. | 15/6 | 15 Gedichte aus Das Buch der hängenden Gärten | 7 | Notes |
Schoenberg | Op. | 15/6 | 15 Gedichte aus Das Buch der hängenden Gärten | 8 | Notes (1 of 4) |
Schoenberg | Op. | 15/6 | 15 Gedichte aus Das Buch der hängenden Gärten | 9 | Notes (2 of 4) |
Schoenberg | Op. | 15/6 | 15 Gedichte aus Das Buch der hängenden Gärten | 10 | Notes(3 of 4) |
Schoenberg | Op. | 15/6 | 15 Gedichte aus Das Buch der hängenden Gärten | 11 | Notes (4 of 4) |
Schoenberg | Op. | 15/7 | 15 Gedichte aus Das Buch der hängenden Gärten | 1 | Marked Score, 1 of 2 |
Schoenberg | Op. | 15/7 | 15 Gedichte aus Das Buch der hängenden Gärten | 2 | Marked Score, 2 of 2 |
Schoenberg | Op. | 15/8 | 15 Gedichte aus Das Buch der hängenden Gärten | 1 | Transcription of Schoenberg's manuscript draft |
Schoenberg | Op. | 15/8 | 15 Gedichte aus Das Buch der hängenden Gärten | 2 | Translated Text |
Schoenberg | Op. | 15/8 | 15 Gedichte aus Das Buch der hängenden Gärten | 3 | Subset notes |
Schoenberg | Op. | 15/8 | 15 Gedichte aus Das Buch der hängenden Gärten | 4 | General Comments |
Schoenberg | Op. | 15/8 | 15 Gedichte aus Das Buch der hängenden Gärten | 5 | Marked Score, 1/2 |
Schoenberg | Op. | 15/8 | 15 Gedichte aus Das Buch der hängenden Gärten | 6 | Marked Score, 2/2 |
Schoenberg | Op. | 15/8 | 15 Gedichte aus Das Buch der hängenden Gärten | 7 | Notes, 1/4 |
Schoenberg | Op. | 15/8 | 15 Gedichte aus Das Buch der hängenden Gärten | 8 | Notes, 2/4 |
Schoenberg | Op. | 15/8 | 15 Gedichte aus Das Buch der hängenden Gärten | 9 | Notes, 3/4 |
Schoenberg | Op. | 15/8 | 15 Gedichte aus Das Buch der hängenden Gärten | 10 | Notes, 4/4 |
Schoenberg | Op. | 15/8 | 15 Gedichte aus Das Buch der hängenden Gärten | 11 | Hand copied Score |
Schoenberg | Op. | 15/8 | 15 Gedichte aus Das Buch der hängenden Gärten | 12 | Notes on manuscript draft, cf. p. 1 of 15 (1/2) |
Schoenberg | Op. | 15/8 | 15 Gedichte aus Das Buch der hängenden Gärten | 13 | Notes on manuscript draft, cf. p. 1 of 15 (2/2) |
Schoenberg | Op. | 15/8 | 15 Gedichte aus Das Buch der hängenden Gärten | 14 | Notes on text/ rhythm |
Schoenberg | Op. | 15/8 | 15 Gedichte aus Das Buch der hängenden Gärten | 15 | Notes on Matrix |
Schoenberg | Op. | 15/9 | 15 Gedichte aus Das Buch der hängenden Gärten | 1 | Marked Score p1 |
Schoenberg | Op. | 15/9 | 15 Gedichte aus Das Buch der hängenden Gärten | 2 | Marked Score p2 |
Schoenberg | Op. | 15/9 | 15 Gedichte aus Das Buch der hängenden Gärten | 3 | Melodic Motives p1 |
Schoenberg | Op. | 15/9 | 15 Gedichte aus Das Buch der hängenden Gärten | 4 | Melodic Motives p2 |
Schoenberg | Op. | 15/9 | 15 Gedichte aus Das Buch der hängenden Gärten | 5 | "Hidden" Chromatic Lines |
Schoenberg | Op. | 15/9 | 15 Gedichte aus Das Buch der hängenden Gärten | 6 | (E)-F-F# p1 |
Schoenberg | Op. | 15/9 | 15 Gedichte aus Das Buch der hängenden Gärten | 7 | (E)-F-F# p2 |
Schoenberg | Op. | 15/9 | 15 Gedichte aus Das Buch der hängenden Gärten | 8 | Intervallic Content/Pitch Class Sets |
Schoenberg | Op. | 15/10 | 15 Gedichte aus Das Buch der hängenden Gärten | 1 | Marked Score |
Schoenberg | Op. | 15/10 | 15 Gedichte aus Das Buch der hängenden Gärten | 2 | Marked Score |
Schoenberg | Op. | 15/10 | 15 Gedichte aus Das Buch der hängenden Gärten | 3 | Marked Score |
Schoenberg | Op. | 15/10 | 15 Gedichte aus Das Buch der hängenden Gärten | 4 | notes |
Schoenberg | Op. | 15/11 | 15 Gedichte aus Das Buch der hängenden Gärten | 1 | Text |
Schoenberg | Op. | 15/11 | 15 Gedichte aus Das Buch der hängenden Gärten | 2 | oversized |
Schoenberg | Op. | 15/11 | 15 Gedichte aus Das Buch der hängenden Gärten | 3 | Score marked p. 1 |
Schoenberg | Op. | 15/11 | 15 Gedichte aus Das Buch der hängenden Gärten | 4 | p 2 |
Schoenberg | Op. | 15/11 | 15 Gedichte aus Das Buch der hängenden Gärten | 5 | p 3 |
Schoenberg | Op. | 15/11 | 15 Gedichte aus Das Buch der hängenden Gärten | 6 | Generator set |
Schoenberg | Op. | 15/11 | 15 Gedichte aus Das Buch der hängenden Gärten | 7 | article copy |
Schoenberg | Op. | 15/11 | 15 Gedichte aus Das Buch der hängenden Gärten | 8 | mini |
Schoenberg | Op. | 15/11 | 15 Gedichte aus Das Buch der hängenden Gärten | 9 | Steven Rings |
Schoenberg | Op. | 15/11 | 15 Gedichte aus Das Buch der hängenden Gärten | 10 | Steven Rings p 2 |
Schoenberg | Op. | 15/11 | 15 Gedichte aus Das Buch der hängenden Gärten | unscanned | unmarked score |
Schoenberg | Op. | 15/12 | 15 Gedichte aus Das Buch der hängenden Gärten | 1 | Marked Score p1 |
Schoenberg | Op. | 15/12 | 15 Gedichte aus Das Buch der hängenden Gärten | 2 | Marked Score p2 |
Schoenberg | Op. | 15/12 | 15 Gedichte aus Das Buch der hängenden Gärten | 3 | Marked Score (large) |
Schoenberg | Op. | 15/13 | 15 Gedichte aus Das Buch der hängenden Gärten | 1 | Marked Score |
Schoenberg | Op. | 15/13 | 15 Gedichte aus Das Buch der hängenden Gärten | 2 | Marked Score |
Schoenberg | Op. | 15/15 | 15 Gedichte aus Das Buch der hängenden Gärten | 1 | Marked Score, 1/5 |
Schoenberg | Op. | 15/15 | 15 Gedichte aus Das Buch der hängenden Gärten | 2 | Marked Score, 2/5 |
Schoenberg | Op. | 15/15 | 15 Gedichte aus Das Buch der hängenden Gärten | 3 | Marked Score, 3/5 |
Schoenberg | Op. | 15/15 | 15 Gedichte aus Das Buch der hängenden Gärten | 4 | Marked Score, 4/5 |
Schoenberg | Op. | 15/15 | 15 Gedichte aus Das Buch der hängenden Gärten | 5 | Marked Score, 5/5 |
Schoenberg | Op. | 15/15 | 15 Gedichte aus Das Buch der hängenden Gärten | unscanned | Oversized unmarked score copies, 1/5 - 5/5 |
Schoenberg | Op. | 15/15 | 15 Gedichte aus Das Buch der hängenden Gärten | 6 | Notes |
Schoenberg | Op. | 16/1 | Fünf Orchesterstücke | 1 | Subsets of 5-21 |
Schoenberg | Op. | 16/1 | Fünf Orchesterstücke | 2 | marked score, p.1 |
Schoenberg | Op. | 16/1 | Fünf Orchesterstücke | 3 | p.2 |
Schoenberg | Op. | 16/1 | Fünf Orchesterstücke | 4 | themes, notes |
Schoenberg | Op. | 16/1 | Fünf Orchesterstücke | 5 | notes |
Schoenberg | Op. | 16/1 | Fünf Orchesterstücke | 6 | notes, p2 |
Schoenberg | Op. | 16/2 | Fünf Orchesterstücke | 1 | Mini notes |
Schoenberg | Op. | 16/2 | Fünf Orchesterstücke | 2 | mm 129-151 |
Schoenberg | Op. | 16/2 | Fünf Orchesterstücke | 3 | "analysis" |
Schoenberg | Op. | 16/2 | Fünf Orchesterstücke | 4 | sets |
Schoenberg | Op. | 16/2 | Fünf Orchesterstücke | 5 | new section |
Schoenberg | Op. | 16/2 | Fünf Orchesterstücke | 6 | return of 1st section |
Schoenberg | Op. | 16/2 | Fünf Orchesterstücke | 7 | ex. 1.15-18 |
Schoenberg | Op. | 16/2 | Fünf Orchesterstücke | 8 | m. 129 |
Schoenberg | Op. | 16/2 | Fünf Orchesterstücke | 9 | mm 151-162 |
Schoenberg | Op. | 16/2 | Fünf Orchesterstücke | 10 | m 156 |
Schoenberg | Op. | 16/2 | Fünf Orchesterstücke | 11 | m 166 |
Schoenberg | Op. | 16/2 | Fünf Orchesterstücke | 12 | kh1 |
Schoenberg | Op. | 16/2 | Fünf Orchesterstücke | 13 | kh2 |
Schoenberg | Op. | 16/2 | Fünf Orchesterstücke | unscanned | unmarked scores |
Schoenberg | Op. | 16/3 | Fünf Orchesterstücke | 1 | Occurences of 5z17 |
Schoenberg | Op. | 16/3 | Fünf Orchesterstücke | Unscanned | Copy of p 1 |
Schoenberg | Op. | 16/3 | Fünf Orchesterstücke | Unscanned | unmarked score |
Schoenberg | Op. | 16/3 | Fünf Orchesterstücke | 2 | condensed score, mm 221-243 |
Schoenberg | Op. | 16/3 | Fünf Orchesterstücke | 3 | mm 244-250 |
Schoenberg | Op. | 16/3 | Fünf Orchesterstücke | 4 | mm 251-264 |
Schoenberg | Op. | 16/3 | Fünf Orchesterstücke | 5 | 2.8-40 |
Schoenberg | Op. | 16/3 | Fünf Orchesterstücke | 6 | 2.8-43 |
Schoenberg | Op. | 16/3 | Fünf Orchesterstücke | 7 | 5-z17 over total span of mvmt |
Schoenberg | Op. | 16/3 | Fünf Orchesterstücke | 8 | notes, m 251 |
Schoenberg | Op. | 16/3 | Fünf Orchesterstücke | 9 | notes in pen |
Schoenberg | Op. | 16/3 | Fünf Orchesterstücke | 10 | oversized |
Schoenberg | Op. | 16/3 | Fünf Orchesterstücke | 11 | 5z17 in Wozzeck |
Schoenberg | Op. | 16/3 | Fünf Orchesterstücke | 12 | Simultaneities |
Schoenberg | Op. | 16/3 | Fünf Orchesterstücke | 13 | Voice leading |
Schoenberg | Op. | 16/4 | Fünf Orchesterstücke | 1 | mm 1-5 |
Schoenberg | Op. | 16/4 | Fünf Orchesterstücke | 2 | mm 6-14 |
Schoenberg | Op. | 16/4 | Fünf Orchesterstücke | 3 | mm 14- 17 |
Schoenberg | Op. | 16/5 | Fünf Orchesterstücke | 1 | sketch p1 |
Schoenberg | Op. | 16/5 | Fünf Orchesterstücke | 2 | sketch p2 |
Schoenberg | Op. | 17 | Erwartung | 1 | sketch p1 |
Schoenberg | Op. | 17 | Erwartung | 2 | sketch p2 |
Schoenberg | Op. | 17 | Erwartung | 3 | sketch p3 |
Schoenberg | Op. | 17 | Erwartung | 4 | notes |
Schoenberg | Op. | 17 | Erwartung | 5 | notes |
Schoenberg | Op. | 17 | Erwartung | b | discussion |
Schoenberg | Op. | 17 | Erwartung | 7 | discussion |
Schoenberg | Op. | 17 | Erwartung | 8 | discussion |
Schoenberg | Op. | 17 | Erwartung | 9 | discussion |
Schoenberg | Op. | 18 | Gluckliche Hand | 1 | VL p. 1 |
Schoenberg | Op. | 18 | Gluckliche Hand | 2 | VL p. 2 |
Schoenberg | Op. | 18 | Gluckliche Hand | 3 | sets notes |
Schoenberg | Op. | 18 | Gluckliche Hand | 4 | p. 2 |
Schoenberg | Op. | 19 | Sechs Kleine Klavierstuecke | 29 page PDF | discussion of foreground rhythm and analysis |
Schoenberg | Op. | 19 | No. 1 Leicht, zart | 1 | notes |
Schoenberg | Op. | 19 | No. 1 Leicht, zart | 2 | notes |
Schoenberg | Op. | 19 | No. 1 Leicht, zart | 3 | Kh table |
Schoenberg | Op. | 19 | No. 1 Leicht, zart | 4 | linear chordal analysis |
Schoenberg | Op. | 19 | No. 2 Langsam | 1 | chordal sketch |
Schoenberg | Op. | 19 | No. 2 Langsam | 2 | list of sets |
Schoenberg | Op. | 19 | No. 2 Langsam | 3 | invariants |
Schoenberg | Op. | 19 | No. 2 Langsam | 4 | similarity relations |
Schoenberg | Op. | 19 | No. 2 Langsam | 5 | rhythmic organzation p1 |
Schoenberg | Op. | 19 | No. 2 Langsam | 6 | rhythmic organzation p2 |
Schoenberg | Op. | 19 | No. 2 Langsam | 7 | small list of sets |
Schoenberg | Op. | 19 | No. 2 Langsam | 8 | set notes |
Schoenberg | Op. | 19 | No. 2 Langsam | 9 | Kh table |
Schoenberg | Op. | 19 | No. 2 Langsam | 10 | proportional graph |
Schoenberg | Op. | 19 | No. 2 Langsam | 11 | proportional graph with analysis |
Schoenberg | Op. | 19 | No. 3 Sehr Langsam | 1 | marked score |
Schoenberg | Op. | 19 | No. 3 Sehr Langsam | 2 | chordal sketch p1 |
Schoenberg | Op. | 19 | No. 3 Sehr Langsam | 3 | chordal sketch p2 |
Schoenberg | Op. | 19 | No. 3 Sehr Langsam | 4 | set structore p1 |
Schoenberg | Op. | 19 | No. 3 Sehr Langsam | 5 | set structore p2 |
Schoenberg | Op. | 19 No. 4 Rasch, aber leicht | Lecture on Set Theory | 16 page PDF | |
Schoenberg | Op. | 19 No. 4 Rasch, aber leicht | Lecture on Op. 19/4 | 10 page PDF | given in Wroclaw, 04/01/2003 |
Schoenberg | Op. | 19 No. 4 Rasch, aber leicht | Draft of Lecture | 14 page PDF | |
Schoenberg | Op. | 19 No. 4 Rasch, aber leicht | Examples | 1 | score |
Schoenberg | Op. | 19 No. 4 Rasch, aber leicht | Examples | 2 | examples |
Schoenberg | Op. | 19 No. 4 Rasch, aber leicht | Examples | 3 | examples |
Schoenberg | Op. | 19 No. 4 Rasch, aber leicht | Examples | 4 | examples |
Schoenberg | Op. | 19 No. 4 Rasch, aber leicht | Examples (originals) | 1 | examples |
Schoenberg | Op. | 19 No. 4 Rasch, aber leicht | Examples (originals) | 2 | examples |
Schoenberg | Op. | 19 No. 4 Rasch, aber leicht | Worksheet | 1 | marked score |
Schoenberg | Op. | 19 No. 4 Rasch, aber leicht | Sketches and Notes | 1 | examples (photocopy) p1 |
Schoenberg | Op. | 19 No. 4 Rasch, aber leicht | Sketches and Notes | 2 | examples (photocopy) p2 |
Schoenberg | Op. | 19 No. 4 Rasch, aber leicht | Sketches and Notes | 3 | marked score |
Schoenberg | Op. | 19 No. 4 Rasch, aber leicht | Sketches and Notes | 4 | pitch-class sets |
Schoenberg | Op. | 19 No. 4 Rasch, aber leicht | Sketches and Notes | 5 | set excerpt and rhythmic observations |
Schoenberg | Op. | 19 No. 4 Rasch, aber leicht | Sketches and Notes | 6 | pitch-rhythmic structures |
Schoenberg | Op. | 19 No. 4 Rasch, aber leicht | Sketches and Notes | 7 | m3 structure |
Schoenberg | Op. | 19 No. 4 Rasch, aber leicht | Sketches and Notes | 8 | durations and notes on rhythm |
Schoenberg | Op. | 19 No. 4 Rasch, aber leicht | Old Examples | 1 | diagrammed examples p1 |
Schoenberg | Op. | 19 No. 4 Rasch, aber leicht | Old Examples | 2 | diagrammed examples p2 |
Schoenberg | Op. | 19 No. 4 Rasch, aber leicht | Old Examples | 3 | chord collections |
Schoenberg | Op. | 19 No. 4 Rasch, aber leicht | Old Examples | 4 | example |
Schoenberg | Op. | 19 No. 4 Rasch, aber leicht | Old Examples | 5 | Genera Matrix |
Schoenberg | Op. | 19 | No. 5 Etwas rasch | 1 | marked score |
Schoenberg | Op. | 19 | No. 5 Etwas rasch | 2 | examples |
Schoenberg | Op. | 19 | No. 5 Etwas rasch | 3 | examples |
Schoenberg | Op. | 19 | No. 5 Etwas rasch | 4 | chordal sketch |
Schoenberg | Op. | 19 | No. 5 Etwas rasch | 5 | set structure p1 |
Schoenberg | Op. | 19 | No. 5 Etwas rasch | 6 | set structure p2 |
Schoenberg | Op. | 19 | No. 5 Etwas rasch | 7 | chordal analysis |
Schoenberg | Op. | 19 | No. 6 Sehr langsam | 1 | marked score |
Schoenberg | Op. | 19 | No. 6 Sehr langsam | 2 | set structure p1 |
Schoenberg | Op. | 19 | No. 6 Sehr langsam | 3 | set structure p2 |
Schoenberg | Op. | 19 | No. 6 Sehr langsam | 4 | notes on set relations p1 |
Schoenberg | Op. | 19 | No. 6 Sehr langsam | 5 | notes on set relations p2 |
Schoenberg | Op. | 19 | No. 6 Sehr langsam | 6 | notes on set relations p3 |
Schoenberg | Op. | 19 | No. 6 Sehr langsam | 7 | notes on set relations p4 |
Schoenberg | Op. | 19 | No. 6 Sehr langsam | 8 | notes on set relations p5 |
Schoenberg | Op. | 19 | No. 6 Sehr langsam | 9 | notes on set relations p6 |
Schoenberg | Op. | 19 | No. 6 Sehr langsam | 10 | notes on set relations p7 |
Schoenberg | Op. | 19 | No. 6 Sehr langsam | 11 | notes on set relations p8 |
Schoenberg | Op. | 19 | No. 6 Sehr langsam | 12 | Kh table |
Schoenberg | Op. | 20 | Herzgewächse | 1 | |
Schoenberg | Op. | 20 | Herzgewächse | 2 | pencil- 6-z44 |
Schoenberg | Op. | 20 | Herzgewächse | 3 | pencil notes |
Schoenberg | Op. | 20 | Herzgewächse | 4 | pen notes |
Schoenberg | Op. | 20 | Herzgewächse | 5 | ? Semi-colon |
Schoenberg | Op. | 20 | Herzgewächse | 6 | notes 4-7 |
Schoenberg | Op. | 20 | Herzgewächse | 7 | notes 4-8 |
Schoenberg | Op. | 20 | Herzgewächse | 8 | notes, 4-12 |
Schoenberg | Op. | 20 | Herzgewächse | 9 | notes 4-13 |
Schoenberg | Op. | 20 | Herzgewächse | 10 | notes 4-z15 |
Schoenberg | Op. | 20 | Herzgewächse | 11 | notes 4-18 |
Schoenberg | Op. | 20 | Herzgewächse | 12 | notes 4-19 |
Schoenberg | Op. | 20 | Herzgewächse | 13 | notes 4 z29 |
Schoenberg | Op. | 20 | Herzgewächse | 14 | notes 5-16 |
Schoenberg | Op. | 20 | Herzgewächse | 15 | notes 5-z17 |
Schoenberg | Op. | 20 | Herzgewächse | 16 | notes 5-z18 |
Schoenberg | Op. | 20 | Herzgewächse | 17 | notes 5-21 |
Schoenberg | Op. | 20 | Herzgewächse | 18 | notes 5-32 |
Schoenberg | Op. | 20 | Herzgewächse | 19 | notes 5-z37 |
Schoenberg | Op. | 20 | Herzgewächse | 20 | notes 5-z38 |
Schoenberg | Op. | 20 | Herzgewächse | 21 | notes 6-z3 |
Schoenberg | Op. | 20 | Herzgewächse | 22 | notes 6-z17 |
Schoenberg | Op. | 20 | Herzgewächse | 23 | notes 6-z19 |
Schoenberg | Op. | 20 | Herzgewächse | 24 | scratched out |
Schoenberg | Op. | 20 | Herzgewächse | 25 | notes 6-z28 |
Schoenberg | Op. | 20 | Herzgewächse | 26 | notes 6-31 |
Schoenberg | Op. | 20 | Herzgewächse | 27 | notes 6-34 |
Schoenberg | Op. | 20 | Herzgewächse | unscanned | unmarked score |
Schoenberg | Op. | 20 | Herzgewächse | unscanned | fac. From publ article |
Schoenberg | Op. | 20 | Herzgewächse | 28 | typed notes |
Schoenberg | Op. | 20 | Herzgewächse | 29 | oversized KHs |
Schoenberg | Op. | 20 | Herzgewächse | unscanned | unmarked score |
Schoenberg | Op. | 20 | Herzgewächse | 30 | Set Map, p 1 |
Schoenberg | Op. | 20 | Herzgewächse | 31 | p 2 |
Schoenberg | Op. | 20 | Herzgewächse | 32 | p 3 |
Schoenberg | Op. | 20 | Herzgewächse | 33 | p 4 |
Schoenberg | Op. | 20 | Herzgewächse | 34 | p 5 |
Schoenberg | Op. | 20 | Herzgewächse | 35 | p 6 |
Schoenberg | Op. | 20 | Herzgewächse | 36 | p 7 |
Schoenberg | Op. | 20 | Herzgewächse | 37 | p 8 |
Schoenberg | Op. | 20 | Herzgewächse | 38 | p 9 |
Schoenberg | Op. | 20 | Herzgewächse | 39 | p 10 |
Schoenberg | Op. | 20 | Herzgewächse | 40 | p 11 |
Schoenberg | Op. | 20 | Herzgewächse | 41 | p 12 |
Schoenberg | Op. | 20 | Herzgewächse | 42 | p 13 |
Schoenberg | Op. | 20 | Herzgewächse | 43 | p 14 |
Schoenberg | Op. | 20 | Herzgewächse | 44 | p 15 |
Schoenberg | Op. | 20 | Herzgewächse | 45 | p 16 |
Schoenberg | Op. | 20 | Herzgewächse | 46 | p 17 |
Schoenberg | Op. | 20 | Herzgewächse | 47 | p 18 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. 1 Mondestrunken | 1 | poem text |
Schoenberg | Op. | 21 Pierrot Lunaire | No. 1 Mondestrunken | 2 | diagrammed set-class sketch p1 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. 1 Mondestrunken | 3 | diagrammed set-class sketch p2 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. 1 Mondestrunken | 4 | diagrammed set-class sketch p3 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. 1 Mondestrunken | 5 | diagrammed set-class sketch p4 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. 1 Mondestrunken | 6 | diagrammed set-class sketch p5 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. 1 Mondestrunken | 7 | diagrammed set-class sketch p6 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. 1 Mondestrunken | 8 | diagrammed set-class sketch p7 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. 1 Mondestrunken | 9 | diagrammed set-class sketch p8 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. 1 Mondestrunken | 10 | diagrammed set-class sketch p9 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. 1 Mondestrunken | 11 | diagrammed set-class sketch p10 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. 1 Mondestrunken | 12 | diagrammed set-class sketch p11 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. 1 Mondestrunken | 13 | diagrammed set-class sketch p12 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. 1 Mondestrunken | 14 | diagrammed set-class sketch p13 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 1 Mondestrunken | 15 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 1 Mondestrunken | 16 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 1 Mondestrunken | 17 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 1 Mondestrunken | 18 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 1 Mondestrunken | 19 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 1 Mondestrunken | 20 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 1 Mondestrunken | 21 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 1 Mondestrunken | 22 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 1 Mondestrunken | 23 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 2 Colombine | 1 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 2 Colombine | 2 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 2 Colombine | 3 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 2 Colombine | 4 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 3 Der Dandy | 1 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 3 Der Dandy | 2 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 3 Der Dandy | 3 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 3 Der Dandy | 4 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 3 Der Dandy | 5 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 3 Der Dandy | 6 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 3 Der Dandy | 7 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 3 Der Dandy | 8 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 3 Der Dandy | 9 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 3 Der Dandy | 10 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 3 Der Dandy | 11 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 3 Der Dandy | 12 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 3 Der Dandy | 13 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 3 Der Dandy | 14 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 3 Der Dandy | 15 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 3 Der Dandy | 16 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 3 Der Dandy | 17 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 3 Der Dandy | 18 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 3 Der Dandy | 19 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 4 Eine blasse Wäscherin | 1 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 4 Eine blasse Wäscherin | 2 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 4 Eine blasse Wäscherin | 3 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 4 Eine blasse Wäscherin | 4 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 4 Eine blasse Wäscherin | 5 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 4 Eine blasse Wäscherin | 6 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 4 Eine blasse Wäscherin | 7 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 4 Eine blasse Wäscherin | 8 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 4 Eine blasse Wäscherin | 9 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 4 Eine blasse Wäscherin | 10 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 4 Eine blasse Wäscherin | 11 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 4 Eine blasse Wäscherin | 12 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 4 Eine blasse Wäscherin | 13 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 5 Valse de Chopin | 1 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 5 Valse de Chopin | 2 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 5 Valse de Chopin | 3 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 5 Valse de Chopin | 4 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 5 Valse de Chopin | 5 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 5 Valse de Chopin | 6 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 6 Madonna | 1 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 6 Madonna | 2 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 7 Der kranke Mond | 1 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 7 Der kranke Mond | 2 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 7 Der kranke Mond | 3 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 7 Der kranke Mond | 4 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 7 Der kranke Mond | 5 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 7 Der kranke Mond | 6 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 7 Der kranke Mond | 7 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 7 Der kranke Mond | 8 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 8 Nacht (Passacaglia) | 1 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 8 Nacht (Passacaglia) | 2 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 8 Nacht (Passacaglia) | 3 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 8 Nacht (Passacaglia) | 4 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 8 Nacht (Passacaglia) | 5 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 8 Nacht (Passacaglia) | 6 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 8 Nacht (Passacaglia) | 7 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 8 Nacht (Passacaglia) | 8 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 8 Nacht (Passacaglia) | 9 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 8 Nacht (Passacaglia) | 10 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 8 Nacht (Passacaglia) | 11 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 1 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 2 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 3 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 4 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 5 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 6 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 7 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 8 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 9 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 10 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 11 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 12 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 13 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 14 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 15 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 16 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 17 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 18 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 19 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 20 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 21 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 22 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 23 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 24 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 25 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 26 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 27 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 9 Gebet an Pierrot | 28 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 10 Raub | 1 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 10 Raub | 2 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 10 Raub | 3 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 12 Galgenlied | 1 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 13 Enthauptung | 1 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 13 Enthauptung | 2 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 13 Enthauptung | 3 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 13 Enthauptung | 4 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 13 Enthauptung | 5 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 13 Enthauptung | 6 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 14 Die Kreuze | 1 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 14 Die Kreuze | 2 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 14 Die Kreuze | 3 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 14 Die Kreuze | 4 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 14 Die Kreuze | 5 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 14 Die Kreuze | 6 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 14 Die Kreuze | 7 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 14 Die Kreuze | 8 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 14 Die Kreuze | 9 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 16 Gemeinheit | 1 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 16 Gemeinheit | 2 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 16 Gemeinheit | 3 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 16 Gemeinheit | 4 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 16 Gemeinheit | 5 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 16 Gemeinheit | 6 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 16 Gemeinheit | 7 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 16 Gemeinheit | 8 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 16 Gemeinheit | 9 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 16 Gemeinheit | 10 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 16 Gemeinheit | 11 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 17 Parodie | 1 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 19 Serenade | 1 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 21 O alter Duft | 1 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 21 O alter Duft | 2 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 21 O alter Duft | 3 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 21 O alter Duft | 4 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 21 O alter Duft | 5 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 21 O alter Duft | 6 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 21 O alter Duft | 7 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 21 O alter Duft | 8 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 21 O alter Duft | 9 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 21 O alter Duft | 10 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 21 O alter Duft | 11 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 21 O alter Duft | 12 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 21 O alter Duft | 13 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 21 O alter Duft | 14 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 21 O alter Duft | 15 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 21 O alter Duft | 16 |
Schoenberg | Op. | 21 Pierrot Lunaire | No. | 21 O alter Duft | 17 |
Schoenberg | Op. | 22/1 | Four Songs for Voice and Orchestra | 1 thru 33 | |
Schoenberg | Op. | 22/1 | Four Songs for Voice and Orchestra | 34-44 | |
Schoenberg | Op. | 22/1 | Four Songs for Voice and Orchestra | 45 | |
Schoenberg | Op. | 22/1 | Four Songs for Voice and Orchestra | 46 | |
Schoenberg | Op. | 22/1 | Four Songs for Voice and Orchestra | 47 | |
Schoenberg | Op. | 22/1 | Four Songs for Voice and Orchestra | 48 | |
Schoenberg | Op. | 22/1 | Four Songs for Voice and Orchestra | 49 | |
Schoenberg | Op. | 22/2 | Four Songs for Voice and Orchestra | unscanned | |
Schoenberg | Op. | 22/2 | Four Songs for Voice and Orchestra | 1 | |
Schoenberg | Op. | 22/2 | Four Songs for Voice and Orchestra | 2 | |
Schoenberg | Op. | 22/2 | Four Songs for Voice and Orchestra | 3 | |
Schoenberg | Op. | 22/2 | Four Songs for Voice and Orchestra | 4 | |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 1 | |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 2 | |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 3 | |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 4 | |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 6 | |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 7 | |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 8 | |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 9 | |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 10 | |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 11 | |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 12 | |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 13 | |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 14 | |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 15 | |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 16 | |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 17 | |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 18 | sketch p9 |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 19 | sketch p10 |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 20 | sketch p11 |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 21 | 9-note row with 3-note complement |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 22 | row froms |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 23 | invariant subsets |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 24 | set sketches |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 25 | sketch |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 26 | summary of row forms |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 27 | ordered froms |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 28 | composite attack pattern |
Schoenberg | Op. | 23/2- Sehr Rasch | Fünf Stücke für Klavier | 29 | proportional graph of ms. 18-23 |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 1 | marked score excerpt |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 2 | sketch |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 3 | sketch |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 4 | sketch |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 5 | sketch |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 6 | sketch |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 7 | sketch |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 8 | sketch |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 9 | sketch |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 10 | sketch |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 11 | sketch |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 12 | sketch |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 13 | sketch |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 14 | sketch |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 15 | sketch |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 16 | sketch |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 17 | sketch |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 18 | sketch |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 19 | sketch |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 20 | sketch |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 21 | sketch |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 22 | sketch |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 23 | notes |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 24 | list of subsets |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 25 | row tables |
Schoenberg | Op. | 23/3 - Langsam | Fünf Stücke für Klavier | 26 | sketch |
Schoenberg | Op. | 23/4- Schwungswoll, Maessige | Fünf Stücke für Klavier | 1 | sketch |
Schoenberg | Op. | 23/4- Schwungswoll, Maessige | Fünf Stücke für Klavier | 2 | chronological placement |
Schoenberg | Op. | 23/4- Schwungswoll, Maessige | Fünf Stücke für Klavier | 3 | marked score |
Schoenberg | Op. | 23/4- Schwungswoll, Maessige | Fünf Stücke für Klavier | 4 | marked score (tone clusters) |
Schoenberg | Op. | 23/4- Schwungswoll, Maessige | Fünf Stücke für Klavier | 5 | marked score (tone clusters) |
Schoenberg | Op. | 23/4- Schwungswoll, Maessige | Fünf Stücke für Klavier | 6 | marked score (tone clusters) |
Schoenberg | Op. | 23/4- Schwungswoll, Maessige | Fünf Stücke für Klavier | 7 | hexachord succession |
Schoenberg | Op. | 23/4- Schwungswoll, Maessige | Fünf Stücke für Klavier | 8 | hexachord succession |
Schoenberg | Op. | 23/4- Schwungswoll, Maessige | Fünf Stücke für Klavier | 9 | hexachord succession |
Schoenberg | Op. | 23/4- Schwungswoll, Maessige | Fünf Stücke für Klavier | 10 | hexachord succession |
Schoenberg | Op. | 23/4- Schwungswoll, Maessige | Fünf Stücke für Klavier | 11 | hexachord succession |
Schoenberg | Op. | 23/4- Schwungswoll, Maessige | Fünf Stücke für Klavier | 12 | hexachord succession |
Schoenberg | Op. | 23/4- Schwungswoll, Maessige | Fünf Stücke für Klavier | 13 | hexachord succession |
Schoenberg | Op. | 23/4- Schwungswoll, Maessige | Fünf Stücke für Klavier | 14 | sketch |
Schoenberg | Op. | 23/4- Schwungswoll, Maessige | Fünf Stücke für Klavier | 15 | sketch |
Schoenberg | Op. | 23/4- Schwungswoll, Maessige | Fünf Stücke für Klavier | 16 | chart |
Schoenberg | Op. | 23/4- Schwungswoll, Maessige | Fünf Stücke für Klavier | 17 | chart |
Schoenberg | Op. | 23/4- Schwungswoll, Maessige | Fünf Stücke für Klavier | 18 | analysis |
Schoenberg | Op. | 23/4- Schwungswoll, Maessige | Fünf Stücke für Klavier | 19 | analysis (color coded) |
Schoenberg | Op. | 23/4- Schwungswoll, Maessige | Fünf Stücke für Klavier | 20 | analytic sketch |
Schoenberg | Op. | 23/4- Schwungswoll, Maessige | Fünf Stücke für Klavier | 21 | chord analysis sketches |
Schoenberg | Op. | 23/4- Schwungswoll, Maessige | Fünf Stücke für Klavier | 22 | set and subset relations |
Schoenberg | Op. | 23/5- Waltzer | Fünf Stücke für Klavier | 1 | chart |
Schoenberg | Op. | 23/5- Waltzer | Fünf Stücke für Klavier | 2 | marked score/chordal analysis |
Schoenberg | Op. | 24/1- Marsch | Folder 1- Set chart 1 | 1 | Set designations |
Schoenberg | Op. | 24/1- Marsch | 2 | Opening theme- Br | |
Schoenberg | Op. | 24/1- Marsch | 3 | Hauptstimme, m. 9 | |
Schoenberg | Op. | 24/1- Marsch | 4 | mm. 9-13 | |
Schoenberg | Op. | 24/1- Marsch | 5 | Combination of series A and B | |
Schoenberg | Op. | 24/1- Marsch | 6 | 9-13 again | |
Schoenberg | Op. | 24/1- Marsch | 7 | p. 1 | |
Schoenberg | Op. | 24/1- Marsch | 8 | p. 2 | |
Schoenberg | Op. | 24/1- Marsch | 9 | p. 3 | |
Schoenberg | Op. | 24/1- Marsch | 10 | p. 4 | |
Schoenberg | Op. | 24/1- Marsch | 11 | p. 5 | |
Schoenberg | Op. | 24/1- Marsch | 12 | p. 6 | |
Schoenberg | Op. | 24/1- Marsch | 13 | p. 7 | |
Schoenberg | Op. | 24/1- Marsch | 14 | p. 8 | |
Schoenberg | Op. | 24/1- Marsch | 15 | p. 9 | |
Schoenberg | Op. | 24/1- Marsch | 16 | p. 10 | |
Schoenberg | Op. | 24/1- Marsch | 17 | p. 11 | |
Schoenberg | Op. | 24/1- Marsch | 18 | p. 12 | |
Schoenberg | Op. | 24/1- Marsch | 19 | addendum to p. 12 | |
Schoenberg | Op. | 24/1- Marsch | 20 | p. 13 | |
Schoenberg | Op. | 24/1- Marsch | 21 | p. 14 | |
Schoenberg | Op. | 24/1- Marsch | 22 | p. 15 | |
Schoenberg | Op. | 24/1- Marsch | 23 | p. 16 | |
Schoenberg | Op. | 24/1- Marsch | 24 | p. 17 | |
Schoenberg | Op. | 24/1- Marsch | 25 | p. 18 | |
Schoenberg | Op. | 24/1- Marsch | 26 | p. 19 | |
Schoenberg | Op. | 24/1- Marsch | 27 | p. 20 | |
Schoenberg | Op. | 24/1- Marsch | 28 | p. 21 | |
Schoenberg | Op. | 24/1- Marsch | 29 | p. 22 | |
Schoenberg | Op. | 24/1- Marsch | 30 | p. 23 | |
Schoenberg | Op. | 24/1- Marsch | 31 | p. 24 | |
Schoenberg | Op. | 24/1- Marsch | 32 | p. 25 | |
Schoenberg | Op. | 24/1- Marsch | 33 | p. 26 | |
Schoenberg | Op. | 24/1- Marsch | 34 | p. 27 | |
Schoenberg | Op. | 24/1- Marsch | 35 | p. 28 | |
Schoenberg | Op. | 24/1- Marsch | 36 | p. 29 | |
Schoenberg | Op. | 24/1- Marsch | Folder 2- Series A and Series B | 37 | "Save" |
Schoenberg | Op. | 24/1- Marsch | 38 | Relations b/t a and b | |
Schoenberg | Op. | 24/1- Marsch | 39 | Order relations | |
Schoenberg | Op. | 24/1- Marsch | 40 | Series B- Invariant subsets | |
Schoenberg | Op. | 24/1- Marsch | 41 | Series A 10-2 | |
Schoenberg | Op. | 24/1- Marsch | 42 | Series A trichords | |
Schoenberg | Op. | 24/1- Marsch | 43 | Series A- diagonal p. 1 | |
Schoenberg | Op. | 24/1- Marsch | 44 | p. 2 | |
Schoenberg | Op. | 24/1- Marsch | 45 | p. 3 | |
Schoenberg | Op. | 24/1- Marsch | 46 | p. 4 | |
Schoenberg | Op. | 24/1- Marsch | 47 | p. 5 | |
Schoenberg | Op. | 24/1- Marsch | 48 | Series B trichords | |
Schoenberg | Op. | 24/1- Marsch | 49 | B- subset structure | |
Schoenberg | Op. | 24/1- Marsch | 50 | p. 2 | |
Schoenberg | Op. | 24/1- Marsch | 51 | 6-z10 | |
Schoenberg | Op. | 24/1- Marsch | 52 | Save notes in pencil | |
Schoenberg | Op. | 24/1- Marsch | 53 | Partitioning͙ | |
Schoenberg | Op. | 24/1- Marsch | Folder 3- Form | 54 | oversized motives |
Schoenberg | Op. | 24/1- Marsch | 55 | sections, p. 1 | |
Schoenberg | Op. | 24/1- Marsch | 56 | p. 2 | |
Schoenberg | Op. | 24/1- Marsch | 57 | p. 3 | |
Schoenberg | Op. | 24/1- Marsch | 58L, M, R | Kh oversized | |
Schoenberg | Op. | 24/1- Marsch | Folder 4- General Notes | 59 | For any talk on op 24/1.. |
Schoenberg | Op. | 24/1- Marsch | 60 | on the relation.. | |
Schoenberg | Op. | 24/1- Marsch | 61 | Literature notes | |
Schoenberg | Op. | 24/1- Marsch | 62 | notes for write up | |
Schoenberg | Op. | 24/1- Marsch | 63 | cont'd | |
Schoenberg | Op. | 24/1- Marsch | 64 | unusual aspects | |
Schoenberg | Op. | 24/1- Marsch | 65 | questions | |
Schoenberg | Op. | 24/3- Variationen | 1 | row table | |
Schoenberg | Op. | 24/3- Variationen | 2 | score excerpt | |
Schoenberg | Op. | 24/3- Variationen | 3 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 4 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 5 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 6 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 7 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 8 | integer indicies | |
Schoenberg | Op. | 24/3- Variationen | 9 | marked score | |
Schoenberg | Op. | 24/3- Variationen | 10 | misc. notes | |
Schoenberg | Op. | 24/3- Variationen | 11 | row forms | |
Schoenberg | Op. | 24/3- Variationen | 12 | analysis | |
Schoenberg | Op. | 24/3- Variationen | 13 | tone sketch | |
Schoenberg | Op. | 24/3- Variationen | 14 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 15 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 16 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 17 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 18 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 19 | marked score | |
Schoenberg | Op. | 24/3- Variationen | 20 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 21 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 22 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 23 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 24 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 25 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 26 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 27 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 28 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 29 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 30 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 31 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 32 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 33 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 34 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 35 | sketch | |
Schoenberg | Op. | 24/3- Variationen | 36 | sketch | |
Schoenber | Op. | 24/4- Sonett Nr. 217 von Petrarca | 1 | marked score | |
Schoenber | Op. | 24/4- Sonett Nr. 217 von Petrarca | 2 | row analysis | |
Schoenber | Op. | 24/4- Sonett Nr. 217 von Petrarca | 3 | marked score/chordal analysis | |
Schoenberg | Op. | 24/6- Lied | 1 | chordal analysis p1 | |
Schoenberg | Op. | 24/6- Lied | 2 | chordal analysis p2 | |
Schoenberg | Op. | 24/6- Lied | 3 | chordal analysis p3 | |
Schoenberg | Op. | 24/6- Lied | 4 | chordal analysis p4 | |
Schoenberg | Op. | 24/6- Lied | 5 | chordal analysis p5 | |
Schoenberg | Op. | 24/6- Lied | 6 | chordal analysis p6 | |
Schoenberg | Op. | 24/6- Lied | 7 | chordal analysis p7 | |
Schoenberg | Op. | 24/6- Lied | 8 | graph | |
Schoenberg | Op. | 25 | Schoenberg's Sketches | 28 page PDF | |
Schoenberg | Op. | 25/1 | Prelude | 1 | Correspondence |
Schoenberg | Op. | 25/2 | Gavotte | 1 | Sketches and Notes |
Schoenberg | Op. | 25/3 | Musette | 1 | dates of first notation |
Schoenberg | Op. | 25/3 | Musette | 2 | row analysis of bars 0-9 |
Schoenberg | Op. | 25/3 | Musette | 3 | marked score p1 |
Schoenberg | Op. | 25/3 | Musette | 4 | marked score p2 |
Schoenberg | Op. | 25/3 | Musette | 5 | row matrix |
Schoenberg | Op. | 25/3 | Musette | 6 | marked rox matrix |
Schoenberg | Op. | 25/3 | Musette | 7 | row analysis sketch p1 |
Schoenberg | Op. | 25/3 | Musette | 8 | row analysis sketch p2 |
Schoenberg | Op. | 25/3 | Musette | 9 | sketch |
Schoenberg | Op. | 25/3 | Musette | 10 | old sketches p1 |
Schoenberg | Op. | 25/3 | Musette | 11 | old sketches p2 |
Schoenberg | Op. | 25/3 | Musette | 12 | old sketches p3 |
Schoenberg | Op. | 25/3 | Musette | 13 | old sketches p4 |
Schoenberg | Op. | 25/3 | Musette | 14 | row sketch |
Schoenberg | Op. | 25/3 | Musette | 15 | hexachords |
Schoenberg | Op. | 25/3 | Musette | 16 | tetrachords and hexachords p1 |
Schoenberg | Op. | 25/3 | Musette | 17 | tetrachords and hexachords p2 |
Schoenberg | Op. | 25/3 | Musette | 18 | row imbrications p1 |
Schoenberg | Op. | 25/3 | Musette | 19 | row imbrications p2 |
Schoenberg | Op. | 25/3 | Musette | 20 | row imbrications p3 |
Schoenberg | Op. | 27/1 | 4 pieces for mixed chorus | 1 | copy of handwritten notes |
Schoenberg | Op. | 27/1 | 4 pieces for mixed chorus | 2 | p. 2 |
Schoenberg | Op. | 27/1 | 4 pieces for mixed chorus | 3 | mini p. 1 |
Schoenberg | Op. | 27/1 | 4 pieces for mixed chorus | 4 | mini p. 2 |
Schoenberg | Op. | 27/1 | 4 pieces for mixed chorus | 5 | text |
Schoenberg | Op. | 27/1 | 4 pieces for mixed chorus | 6 | martha? P. 1 |
Schoenberg | Op. | 27/1 | 4 pieces for mixed chorus | 7 | p. 2 |
Schoenberg | Op. | 27/1 | 4 pieces for mixed chorus | 8 | marked score p. 1 |
Schoenberg | Op. | 27/1 | 4 pieces for mixed chorus | 9 | p. 2 |
Schoenberg | Op. | 27/1 | 4 pieces for mixed chorus | 10 | p. 3 |
Schoenberg | Op. | 28 | Three Satires | 1 | introductory comments |
Schoenberg | Op. | 28 | Three Satires | 2 | analytic diagram |
Schoenberg | Op. | 28 | Three Satires | 3 | row matrices |
Schoenberg | Op. | 28 | Three Satires | 4 | set sketches |
Schoenberg | Op. | 30 | Third Quartet | 1 | mini score p. 24 |
Schoenberg | Op. | 30 | Third Quartet | 2 | mini p. 25 |
Schoenberg | Op. | 30 | Third Quartet | 3 | matrix |
Schoenberg | Op. | 30 | Third Quartet | 4 | notes typed |
Schoenberg | Op. | 30 | Third Quartet | 5 | marked score p. 1 |
Schoenberg | Op. | 30 | Third Quartet | 6 | marked score p. 2 |
Schoenberg | Op. | 30 | Third Quartet | 7 | marked score p. 3 |
Schoenberg | Op. | 30 | Third Quartet | unscanned | rest unmarked |
Schoenberg | Op. | 30 | Third Quartet | 8 | with notes |
Schoenberg | Op. | 30 | Third Quartet | 9 | set table |
Schoenberg | Op. | 30 | Third Quartet | 10 | more matrix |
Schoenberg | Op. | 30 | Third Quartet | 11 | rowchart |
Schoenberg | Op. | 30 | Third Quartet | 12 | imbrication p. 1 |
Schoenberg | Op. | 30 | Third Quartet | 13 | p. 2 |
Schoenberg | Op. | 30 | Third Quartet | 14 | on graph paper |
Schoenberg | Op. | 30 | Third Quartet | 15 | some compositional aspects.. |
Schoenberg | Op. | 30 | Third Quartet | 16 | p. 2 |
Schoenberg | Op. | 30 | Third Quartet | 17 | important surface features |
Schoenberg | Op. | 30 | Third Quartet | 18 | graph paper copy |
Schoenberg | Op. | 30 | Third Quartet | 19 | hauptstimme notes |
Schoenberg | Op. | 30 | Third Quartet | 20 | aspects of set-structure |
Schoenberg | Op. | 30 | Third Quartet | 21 | marked score p. 1 |
Schoenberg | Op. | 30 | Third Quartet | 22 | p. 1 again |
Schoenberg | Op. | 30 | Third Quartet | unscanned | unmarked score copies |
Schoenberg | Op. | 30 | Third Quartet | 23 | oversized, p. 1 |
Schoenberg | Op. | 30 | Third Quartet | 24 | oversized, p. 1 with notes |
Schoenberg | Op. | 30 | Third Quartet | 25 | oversized p. 2 |
Schoenberg | Op. | 30 | Third Quartet | 26 | note to self |
Schoenberg | Op. | 30 | Third Quartet- 2nd batch | 27 | Errors Notes |
Schoenberg | Op. | 30 | Third Quartet- 2nd batch | 28 | Oversized analysis |
Schoenberg | Op. | 30 | Third Quartet- 2nd batch | 29 | Oversized analysis p. 2 |
Schoenberg | Op. | 31 | Variations for Orchestra | 1 | Notes on sets |
Schoenberg | Op. | 31 | Variations for Orchestra | 2 | long- theme notes |
Schoenberg | Op. | 31 | Variations for Orchestra | 3 | intro- typed |
Schoenberg | Op. | 31 | Variations for Orchestra | 4 | set table |
Schoenberg | Op. | 31 | Variations for Orchestra | unscanned | copy p. 2 |
Schoenberg | Op. | 31 | Variations for Orchestra | 5 | notes in pencil |
Schoenberg | Op. | 31 | Variations for Orchestra | 6 | rhythmic origination of mel theme |
Schoenberg | Op. | 31 | Variations for Orchestra | 7 | attack release partition |
Schoenberg | Op. | 31 | Variations for Orchestra | 8 | oversized proportional graph.. P. 1 |
Schoenberg | Op. | 31 | Variations for Orchestra | 9 | p. 2 |
Schoenberg | Op. | 31 | Variations for Orchestra | 10 | Substructures of the row |
Schoenberg | Op. | 31 | Variations for Orchestra | 11 | set forms |
Schoenberg | Op. | 31 | Variations for Orchestra | 12 | see rufer.. |
Schoenberg | Op. | 31 | Variations for Orchestra | 13 | analyses |
Schoenberg | Op. | 31 | Variations for Orchestra | 14 | style and idea |
Schoenberg | Op. | 31 | Variations for Orchestra | 15 | purple notes |
Schoenberg | Op. | 31 | Variations for Orchestra | 16 | Hall- PC sets, p. 1 |
Schoenberg | Op. | 31 | Variations for Orchestra | 17 | p.2 |
Schoenberg | Op. | 31 | Variations for Orchestra | 18 | p.3 |
Schoenberg | Op. | 31 | Variations for Orchestra | 19 | p.4 |
Schoenberg | Op. | 31 | Variations for Orchestra | 20 | p.5 |
Schoenberg | Op. | 31 | Variations for Orchestra | 21 | p.6 |
Schoenberg | Op. | 31 | Variations for Orchestra | 22 | p.7 |
Schoenberg | Op. | 31 | Variations for Orchestra | 23 | p.8 |
Schoenberg | Op. | 31 | Variations for Orchestra | 24 | p.9 |
Schoenberg | Op. | 31 | Variations for Orchestra | 25 | Hall- Theme vs. vars p. 1 |
Schoenberg | Op. | 31 | Variations for Orchestra | 26 | p.2 |
Schoenberg | Op. | 31 | Variations for Orchestra | 27 | p.3 |
Schoenberg | Op. | 31 | Variations for Orchestra | 28 | p.4 |
Schoenberg | Op. | 35 | No. 1 - Hemmung | 1 | row matrix |
Schoenberg | Op. | 35 | No. 1 - Hemmung | 2 | sketches p1 |
Schoenberg | Op. | 35 | No. 1 - Hemmung | 3 | sketches p2 |
Schoenberg | Op. | 35 | No. 1 - Hemmung | 4 | sketches p3 |
Schoenberg | Op. | 35 | No. 1 - Hemmung | 5 | sketches p4 |
Schoenberg | Op. | 35 | No. 1 - Hemmung | 6 | subset structure of row |
Schoenberg | Op. | 35 | No. 1 - Hemmung | 7 | basis of reorderings |
Schoenberg | Op. | 35 | No. 1 - Hemmung | 8 | summary of row manipulation p1 |
Schoenberg | Op. | 35 | No. 1 - Hemmung | 9 | summary of row manipulation p2 |
Schoenberg | Op. | 35 | No. 1 - Hemmung | 10 | sketch |
Schoenberg | Op. | 35 | No. 3 - Ausdrucksweise | 1 | row matrix |
Schoenberg | Op. | 35 | No. 3 - Ausdrucksweise | 2 | analytical sketches p1 |
Schoenberg | Op. | 35 | No. 3 - Ausdrucksweise | 3 | analytical sketches p2 |
Schoenberg | Op. | 35 | No. 3 - Ausdrucksweise | 4 | analytical sketches p3 |
Schoenberg | Op. | 35 | No. 3 - Ausdrucksweise | 5 | analytical sketches p4 |
Schoenberg | Op. | 35 | No. 3 - Ausdrucksweise | 6 | analytical sketches p5 |
Schoenberg | Op. | 35 | No. 3 - Ausdrucksweise | 7 | list of sets p1 |
Schoenberg | Op. | 35 | No. 3 - Ausdrucksweise | 8 | list of sets p2 |
Schoenberg | Op. | 35 | No. 3 - Ausdrucksweise | 9 | list of sets p3 |
Schoenberg | Op. | 35 | No. 3 - Ausdrucksweise | 10 | list of sets p4 |
Schoenberg | Op. | 35 | No. 3 - Ausdrucksweise | 11 | notes |
Schoenberg | Op. | 35 | No. 3 - Ausdrucksweise | 12 | tetrachords and combinatorial hexachords |
Schoenberg | Op. | 35 | No. 3 - Ausdrucksweise | 13 | overlapping tetrachords |
Schoenberg | Op. | 35 | No. 3 - Ausdrucksweise | 14 | 3-element segments |
Schoenberg | Op. | 35 | No. 3 - Ausdrucksweise | 15 | linear subsets p1 |
Schoenberg | Op. | 35 | No. 3 - Ausdrucksweise | 16 | linear subsets p2 |
Schoenberg | Op. | 35 | No. 3 - Ausdrucksweise | 17 | sketch |
Schoenberg | Op. | 35 | No. 4 - Glück | 1 | notes |
Schoenberg | Op. | 35 | No. 4 - Glück | 2 | analytical sketch |
Schoenberg | Op. | 35 | No. 6 - Verbundenheit | 1 | analytical sketch |
Schoenberg | Op. | 37 | Fourth String Quartet | 1 | General notes |
Schoenberg | Op. | 37 | Fourth String Quartet | 2 | 3rd mvt matrix |
Schoenberg | Op. | 37 | Fourth String Quartet | 3 | signature, 1/2 |
Schoenberg | Op. | 37 | Fourth String Quartet | 4 | signature, 2/2 |
Schoenberg | Op. | 37 | Fourth String Quartet | 5 | no ic3 or 6.. |
Schoenberg | Op. | 37 | Fourth String Quartet | 6 | notes on 3rd mvt |
Schoenberg | Op. | 37 | Fourth String Quartet | 7 | Subset structure of row |
Schoenberg | Op. | 37 | Fourth String Quartet | 8 | tetrachords |
Schoenberg | Op. | 37 | Fourth String Quartet | 9 | penta chords |
Schoenberg | Op. | 37 | Fourth String Quartet | 10 | hexachords |
Schoenberg | Op. | 37 | Fourth String Quartet | 11 | 1st mvt notes |
Schoenberg | Op. | 37 | Fourth String Quartet | unscanned | unmarked score copies |
Schoenberg | Op. | 38 | Second Chamber Symphony | 1 | Chronology |
Schoenberg | Op. | 38 | Second Chamber Symphony | 2 | Special Passages |
Schoenberg | Op. | 38 | Second Chamber Symphony | 3 | interesting letter |
Schoenberg | Op. | 38 | Second Chamber Symphony | 4 | Signature |
Schoenberg | Op. | 38 | Second Chamber Symphony | 5 | incomplete early version |
Schoenberg | Op. | 38 | Second Chamber Symphony | 6 | Complicated chronology |
Schoenberg | Op. | 40 | Organ Variations | 1 | Hesselink p. 1 |
Schoenberg | Op. | 40 | Organ Variations | 2 | p. 2 |
Schoenberg | Op. | 40 | Organ Variations | 3 | p. 7 |
Schoenberg | Op. | 40 | Organ Variations | 4 | p. 8 |
Schoenberg | Op. | 40 | Organ Variations | 5 | p. 9 |
Schoenberg | Op. | 40 | Organ Variations | 6 | p. 10 |
Schoenberg | Op. | 40 | Organ Variations | 7 | p. 11 |
Schoenberg | Op. | 40 | Organ Variations | 8 | p. 12 |
Schoenberg | Op. | 40 | Organ Variations | 9 | p. 13 |
Schoenberg | Op. | 40 | Organ Variations | 10 | p. 14 |
Schoenberg | Op. | 40 | Organ Variations | unscanned | unmarked score copies |
Schoenberg | Op. | 46 | Survivor from Warsaw | 1 | note on title |
Schoenberg | Op. | 46 | Survivor from Warsaw | 2 | special features |
Schoenberg | Op. | 46 | Survivor from Warsaw | 67 page PDF of marked score (complete) | |
Schoenberg | Op .47 | Phantasy for Violin with piano accomp | 1 | typed notes- "Hexachord is.." | |
Schoenberg | Op .47 | Phantasy for Violin with piano accomp | 2 | "Subsets of the Hexachords" | |
Schoenberg | Op .47 | Phantasy for Violin with piano accomp | 3 | notes, 1/6 | |
Schoenberg | Op .47 | Phantasy for Violin with piano accomp | 4 | notes, 2/6 | |
Schoenberg | Op .47 | Phantasy for Violin with piano accomp | 5 | notes, 3/6 | |
Schoenberg | Op .47 | Phantasy for Violin with piano accomp | 6 | notes, 4/6 | |
Schoenberg | Op .47 | Phantasy for Violin with piano accomp | 7 | notes, 5/6 | |
Schoenberg | Op .47 | Phantasy for Violin with piano accomp | 8 | notes, 6/6 | |
Schoenberg | Op. 48/2 | 1 | Pat Shove notes | ||
Schoenberg | Op. 48/2 | 2 | matrix typed | ||
Schoenberg | Op. 48/2 | 3 | score p. 1 | ||
Schoenberg | Op. 48/2 | 4 | score p. 2 | ||
Schoenberg | Op. 48/2 | 5 | larry notes | ||
Schoenberg | Op. 48/2 | 6 | registral usage | ||
Schoenberg | Op. 48/2 | 7 | sets notes p. 1 | ||
Schoenberg | Op. 48/2 | 8 | p. 2 | ||
Schoenberg | Op. 48/2 | 9 | set- structure- aspects | ||
Schoenberg | Op. 48/2 | 10 | text setting | ||
Schoenberg | Op. 48/2 | 11 | score p. 1 | ||
Schoenberg | Op. 48/2 | 12 | score p. 2 | ||
Schoenberg | Op. 48/2 | 13 | generator set | ||
Schoenberg | Op. 48/2 | 14 | text translation | ||
Schoenberg | Op. 48/2 | 15 | l-combv problem | ||
Schoenberg | Op. 48/2 | 16 | set table | ||
Schoenberg | Op. 48/2 | unscanned | various unmarked score copies etc.. | ||
Schoenberg | Die Jakobsleiter | 1 | 6-z13 | ||
Schoenberg | Die Jakobsleiter | 2 | misc. notes | ||
Schoenberg | Die Jakobsleiter | 3 | Spies handout, p1 | ||
Schoenberg | Die Jakobsleiter | 4 | p2 | ||
Schoenberg | Die Jakobsleiter | 5 | p3 | ||
Schoenberg | Die Jakobsleiter | 6 | Lessem handout, p1 | ||
Schoenberg | Die Jakobsleiter | 7 | p2 | ||
Schoenberg | Die Jakobsleiter | 8 | p3 | ||
Schoenberg | Die Jakobsleiter | 9 | 6-z19 | ||
Schoenberg | Die Jakobsleiter | 10 | hexachords | ||
Schoenberg | Die Jakobsleiter | 11 | subsets of 6-z13 | ||
Schoenberg | Die Jakobsleiter | 12 | subsets of 6-z19 | ||
Schoenberg | Die Jakobsleiter | 13 | .6-14 | ||
Schoenberg | Die Jakobsleiter | 14 | 6-z26 | ||
Schoenberg | Die Jakobsleiter | 15 | sets, p 1 | ||
Schoenberg | Die Jakobsleiter | 16 | p 2 | ||
Schoenberg | Die Jakobsleiter | 17 | p 3 | ||
Schoenberg | Die Jakobsleiter | 18 | p 4 | ||
Schoenberg | Die Jakobsleiter | 19 | p 5 | ||
Schoenberg | Die Jakobsleiter | 20 | p 6 | ||
Schoenberg | Die Jakobsleiter | 21 | p 7 | ||
Schoenberg | Die Jakobsleiter | 22 | p 8 | ||
Schoenberg | Die Jakobsleiter | 23 | p 9 | ||
Schoenberg | Die Jakobsleiter | 24 | p 10 | ||
Schoenberg | Die Jakobsleiter | 25 | typed notes | ||
Schoenberg | Die Jakobsleiter | 26 | see my evolution | ||
Schoenberg | 12-Tone Rows | Unscanned | Booklet, by Jan Maegaard from die Musikforschung | ||
Schoenberg | 12-Tone Rows | 1 | Notes- 5th through maj 7th͙ | ||
Schoenberg | 12-Tone Rows | 2 | Notes typed- completed works.. | ||
Schoenberg | 12-Tone Rows | 3r | Notes typed- jakobsleiterde profundis.. | ||
Schoenberg | 12-Tone Rows | 3v | Notes on back | ||
Schoenberg | 12-Tone Rows | 4 | Notes typed- concerto.. | ||
Schoenberg | 12-Tone Rows | 5 | Notes typed- Von heute auf morgen | ||
Schoenberg | 12-Tone Rows | 6 | Notes typed- Tod, Mond unf menschen | ||
Schubert | A-flat Impromptu Op. 142/2 | 1 | final analysis | ||
Schubert | Du bist die Ruh | 1 | marked score p1 | ||
Schubert | Du bist die Ruh | 2 | marked score p2 | ||
Schubert | Du bist die Ruh | 3 | marked score p3 | ||
Schubert | Du bist die Ruh | 4 | marked score p4 | ||
Schubert | Du bist die Ruh | 5 | marked score p5 | ||
Schubert | Du bist die Ruh | 6 | marked score p6 | ||
Schubert | Du bist die Ruh | 7 | motives | ||
Schubert | Du bist die Ruh | 8 | sketch | ||
Schubert | Du bist die Ruh | 9 | sketch | ||
Schubert | Du bist die Ruh | 10 | sketch | ||
Schubert | Du bist die Ruh | 11 | sketch | ||
Schubert | Einsamkeit | 1 | score | ||
Schubert | Einsamkeit | 2 | text | ||
Schubert | Einsamkeit | 3 | analysis | ||
Schubert | Einsamkeit | 4 | discussion | ||
Schubert | Einsamkeit | 5 | correspondence p1 | ||
Schubert | Einsamkeit | 6 | correspondence p2 | ||
Schubert | Mein & Pause | 1 | text | ||
Schubert | Mein & Pause | 2 | Oster analysis of Mein | ||
Schubert | Mein & Pause | 3 | Oster analysis of Pause | ||
Schubert | Mein & Pause | 4 | marked score | ||
Schubert | Quartet No. 4 in C major | Andante movement | 1 | sketch | |
Schubert | Quartet No. 4 in C major | Andante movement | 2 | sketch | |
Schubert | Quartet No. 9 in G minor | Menuetto movement | 1 | analysis | |
Schubert | Schwanengesang | Frühlingssehnsucht | 1 | notes for class discussion | |
Schubert | Schwanengesang | Frühlingssehnsucht | 2 | final analysis p1 | |
Schubert | Schwanengesang | Frühlingssehnsucht | 3 | final analysis p2 | |
Schubert | Schwanengesang | Ihr Bild | 1 | text | |
Schubert | Schwanengesang | Ihr Bild | 2 | analysis | |
Schubert | Six Moments Musicaux | No. 6 | 1 | analysis by Wittlich | |
Schubert | Six Moments Musicaux | No. 6 | 2 | finaly analysis by Forte | |
Schubert | Sonata in C minor | Adagio movement | 1 | sketch | |
Schubert | Sonata in C minor | Adagio movement | 2 | analytic sketch p1 | |
Schubert | Sonata in C minor | Adagio movement | 3 | analytic sketch p2 | |
Schubert | Ständchen | 1 | plan | ||
Schubert | Ständchen | 2 | marked score | ||
Schubert | Various German Dances and Waltzes | sketches | 1 | Op. 9/2 sketch 1 | |
Schubert | Various German Dances and Waltzes | sketches | 2 | Op. 9/2 sketch 2 | |
Schubert | Various German Dances and Waltzes | sketches | 3 | Op. 9/2 sketch 3 | |
Schubert | Various German Dances and Waltzes | sketches | 4 | Op. 9/8 | |
Schubert | Various German Dances and Waltzes | sketches | 5 | Op. 9/11 | |
Schubert | Various German Dances and Waltzes | sketches | 6 | Op. 33/5 | |
Schubert | Various German Dances and Waltzes | sketches | 7 | Op. 33/10 | |
Schubert | Various German Dances and Waltzes | sketches | 8 | Op. 50/12 | |
Schubert | Various German Dances and Waltzes | sketches | 9 | Op. 50/19 | |
Schubert | Various German Dances and Waltzes | sketches | 10 | Op. 127/10 sketch 1 | |
Schubert | Various German Dances and Waltzes | sketches | 11 | Op. 127/10 sketch 2 | |
Schubert | Various German Dances and Waltzes | sketches | 12 | Op. 127/17 | |
Schubert | Various German Dances and Waltzes | sketches | 13 | Op. 171/3 | |
Folder 1 | |||||
Schubert | Winterreise | "Der Wegweiser" | 1 | sketch | |
Schubert | Winterreise | "Der Wegweiser" | 2 | analysis | |
Schubert | Winterreise | "Gefror'ne Tränen" | 1 | text | |
Schubert | Winterreise | "Gefror'ne Tränen" | 2 | motives | |
Schubert | Winterreise | "Gefror'ne Tränen" | 3 | sketch | |
Schubert | Winterreise | "Gefror'ne Tränen" | 4 | sketch | |
Schubert | Winterreise | "Gefror'ne Tränen" | 5 | sketch | |
Schubert | Winterreise | "Gefror'ne Tränen" | 6 | analysis | |
Schubert | Winterreise | "Wasserfluth" | 1 | final analysis | Folder 2 |
Schubert | Wohin? | 1 | final analysis | ||
Schumann | Op. 24 - Liederkreis | No. 6 - Warte, warte wilder Schiffman | 1 | score p1 | |
Schumann | Op. 24 - Liederkreis | No. 6 - Warte, warte wilder Schiffman | 2 | score p2 | |
Schumann | Op. 24 - Liederkreis | No. 6 - Warte, warte wilder Schiffman | 3 | text | |
Schumann | Op. 24 - Liederkreis | No. 6 - Warte, warte wilder Schiffman | 4 | analysis | |
Schumann | Op. 48 - Dichterliebe | No. 4 - Wenn ich in deine Augen seh | 1 | sketch | |
Schumann | Op. 48 - Dichterliebe | No. 4 - Wenn ich in deine Augen seh | 2 | sketch | |
Schumann | Op. 48 - Dichterliebe | No. 4 - Wenn ich in deine Augen seh | 3 | sketch | |
Schumann | Op. 48 - Dichterliebe | No. 4 - Wenn ich in deine Augen seh | 4 | analysis by Campbell | |
Schumann | Op. 48 - Dichterliebe | No. 4 - Wenn ich in deine Augen seh | 5 | analysis by MacLean | |
Schumann | Op. 48 - Dichterliebe | No. 4 - Wenn ich in deine Augen seh | 6 | analysis | |
Schumann | Op. 48 - Dichterliebe | No. 4 - Wenn ich in deine Augen seh | 7 | analysis | |
Schumann | Op. 48 - Dichterliebe | No. 4 - Wenn ich in deine Augen seh | 8 | final analysis by Forte | |
Schumann | Op. 48 - Dichterliebe | No. 13 - Ich hab' im Traum geweinet | 1 | correspondence p1 | |
Schumann | Op. 48 - Dichterliebe | No. 13 - Ich hab' im Traum geweinet | 2 | correspondence p2 | |
Schumann | Op. 48 - Dichterliebe | No. 13 - Ich hab' im Traum geweinet | 3 | marked score | |
Schumann | Op. 48 - Dichterliebe | No. 13 - Ich hab' im Traum geweinet | 4 | sketch | |
Schumann | Op. 48 - Dichterliebe | No. 13 - Ich hab' im Traum geweinet | 5 | sketch | |
Schumann | Op. 48 - Dichterliebe | No. 13 - Ich hab' im Traum geweinet | 6 | sketch | |
Schumann | Op. 48 - Dichterliebe | No. 13 - Ich hab' im Traum geweinet | 7 | sketch | |
Schumann | Op. 48 - Dichterliebe | No. 13 - Ich hab' im Traum geweinet | 8 | sketch | |
Schumann | Op. 48 - Dichterliebe | No. 13 - Ich hab' im Traum geweinet | 9 | sketch | |
Schumann | Op. 48 - Dichterliebe | No. 13 - Ich hab' im Traum geweinet | 10 | sketch | |
Schumann | Op. 48 - Dichterliebe | No. 13 - Ich hab' im Traum geweinet | 11 | sketch | |
Schumann | Op. 48 - Dichterliebe | No. 13 - Ich hab' im Traum geweinet | 12 | sketch | |
Scriabin | Op. 67/1 | Scriabin_Op67_no1_p | 1 | "Anthony Paple" | |
Scriabin | Op. 67/1 | Prelude | 2 | Sketches- Ex. 5 | |
Scriabin | Op. 67/1 | Prelude | 3 | A: Coll III | |
Scriabin | Op. 67/1 | Prelude | 4 | Linear analysis | |
Scriabin | Op. 67/1 | Prelude | 5 | Typed- A-G | |
Scriabin | Op. 67/1 | Prelude | unscanned | Copy, p. 5 | |
Scriabin | Op. 67/1 | Prelude | 6 recto | Table 1 | |
Scriabin | Op. 67/1 | Prelude | 6 verso | mm 1-17 | |
Scriabin | Op. 67/1 | Prelude | 7 | Marked score, p. 1/2 | |
Scriabin | Op. 67/1 | Prelude | 8 | p. 2/2 | |
Scriabin | Op. 63 no 2 | Entrangete from Deux Poemes | 1 | score p. 1 | |
Scriabin | Op. 63 no 2 | Entrangete from Deux Poemes | 2 | p. 2 | |
Scriabin | Op. 63 no 2 | Entrangete from Deux Poemes | 3 | p. 3 | |
Scriabin | Op. 63 no 2 | Entrangete from Deux Poemes | 4 | p. 4 | |
Scriabin | Op. 63 no 2 | Entrangete from Deux Poemes | 5 | notes | |
Scriabin | Op. 74/1 | 1 | score p. 1 | ||
Scriabin | Op 74/1 | 2 | oversized | ||
Scriabin | Op. 74/1 | 3 | typed notes | ||
Scriabin | Op. 74/1 | 4 | notes on staff paper | ||
Scriabin | Op. 74/1 | 5 | article excerpt | ||
Scriabin | Op. 74/3 | 1 | oversized | ||
Scriabin | Op. 74/5 | 1 | score p. 1 | ||
Scriabin | Op. 74/5 | 2 | sets notes | ||
Scriabin | Op. 74/5 | 3 | mm 1-5 | ||
Scriabin | Op. 74/5 | 4 | mm. 6-10 | ||
Scriabin | Op. 74/5 | 5 | mm 11-17 | ||
Scriabin | Op. 74/5 | 6 | mm 18-24 | Folder 1 | |
Scriabin | Op. 74/5 | 7 | set complex relations | ||
Scriabin | Op. 74/5 | 8 | 3-12 000300 | ||
Scriabin | Op. 74/5 | 9 | indirect connections | Cross referenced | |
Scriabin | Op. 74/5 | 10 | " long trace | ||
Scriabin | Op. 74/5 | 11 | notes taped down | ||
Scriabin | Sonata No. 4, I | unscanned | Oversized copy of p. 1. not to be scanned | Folder 2 | |
Scriabin | Sonata No. 4, I | 1 | Ex. 1 | Oversized, Scanned | |
Scriabin | Sonata No. 4, I | 2 | mini- mm 3-5 | Cross referenced | |
Scriabin | Sonata No. 4, I | 3 | Stravinsky Rite of Spring | ||
Scriabin | Sonata No. 4, I | 4 | Octatonic Octad | ||
Scriabin | Sonata No. 4, I | 5 | The Tristan Chord | ||
Scriabin | Sonata No. 4, I | 6 | Forms of 4-23 | ||
Scriabin | Sonata No. 4, I | 7 | Overview of 4-23 in Descant | ||
Scriabin | Sonata No. 4, I | unscanned | not to be scanned, copy p 4 | ||
Scriabin | Sonata No. 4, I | 8 | full analysis | ||
Scriabin | Sonata No. 4, I | 9 | Sightseer's guide | ||
Scriabin | Sonata No. 4, I | 10 | copy, p. 2 | ||
Scriabin | Sonata No. 4, I | 11 | coda | ||
Scriabin | Sonata No. 4, I | 12 | m. 13 | ||
Scriabin | Sonata No. 4, I | 13 | "an atonal work, with tonal pretensions" | ||
Scriabin | Sonata No. 4, I | 14 | notes- "Ordered" | ||
Scriabin | Sonata No. 6 | 1-X | Handout +score copy | ||
Stockhausen | Klavierstücke II | No. 2 | 1 | marked score p1 | |
Stockhausen | Klavierstücke II | No. 2 | 2 | marked score p2 | |
Stockhausen | Klavierstücke II | No. 2 | 3 | marked score p3 | |
Stockhausen | Klavierstücke II | No. 2 | 4 | sets | |
Stockhausen | Klavierstücke II | No. 2 | 5 | sketch p1 | |
Stockhausen | Klavierstücke II | No. 2 | 6 | sketch p2 | |
Stockhausen | Klavierstücke II | No. 2 | 7 | sketch p3 | |
Stockhausen | Klavierstücke II | No. 3 | 1 | sketch | |
Strauss, Richard | Tod und Verklärung | 1 | poem translation | ||
Strauss, Richard | Tod und Verklärung | 2 | marked score p1 | ||
Strauss, Richard | Tod und Verklärung | 3 | analysis | ||
Strauss, Richard | Vier Letzte Lieder | No. 1 - Frühling | 1 | poem translation | |
Strauss, Richard | Vier Letzte Lieder | No. 1 - Frühling | 2 | marked score p1 | |
Strauss, Richard | Vier Letzte Lieder | No. 1 - Frühling | 3 | marked score p2 | |
Strauss, Richard | Vier Letzte Lieder | No. 1 - Frühling | 4 | marked score p3 | |
Strauss, Richard | Vier Letzte Lieder | No. 1 - Frühling | 5 | marked score p4 | |
Strauss, Richard | Vier Letzte Lieder | No. 1 - Frühling | 6 | marked score p5 | |
Strauss, Richard | Vier Letzte Lieder | No. 1 - Frühling | 7 | marked score p6 | |
Strauss, Richard | Vier Letzte Lieder | No. 1 - Frühling | 8 | marked score p7 | |
Strauss, Richard | Vier Letzte Lieder | No. 1 - Frühling | 9 | marked score p8 | |
Strauss, Richard | Vier Letzte Lieder | No. 1 - Frühling | 10 | analysis | |
Stravinsky | Bransle Double | Agon | 1 | Score p. 1/5 | |
Stravinsky | Bransle Double | Agon | 2 | Score p. 2/5 | |
Stravinsky | Bransle Double | Agon | 3 | Score p. 3/5 | |
Stravinsky | Bransle Double | Agon | 4 | Score p. 4/5 | mini |
Stravinsky | Bransle Double | Agon | 5 | Score p. 5/5 | |
Stravinsky | Bransle Gay | Agon | 1 | Notes on history of dance | |
Stravinsky | Bransle Gay | Agon | 2 | graph paper | |
Stravinsky | Bransle Gay | Agon | 3 | Composite rhythmic pattern | |
Stravinsky | Bransle Gay | Agon | 4 | In 6-Z11.. | |
Stravinsky | Bransle Gay | Agon | 5 | 11 2 0 5 3 10͙ | |
Stravinsky | Bransle Gay | Agon | 6 | mini in red and blue | |
Stravinsky | Bransle Gay | Agon | 7 | Rhythmic patterns.. | |
Stravinsky | Bransle Gay | Agon | 8 | m. 16 ff. pc set͙ | |
Stravinsky | Bransle Gay | Agon | 9 | m. 19, clarinets | |
Stravinsky | Bransle Gay | Agon | 10 | m. 23ff | |
Stravinsky | Bransle Gay | Agon | 11 | Partial Analysis of Thythmic Patterns | |
Stravinsky | Bransle Gay | Agon | 12 | Score p. 1 copy 1 | |
Stravinsky | Bransle Gay | Agon | 13 | Foms of Hexachord | |
Stravinsky | Bransle Gay | Agon | 14 | Score p. 1 copy 2 | |
Stravinsky | Bransle Gay | Agon | 15 | Subsets of 6-Z11 | |
Stravinsky | Bransle Gay | Agon | 16 | Notes typed and pencil | |
Stravinsky | Bransle Gay | Agon | 17 | Inversion invariance.. | |
Stravinsky | Bransle Gay | Agon | 18 | Notes on rhythm | |
Stravinsky | Bransle Gay | Agon | 19 | Foreground rhythmic structures | |
Stravinsky | Bransle Gay | Agon | 20 | Comparison of PO with͙ | |
Stravinsky | Bransle Gay | Agon | 21 | Contd | |
Stravinsky | Bransle Gay | Agon | unscanned | various copies of pp 2 and 12 | |
Stravinsky | Sacher transcriptions | Agon | 1 | Oversized | |
Stravinsky | Sacher transcriptions | Agon | 2 | LH | |
Stravinsky | Sacher transcriptions | Agon | 3 | RH | |
Stravinsky | Sacher transcriptions | Agon | 4 | verso | |
Stravinsky | Trois Poesies de la lyrique Japonaise | Folder 1 | unscanned | unmarked score copies | |
Stravinsky | Trois Poesies de la lyrique Japonaise | Folder 2 | 1 | notes on 1 | |
Stravinsky | Trois Poesies de la lyrique Japonaise | 2 | score no 1 | ||
Stravinsky | Trois Poesies de la lyrique Japonaise | 3 | score no 2 p. 1 | ||
Stravinsky | Trois Poesies de la lyrique Japonaise | 4 | p. 2 | ||
Stravinsky | Trois Poesies de la lyrique Japonaise | 5 | p. 3 | ||
Stravinsky | Trois Poesies de la lyrique Japonaise | 6 | Score no 3 p. 1 | ||
Stravinsky | Trois Poesies de la lyrique Japonaise | 7 | p. 2 | ||
Stravinsky | Trois Poesies de la lyrique Japonaise | 8 | score no 3 difft edition, p. 1 | ||
Stravinsky | Trois Poesies de la lyrique Japonaise | 9 | p. 2 | ||
Stravinsky | Trois Poesies de la lyrique Japonaise | 10 | typed notes | ||
Stravinsky | Trois Poesies de la lyrique Japonaise | 12 page pdf hand written transcription of no3 | |||
Stravinsky | Double Canon | 1 | 7-note set | cross referenced | |
Stravinsky | Double Canon | 2 | notes in pencil | cross referenced | |
Stravinsky | Double Canon | 3 | oversized | cross referenced | |
Stravinsky | Double Canon | 4 | score p. 1 | cross referenced | |
Stravinsky | Assorted | Septet Gigue | 1 | Sets | |
Stravinsky | Assorted | Early, three somethings | 2 | Sets | |
Stravinsky | Assorted | Zvesdoliki | 3 | Sets, 1/6 | |
Stravinsky | Assorted | Zvesdoliki | 4 | Sets, 2/6 | |
Stravinsky | Assorted | Zvesdoliki | 5 | Sets, 3/6 | |
Stravinsky | Assorted | Zvesdoliki | 6 | Sets, 4/6 | |
Stravinsky | Assorted | Zvesdoliki | 7 | Sets, 5/6 | |
Stravinsky | Assorted | Zvesdoliki | 8 | Sets, 6/6 | |
Stravinsky | Assorted | Three Pieces for String Quartet | 9 | Analysis | |
Stravinsky | Assorted | Three Pieces for String Quartet | 10 | Analysis | |
Stravinsky | Assorted | Three Pieces for String Quartet | 11 | Relations | |
Stravinsky | Assorted | Three Pieces for String Quartet | 12 | Analysis | |
Stravinsky | Assorted | Three Pieces for String Quartet | 13 | Analysis | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 14 | List of works | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 15 | noted- general | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 16 | cont'd | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 17 | 3 pieces for SQ | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 18 | serenade in la | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 19 | Symph of psalmes | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 20 | SoWI | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 21 | piano sonate | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 22 | soldat | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 23 | mass | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 24 | ordering of 6-z40 | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 25r | matrix | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 25v | verso matrix | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 26 | Insert to right- upper.. | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 27 | agon | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 28 | cont'd | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 29 | cont'd | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 30 | cont'd | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 31 | cont'd | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 32 | agon on staff paper | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 33 | 108-0274 | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 34 | Agon | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 35 | To be completed | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 36 | This row is partitioned͙ | |
Stravinsky | Assorted- Sacher Stiftung | Filed under "Other ass'd works" | 37 | Symph of psalmes | |
Stravinsky | L'Histoire du Soldat | 1 | mini | ||
Stravinsky | L'Histoire du Soldat | 2 | typed notes | ||
Stravinsky | Oedipus Rex | 1 | Long notes | ||
Stravinsky | Oedipus Rex | 2 | typed notes | ||
Stravinsky | Oedipus Rex | 3 | score p. 21 | ||
Stravinsky | Oedipus Rex | 4 | score p. 22 | ||
Stravinsky | Oedipus Rex | 5 | Carmen Saberin (sp?) | ||
Stravinsky | Oedipus Rex | 6 | p. 2 | ||
Stravinsky | Oedipus Rex | 7 | p. 3 | ||
Stravinsky | Oedipus Rex | 8 | p. 4 | ||
Stravinsky | Oedipus Rex | 9 | p. 5 | ||
Stravinsky | Im Memoriam Dylan Thomas | 1 | mini | ||
Stravinsky | Im Memoriam Dylan Thomas | 2 | Score P. 1 | ||
Stravinsky | Im Memoriam Dylan Thomas | 3 | score p. 2 | ||
Stravinsky | Im Memoriam Dylan Thomas | 4 | score p. 3 | ||
Stravinsky | Im Memoriam Dylan Thomas | 5 | score p. 4 | ||
Stravinsky | Im Memoriam Dylan Thomas | 6 | score p. 5 | ||
Stravinsky | Im Memoriam Dylan Thomas | 7 | score p. 6 | ||
Stravinsky | Music on piano roll | Note author.. | 1 | p. 1/4 | |
Stravinsky | Music on piano roll | Note author.. | 2 | p. 2/4 | |
Stravinsky | Music on piano roll | Note author.. | 3 | p. 3/4 | |
Stravinsky | Music on piano roll | Note author.. | 4 | p. 4/4 | |
Stravinsky | Firebird | folder 1- analytical graphs | 1 | R107 | |
Stravinsky | Firebird | 2 | R109 | ||
Stravinsky | Firebird | 3 | R110 | ||
Stravinsky | Firebird | 4 | R111 | ||
Stravinsky | Firebird | 5 | R112 | ||
Stravinsky | Firebird | 6 | R112+7 | ||
Stravinsky | Firebird | 7 | R114 | ||
Stravinsky | Firebird | 8 | R114+4 | ||
Stravinsky | Firebird | 9 | R114+6 | ||
Stravinsky | Firebird | 10 | R115 | ||
Stravinsky | Firebird | 11 | R116+1 | ||
Stravinsky | Firebird | 12 | R117 | ||
Stravinsky | Firebird | Folder 2- analysis folder | 13 | mini- more work | |
Stravinsky | Firebird | 14 | circle 3 | ||
Stravinsky | Firebird | 15 | mini- circle 12 | ||
Stravinsky | Firebird | 16 | ex. 11 | ||
Stravinsky | Firebird | 17 | larger ex 11 | ||
Stravinsky | Firebird | 18 | circle 10 | ||
Stravinsky | Firebird | 19 | circle 9 | ||
Stravinsky | Firebird | 20 | circle 8 | ||
Stravinsky | Firebird | 21 | ex. 7 | ||
Stravinsky | Firebird | 22 | mini- circle 6 | ||
Stravinsky | Firebird | 23 | mini- circle 5 | ||
Stravinsky | Firebird | 24 | larger circle 6 | ||
Stravinsky | Firebird | 25 | ex. 8 | ||
Stravinsky | Firebird | 26 | mini- show principal | ||
Stravinsky | Firebird | 27 | mini- lyrical sections | ||
Stravinsky | Firebird | 28 | changes were made.. | ||
Stravinsky | Firebird | 29 | much of firebird is.. | ||
Stravinsky | Firebird | 30 | p. 24 | ||
Stravinsky | Firebird | 31 | p. 18 | ||
Stravinsky | Firebird | 32 | 55+2 | ||
Stravinsky | Firebird | 33 | p. 36 | ||
Stravinsky | Firebird | 34 | p. 43-45 | ||
Stravinsky | Firebird | 35 | p. 47 | ||
Stravinsky | Firebird | 36 | p. 48-49 | ||
Stravinsky | Firebird | 37 | mini- box 139 | ||
Stravinsky | Firebird | 38 | p. 53-54 | ||
Stravinsky | Firebird | 39 | p. 63 | ||
Stravinsky | Firebird | 40 | p. 65 | ||
Stravinsky | Le Roi des Etoiles | Zvesdoliki | 1 | Marked score p. 1 | |
Stravinsky | Le Roi des Etoiles | Zvesdoliki | 2 | p. 2 | |
Stravinsky | Le Roi des Etoiles | Zvesdoliki | 3 | p. 3 | |
Stravinsky | Le Roi des Etoiles | Zvesdoliki | 4 | p. 4 | |
Stravinsky | Le Roi des Etoiles | Zvesdoliki | 5 | p. 5 | |
Stravinsky | Le Roi des Etoiles | Zvesdoliki | 6 | p. 6 | |
Stravinsky | Le Roi des Etoiles | Zvesdoliki | 7 | p. 7 | |
Stravinsky | Le Roi des Etoiles | Zvesdoliki | 8 | p. 8 | |
Stravinsky | Le Roi des Etoiles | Zvesdoliki | 9 | Notes p. 8 | |
Stravinsky | Le Roi des Etoiles | Zvesdoliki | 10 | Notes p. 9 | |
Stravinsky | Le Roi des Etoiles | Zvesdoliki | 11 | Notes p. 10 | |
Stravinsky | Le Roi des Etoiles | Zvesdoliki | 12 | Zvezdoliki notes | |
Stravinsky | Le Roi des Etoiles | Zvesdoliki | 13 | Tom Christianson notes | |
Stravinsky | Le Roi des Etoiles | Zvesdoliki | 14 | Van den toorn notes | |
Stravinsky | Le Roi des Etoiles | Zvesdoliki | unscanned | copy of article | |
Stravinsky | Le Roi des Etoiles | Zvesdoliki | 15 | translated text | |
Stravinsky | Le Roi des Etoiles | Zvesdoliki | 16 | large-scale harmonies | |
Stravinsky | Le Roi des Etoiles | Zvesdoliki | 17 | misc notes 1 | |
Stravinsky | Le Roi des Etoiles | Zvesdoliki | 18 | p. 17 | |
Stravinsky | Le Roi des Etoiles | Zvesdoliki | 19 | p. 18 | |
Stravinsky | two poems of Verlaine | Op 9 | 1 | notes | |
Stravinsky | Les Noces | 1 | R27, p. 28 | ||
Stravinsky | Les Noces | 2 | R28, p. 29 | ||
Stravinsky | Les Noces | 3 | White notes | ||
Stravinsky | Les Noces | 4 | Tableau I notes | ||
Stravinsky | Les Noces | 5 | R16, p. 16 | ||
Stravinsky | Les Noces | 6 | R20, p. 21 | ||
Stravinsky | Les Noces | 7 | Closing chimes | ||
Stravinsky | Octet | 1 | mm 1-6 | ||
Stravinsky | Octet | 2 | mm 7-11 | ||
Stravinsky | Octet | 3 | mm 12-14 | ||
Stravinsky | Octet | 4 | notes | ||
Stravinsky | Octet | 5 | var. c | ||
Stravinsky | Octet | 6 | tree diagram | ||
Stravinsky | Petrouchka | 1 | Score, p. 13 | ||
Stravinsky | Petrouchka | 2 | Score, p. 14 | ||
Stravinsky | Petrouchka | 3 | Score, p. 15 | ||
Stravinsky | Petrouchka | 4 | Oversized- Portrait fmt | ||
Stravinsky | Petrouchka | 5 | Magic Trick- 30 | folder 2 | |
Stravinsky | Petrouchka | 6 | mini- mummers | folder 3 | |
Stravinsky | Petrouchka | 7 | mummers cont'd | ||
Stravinsky | Petrouchka | 8 | tiny- ex. 16 | ||
Stravinsky | Petrouchka | 9 | ex. 14 | mini, scanned | |
Stravinsky | Petrouchka | 10 | notes- 116+7 thru 122 | mini, scanned | |
Stravinsky | Petrouchka | 11 | masquerades- old stuff | Oversized, scanned | |
Stravinsky | Petrouchka | 12 | ex. 8 | mini, scanned | |
Stravinsky | Petrouchka | unscanned | unmarked score | Oversized, scanned | |
Stravinsky | Petrouchka | unscanned | unmarked score | ||
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 1 | Notes | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 2 | Notes | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 2 verso | Notes | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 3 | Notes | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 4 | Notes | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 5 | Notes | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 6 | Notes | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 7 | Notes (1 of 10) | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 8 | Notes (2 of 10) | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 9 | Notes (3 of 10) | Oversized, scanned |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 10 | Notes (4 of 10) | Oversized, scanned |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 11 | Notes (5 of 10) | Oversized, scanned |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 12 | Notes (6 of 10) | Not to be scanned |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 13 | Notes (7 of 10) | Not to be scanned |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 14 | Notes (8 of 10) | Oversized, scanned |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 15 | Notes (9 of 10) | Oversized, scanned |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 16 | Notes (10 of 10) | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 17 | Notes (1 of 3) | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 18 | Notes (2 of 3) | mini |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 19 | Notes (3 of 3) | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | unscanned | Older copy of 20 | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | unscanned | Older copy of 21 | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 20 | Notes | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 21 | Notes | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 22 | Notes | Oversized, scanned |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 23 | Notes | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 24 | Notes | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 25 | notes | Oversized, scanned |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 26 | Notes | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 27 | Notes | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 28 | Notes | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 29 | Notes | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 30 | Notes | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 31 | Notes | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 32 | Notes | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 33 | Notes | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 34 | Notes | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 35 | Notes | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 36 | Notes | Not to be scanned |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 37 | Notes | Not to be scanned |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 38 | Notes | Not to be scanned |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 39 | Notes (similarity relations) | Not to be scanned |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 40 | Notes | Not to be scanned |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 41 | Notes ("org. version") | Not to be scanned |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 42 | Notes | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 43 | Notes | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | unscanned | Older copy of 20 | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | unscanned | Older copy of 21 | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | unscanned | Older copy of 20 | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | unscanned | Older copy of 21 | Scanned seperately |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | unscanned | Older copy of 20 | Scanned seperately |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | unscanned | Older copy of 21 | Scanned seperately |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 44 | Notes (sets, typed) | Scanned seperately |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 45 | Notes (sets, typed) | Scanned seperately |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 46 | Notes (sets, typed) | Scanned seperately |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 47 | Notes (sets, typed) | Scanned seperately |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 48 | Notes | Not to be scanned |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 49 | KH Lists and counts (1 of7) | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 50 | KH Lists and counts (2 of7) | Oversized, scanned |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 51 | KH Lists and counts (3 of7) | Oversized not to be scanned (facsim. of p.3) |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 52 | KH Lists and counts (4 of7) | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 53 | KH Lists and counts (5 of7) | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 54 | KH Lists and counts (6 of7) | Oversized, scanned |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 55 | KH Lists and counts (7 of7) | |
Stravinsky | Rite of Spring | Danse Sacrale (1943 Version) | 56 | Unfinished notes | |
Stravinsky | Rite of Spring | Ritual of the Rival Tribes (R57-68) | 1 | Notes | |
Stravinsky | Rite of Spring | Ritual of the Rival Tribes (R57-68) | unscanned | Notes | |
Stravinsky | Rite of Spring | Ritual of the Rival Tribes (R57-68) | 2 | Notes | |
Stravinsky | Rite of Spring | Ritual of the Rival Tribes (R57-68) | 3 | Notes | |
Stravinsky | Rite of Spring | Ritual of the Rival Tribes (R57-68) | 4 | Notes | |
Stravinsky | Rite of Spring | Ritual of the Rival Tribes (R57-68) | 5 | Notes | |
Stravinsky | Rite of Spring | Ritual of the Rival Tribes (R57-68) | 6 | Notes | |
Stravinsky | Rite of Spring | Ritual of the Rival Tribes (R57-68) | 7 | Notes (at 70, 1 of 3) | |
Stravinsky | Rite of Spring | Ritual of the Rival Tribes (R57-68) | 8 | Notes (at 70, 2 of 3) | |
Stravinsky | Rite of Spring | Ritual of the Rival Tribes (R57-68) | 9 | Notes (at 70, 3 of 3) | Oversized, scanned |
Stravinsky | Rite of Spring | Ritual of the Rival Tribes (R57-68) | 10 | Notes | mini (folded in with p.1) |
Stravinsky | Rite of Spring | Procession of the Sage (R67-72) | 1 | ||
Stravinsky | Rite of Spring | Dance of the Earth (R72-79) | 1 | Linear Analysis | |
Stravinsky | Rite of Spring | Dance of the Earth (R72-79) | 2 | marked score | Oversized, scanned |
Stravinsky | Rite of Spring | Glorification of the Chosen One (R104-121) | 1 | Linear aspects | |
Stravinsky | Rite of Spring | Glorification of the Chosen One (R104-121) | 2 | Linear aspects | Not to be scanned |
Stravinsky | Rite of Spring | Glorification of the Chosen One (R104-121) | unscanned | Unmarked Score | Not to be scanned |
Stravinsky | Rite of Spring | Glorification of the Chosen One (R104-121) | 3 | Attack- Release Partitioning | Not to be scanned |
Stravinsky | Rite of Spring | Glorification of the Chosen One (R104-121) | 4 | Porportional Graph | |
Stravinsky | Rite of Spring | Evocation and Ritual Action (R121-142) | 1 | Linear aspects | |
Stravinsky | Rite of Spring | Evocation and Ritual Action (R121-142) | 2 | Marked Score | |
Stravinsky | Rite of Spring | Evocation and Ritual Action (R121-142) | 3 | Notes | |
Stravinsky | Rite of Spring | Evocation and Ritual Action (R121-142) | unscanned | Unmarked Score | |
Stravinsky | Rite of Spring | Evocation and Ritual Action (R121-142) | unscanned | Unmarked Score | |
Stravinsky | Rite of Spring | Evocation and Ritual Action (R121-142) | unscanned | Unmarked Score | Not to be scanned |
Stravinsky | Rite of Spring | Manuscript | 1 | Correspondence regarding sale of Manuscrip | Not to be scanned |
Stravinsky | Rite of Spring | Manuscript | 2 | Newspaper article regarding sale of Manuscript | |
Stravinsky | Rite of Spring | Manuscript | 3 | Explaination of photographs | |
Stravinsky | Rite of Spring | Manuscript | 4 | Photo 1/3 | |
Stravinsky | Rite of Spring | Manuscript | 5 | Photo 2/3 | |
Stravinsky | Rite of Spring | Manuscript | 6 | Photo 3/3 | |
Stravinsky | Rite of Spring | Manuscript | unscanned | Draft of Manuscript article (3pp) | |
Stravinsky | Rite of Spring | Manuscript | unscanned | Note to self (lunch with Tom) | Oversized, scanned |
Stravinsky | Rite of Spring | Manuscript | unscanned | Note to self | Oversized, scanned |
Stravinsky | Rite of Spring | Mystic Circle of the Adolescents (R91-103) | 1 | Notes | Oversized, scanned |
Stravinsky | Rite of Spring | Mystic Circle of the Adolescents (R91-103) | 2 | Notes | |
Stravinsky | Rite of Spring | Mystic Circle of the Adolescents (R91-103) | 3 | Notes | |
Stravinsky | Rite of Spring | Introduction to Parts I and II | 1 | Small graph | |
Stravinsky | Rite of Spring | Introduction to Parts I and II | 2 | Large scale linear structures, Intro to Part I | |
Stravinsky | Rite of Spring | Introduction to Parts I and II | 3 | 1 of 2, Intro to Part I | |
Stravinsky | Rite of Spring | Introduction to Parts I and II | 4 | 2 of 2 Intro to Part I | |
Stravinsky | Rite of Spring | Introduction to Parts I and II | 5 | Linear Features, Intro to Part II | |
Stravinsky | Rite of Spring | Introduction to Parts I and II | 6 | Notes on focal PCs | |
Stravinsky | Rite of Spring | Introduction to Parts I and II | 7 | Notes on focal PCs | |
Stravinsky | Rite of Spring | Introduction to Parts I and II | unscanned | larger version of p.1 | |
Stravinsky | Rite of Spring | Introduction to Parts I and II | unscanned | unmarked scores, 5 pp. | |
Stravinsky | Rite of Spring | Intro to Part II | 1 | notes p. 1 | |
Stravinsky | Rite of Spring | Intro to Part II | 2 | notes p.2 | |
Stravinsky | Rite of Spring | Intro to Part II | 3 | notes p. 3 | |
Stravinsky | Rite of Spring | Intro to Part II | 4 | notes p. 4 | |
Stravinsky | Rite of Spring | Intro to Part II | 5 | notes p. 5 | |
Stravinsky | Rite of Spring | Intro to Part II | 6 | notes p. 6 | |
Stravinsky | Rite of Spring | Intro to Part II | 7 | notes p. 7 | |
Stravinsky | Rite of Spring | Intro to Part II | 8 | sketches for intro͙ | |
Stravinsky | Rite of Spring | Intro to Part II | 9 | note: sketchbook.. | |
Stravinsky | Rite of Spring | Intro to Part II | 10 | Octa aspects | |
Stravinsky | Rite of Spring | Intro to Part II | 11 | ex of motivic usage | |
Stravinsky | Rite of Spring | Intro to Part II | 12 | r82 | |
Stravinsky | Rite of Spring | Intro to Part II | 13 | oversized | |
Stravinsky | Rite of Spring | Intro to Part II | 14 | marked score p. 1 | |
Stravinsky | Rite of Spring | Intro to Part II | 15 | p. 2 | |
Stravinsky | Rite of Spring | Intro to Part II | 16 | p. 3 | |
Stravinsky | Rite of Spring | Intro to Part II | 17 | p. 4 | |
Stravinsky | Rite of Spring | Intro to Part II | 18 | p. 5 | |
Stravinsky | Rite of Spring | Intro to Part II | 19 | p. 6 | |
Stravinsky | Rite of Spring | Sketchbook: Locations of Maps and Pages | 1 | Sketches for sac dance | |
Stravinsky | Rite of Spring | Sketchbook: Locations of Maps and Pages | 2 | mini- class exercise | |
Stravinsky | Rite of Spring | Sketchbook: Locations of Maps and Pages | 3 | poss topic | |
Stravinsky | Rite of Spring | Sketchbook: Locations of Maps and Pages | 4 | p. 3 | |
Stravinsky | Rite of Spring | Sketchbook: Locations of Maps and Pages | 5 | p. 4 | |
Stravinsky | Rite of Spring | Sketchbook: Locations of Maps and Pages | 6 | p. 5 | |
Stravinsky | Rite of Spring | Sketchbook: Locations of Maps and Pages | 7 | p. 6 | |
Stravinsky | Rite of Spring | Sketchbook: Locations of Maps and Pages | 8 | p. 7 | |
Stravinsky | Rite of Spring | Sketchbook: Locations of Maps and Pages | 9 | le sac sketchbook | |
Stravinsky | Rite of Spring | Comments on Sketchbook | 1 | Questions | |
Stravinsky | Rite of Spring | Comments on Sketchbook | 2 | idiosyncratic notations | |
Stravinsky | Rite of Spring | Comments on Sketchbook | 3 | general aspects | |
Stravinsky | Rite of Spring | Comments on Sketchbook | 4 | peculiar aspects | |
Stravinsky | Rite of Spring | Comments on Sketchbook | 5 | form | |
Stravinsky | Rite of Spring | Comments on Sketchbook | 6 | Reference: Craft | |
Stravinsky | Rite of Spring | Comments on Sketchbook | 7 | p. 79- R135+1 | |
Stravinsky | Rossignol (Nightengale) | 1 | mini- R107+2 | ||
Stravinsky | Rossignol (Nightengale) | 2 | 132+3 | ||
Stravinsky | Rossignol (Nightengale) | 3 | 107+2 | ||
Stravinsky | Rossignol (Nightengale) | 4 | circle 19 | ||
Stravinsky | Rossignol (Nightengale) | 5 | circle 20 | ||
Stravinsky | Rossignol (Nightengale) | 6 | circle 18 | ||
Stravinsky | Rossignol (Nightengale) | 7 | circle 4 | ||
Stravinsky | Rossignol (Nightengale) | 8 | comments (circle 4) | ||
Stravinsky | Rossignol (Nightengale) | 9 | mini- R129 | ||
Stravinsky | Rossignol (Nightengale) | 10 | mini- "although composition | ||
Stravinsky | Rossignol (Nightengale) | 11 | mini- amazing dissonant | ||
Stravinsky | Rossignol (Nightengale) | 12 | chronology | ||
Stravinsky | Rossignol (Nightengale) | 13 | p. 7 | ||
Stravinsky | Rossignol (Nightengale) | 14 | p. 38 | ||
Stravinsky | Rossignol (Nightengale) | 15 | p. 68 | ||
Stravinsky | Rossignol (Nightengale) | 16 | p. 75 | ||
Stravinsky | Rossignol (Nightengale) | 17 | p. 76 | ||
Stravinsky | Septet (1953) | Thema con Variazioni | 1 | Notes- Says Octet(!) | |
Stravinsky | Sermon narrative and prayer | 1 | Note- See Clifton | ||
Stravinsky | Sermon narrative and prayer | 2 | Set table | ||
Stravinsky | Symphony of Wind Instruments | 1 | Sets and Phrases | ||
Stravinsky | Symphony of Wind Instruments | 2 | Final Chorale, 1/2 | ||
Stravinsky | Symphony of Wind Instruments | 3 | Final Chorale, 2/2 | ||
Stravinsky | Symphony of Wind Instruments | 4 | mm. 6-8 | ||
Stravinsky | Symphony of Wind Instruments | 5 | Notes on Rhythm | ||
Stravinsky | Symphony of Wind Instruments | 6 | Chorale tetrachords | ||
Stravinsky | Symphony of Wind Instruments | 2nd batch- 1st folder | 7 | Mini- tetrachords | |
Stravinsky | Symphony of Wind Instruments | 8 | octatonic octad | ||
Stravinsky | Symphony of Wind Instruments | 9 | mini transcription | ||
Stravinsky | Symphony of Wind Instruments | 10 | piano red. Transcription | ||
Stravinsky | Symphony of Wind Instruments | 11 | p. 2 | ||
Stravinsky | Symphony of Wind Instruments | 12 | diatonic octad | ||
Stravinsky | Symphony of Wind Instruments | 13 | set notes p. 1 | ||
Stravinsky | Symphony of Wind Instruments | 14 | p. 2 | ||
Stravinsky | Symphony of Wind Instruments | 15 | p. 3 | ||
Stravinsky | Symphony of Wind Instruments | 16 | p. 4 | ||
Stravinsky | Symphony of Wind Instruments | unscanned | publ article- L. Somfai | ||
Stravinsky | Symphony of Wind Instruments | Folder 2 | 17 | misc notes | |
Stravinsky | Symphony of Wind Instruments | 18 | piano score, p. 1 | ||
Stravinsky | Symphony of Wind Instruments | 19 | p. 2 | ||
Stravinsky | Symphony of Wind Instruments | 20 | p. 3 | ||
Stravinsky | Symphony of Wind Instruments | 21 | stapled, p. 1 | ||
Stravinsky | Symphony of Wind Instruments | 22 | stapled, p. 2 | ||
Stravinsky | Symphony of Wind Instruments | unscanned | copy p. 21 | ||
Stravinsky | Symphony of Wind Instruments | Folder 3 | unscanned | unmarked copy of 1947rev. Score | |
Stravinsky | Symphony of Wind Instruments | Folder 4 | 23 | oversized | |
Stravinsky | Symphony of Wind Instruments | 24 | mini- rhythmic forms | ||
Stravinsky | Symphony of Wind Instruments | 25 | ex. 13 | ||
Stravinsky | Symphony of Wind Instruments | 26 | typed notes on ex 13 | Folder 1 | |
Stravinsky | Symphony of Wind Instruments | 27 | score- p. 17 | Folder 2 | |
Stravinsky | Symphony of Wind Instruments | 28 | p. 18 | ||
Stravinsky | Symphony of Wind Instruments | 29 | notes on revision | Folder 3 | |
Stravinsky | Symphony of Wind Instruments | 30 | proportional graph comments | ||
Stravinsky | Symphony of Wind Instruments | 31 | typed notes | ||
Stravinsky | Symphony of Wind Instruments | Folder 5 | 18 page marked score- piano red. | ||
Stravinsky | Three Pieces for String Quartet, no 2 | unscanned | Unmarked Scores | ||
Stravinsky | Three Pieces for String Quartet, no 2 | 1 | in red: 2 examples | ||
Stravinsky | Three Pieces for String Quartet, no 2 | 2 | Orchestration preserves.. | ||
Stravinsky | Three Pieces for String Quartet, no 2 | 3 | mini- 8a & 8b | ||
Stravinsky | Three Pieces for String Quartet, no 2 | 4 | ex. 8 | ||
Stravinsky | Three Pieces for String Quartet, No. 2 (1914) | 5 | Oversized | ||
Stravinsky | Three Pieces for String Quartet, No. 2 (1914) | 6 | mini | ||
Stravinsky | Three Pieces for String Quartet, No. 2 (1914) | unscanned | unmarked score | ||
Stravinsky | Three Pieces for String Quartet, No. 2 (1914) | 7 | Typed- Dan Bertram | ||
Stravinsky | Three Pieces for String Quartet, No. 2 (1914) | 8 | Typed- Comments | ||
Stravinsky | Three Pieces for String Quartet, No. 2 (1914) | 9 | Article, p. 195 | ||
Stravinsky | Three Pieces for String Quartet, No. 2 (1914) | 10 | Article, p. 186 | ||
Stravinsky | Three Pieces for String Quartet, no 3 | unscanned | unmarked score | ||
Stravinsky | Three Pieces for String Quartet, no 3 | 1 | copied score | ||
Stravinsky | Three Pieces for String Quartet, no 3 | 2 | mini- "on the letter" | ||
Stravinsky | Three Pieces for String Quartet, no 3 | 3 | mini- 22 | ||
Stravinsky | Deux poèmes (K. Balmont) | Two Poems of Balmont | 1 | Score, No 2, p. 1 | |
Stravinsky | Deux poèmes (K. Balmont) | Two Poems of Balmont | 2 | Score, No 2, p. 2 | |
Stravinsky | Deux poèmes (K. Balmont) | Two Poems of Balmont | 3 | Score, No 2, p. 3 | |
Stravinsky | Deux poèmes (K. Balmont) | Two Poems of Balmont | 4 | landscape format notes | |
Stravinsky | Deux poèmes (K. Balmont) | Two Poems of Balmont | 5 | Score, No 2, p. 1, 2nd analysis | |
Stravinsky | Deux poèmes (K. Balmont) | Two Poems of Balmont | 6 | Score, No 2, p. 2, 2nd analysis | |
Stravinsky | Deux poèmes (K. Balmont) | Two Poems of Balmont | 7 | Score, No 2, p. 3, 2nd analysis | |
Stravinsky | Deux poèmes (K. Balmont) | Two Poems of Balmont | 8 | Score, No 2, p. 1, 3rd analysis | Folder 1 |
Stravinsky | Deux poèmes (K. Balmont) | Two Poems of Balmont | 9 | Score, No 2, p. 2, 3rd analysis | Folder 2 |
Stravinsky | Deux poèmes (K. Balmont) | Two Poems of Balmont | 10 | Score, No 2, p. 3, 3rd analysis | |
Stravinsky | Deux poèmes (K. Balmont) | Two Poems of Balmont | 11 | Notes on No 1 | |
Stravinsky | Deux poèmes (K. Balmont) | Two Poems of Balmont | 12 | Score, No 1, p. 1 "Old" | |
Stravinsky | Deux poèmes (K. Balmont) | Two Poems of Balmont | 13 | Score, No 1, p. 2 "Old" | |
Stravinsky | Deux poèmes (K. Balmont) | Two Poems of Balmont | 14 | Score, No 1, p. 3 "Old" | Folder 3 |
Stravinsky | Symphony of Psalms | 1 | One of small beginning exs | ||
Stravinsky | Symphony of Psalms | 2 | Numerical symbolism | ||
Stravinsky | Symphony of Psalms | 3 | Continuation of symbolic patterns | ||
Stravinsky | Symphony of Psalms | 4 | sightseer's | ||
Stravinsky | Symphony of Psalms | 5 | notes- 4-22. 4-10 | ||
Stravinsky | Symphony of Psalms | 6 | Oversized- mm 1-12 | Folder 4 | |
Stravinsky | Symphony of Psalms | 7 | Basic symbology notes | ||
Stravinsky | Symphony of Psalms | 8 | notes- "Fullest Expression" | ||
Stravinsky | Symphony of Psalms | 9 | Notes "Orchestration and comcomitant" | ||
Stravinsky | Symphony of Psalms | 10 | Notes- Basic pitch material | Folder 5 | |
Stravinsky | Symphony of Psalms | 11 | notes- subsets of 8-28 | ||
Stravinsky | Symphony of Psalms | 12 | Supplementary sketches, etc | ||
Stravinsky | Symphony of Psalms | unscanned | unmarked score | ||
Stravinsky | Symphony of Psalms | 13 | Oversized, p. 1 | ||
Stravinsky | Symphony of Psalms | 14 | Oversized, p. 2 | ||
Stravinsky | Symphony of Psalms | 15 | Oversized, p. 3- mega | ||
Stravinsky | Symphony of Psalms | 16 | Oversized, p. 4 | ||
Stravinsky | Symphony of Psalms | 17 | Text | ||
18 | |||||
Stravinsky | Three Songs From W Shakespeare | unscanned | unmarked score copies | ||
Wagner | Tristan und Isolde: Act III Scene I | Analysis | 1 | sketches | |
Wagner | Tristan und Isolde: Act III Scene I | Analysis | 2 | sketches | |
Wagner | Tristan und Isolde: Act III Scene I | Analysis | 3 | sketches | |
Wagner | Tristan und Isolde: Act III Scene I | Analysis | 4 | sketches | |
Wagner | Tristan und Isolde: Act III Scene I | Analysis | 5 | sketches | |
Wagner | Tristan und Isolde | Analytical Sketches for Musicae Scientiae | 1 | sketches | |
Wagner | Tristan und Isolde | Analytical Sketches for Musicae Scientiae | 2 | sketches | |
Wagner | Tristan und Isolde | Analytical Sketches for Musicae Scientiae | 3 | sketches | |
Wagner | Tristan und Isolde | Analytical Sketches for Musicae Scientiae | 4 | sketches | |
Wagner | Tristan und Isolde | Analytical Sketches for Musicae Scientiae | 5 | sketches | |
Wagner | Tristan und Isolde | Analytical Sketches for Musicae Scientiae | 6 | sketches | |
Wagner | Tristan und Isolde | Analytical Sketches for Musicae Scientiae | 7 | sketches | |
Wagner | Tristan und Isolde | Analytical Sketches for Musicae Scientiae | 8 | sketches | |
Wagner | Tristan und Isolde | Analysis for Jean-Jac Nattiez | 11 page PDF | ||
Wagner | Tristan und Isolde | Correspondence with Jean-Jac Nattiez et al. | 23 page PDF | ||
Wagner | Correspondence | Re: Musicae Scientiae/Tristan und Isolde | 1 | letters | |
Wagner | Correspondence | Re: Musicae Scientiae/Tristan und Isolde | 2 | letters | |
Wagner | Correspondence | Re: Musicae Scientiae/Tristan und Isolde | 3 | letters | |
Wagner | Correspondence | Re: Musicae Scientiae/Tristan und Isolde | 4 | letters | |
Wagner | Correspondence | Re: Musicae Scientiae/Tristan und Isolde | 5 | letters | |
Wagner | Correspondence | Re: Musicae Scientiae/Tristan und Isolde | 6 | letters | |
Wagner | Correspondence | Re: Musicae Scientiae/Tristan und Isolde | 7 | letters | |
Wagner | Correspondence | Re: Musicae Scientiae/Tristan und Isolde | 8 | letters | |
Wagner | Correspondence | Re: Musicae Scientiae/Tristan und Isolde | 9 | letters | |
Wagner | Correspondence | Re: Musicae Scientiae/Tristan und Isolde | 10 | letters | |
Wagner | Correspondence | Re: Musicae Scientiae/Tristan und Isolde | 11 | letters | |
Wagner | Correspondence | Re: Musicae Scientiae/Tristan und Isolde | 12 | letters | |
Wagner | Correspondence | Re: Musicae Scientiae/Tristan und Isolde | 13 | letters | |
Wagner | Correspondence | Re: Musicae Scientiae/Tristan und Isolde | 14 | letters | |
Wagner | Correspondence | Re: Musicae Scientiae/Tristan und Isolde | 15 | letters | |
Wagner | Tristan und Isolde | 1 | intro and transpositions | ||
Wagner | Tristan und Isolde | 2 | prime from of "Tristan" chord | ||
Wagner | Tristan und Isolde | 3 | matrix | ||
Wagner | Tristan und Isolde | 4 | transposition of pairs | ||
Wagner | Tristan und Isolde | 5 | sketches p1 | ||
Wagner | Tristan und Isolde | 6 | sketches p2 | ||
Wagner | Tristan und Isolde | 7 | notes | ||
Wagner | Tristan und Isolde | 8 | chord map | ||
Wagner | Tristan und Isolde | Sketches | 1 | ||
Wagner | Tristan und Isolde | Sketches | 2 | ||
Wagner | Tristan und Isolde | Sketches | 3 | ||
Wagner | Tristan und Isolde | Tristan Chord and its Inverted Image | 1 | chord excerpts | |
Wagner | Tristan und Isolde | Tristan Chord and its Inverted Image | 2 | derivation of Wagner's prime form | |
Wagner | Tristan und Isolde | Tristan Chord and its Inverted Image | 3 | permutational view | |
Wagner | Tristan und Isolde | Tristan Chord and its Inverted Image | 4 | permutations p1 | |
Wagner | Tristan und Isolde | Tristan Chord and its Inverted Image | 5 | permutations p2 | |
Wagner | Tristan und Isolde | Prelude to Tristan: Analysis | 1 | voice lelading derivatives | |
Wagner | Tristan und Isolde | Prelude to Tristan: Analysis | 2 | sketches p1 | |
Wagner | Tristan und Isolde | Prelude to Tristan: Analysis | 3 | sketches p2 | |
Wagner | Tristan und Isolde | Prelude to Tristan: Analysis | 4 | sketches p3 | |
Wagner | Tristan und Isolde | Prelude to Tristan: Analysis | 5 | sketches p4 | |
Wagner | Tristan und Isolde | Prelude to Tristan: Analysis | 6 | sketches p5 | |
Wagner | Tristan und Isolde | Prelude to Tristan: Analysis | 7 | sketches p6 | |
Wagner | Tristan und Isolde | Prelude to Tristan: Analysis | 8 | sketches p7 | |
Wagner | Tristan und Isolde | Prelude to Tristan: Analysis | 9 | analysis p1 | |
Wagner | Tristan und Isolde | Prelude to Tristan: Analysis | 10 | analysis p2 | |
Wagner | Tristan und Isolde | Prelude to Tristan: Analysis | 11 | analysis p3 | |
Wagner | Tristan und Isolde | Prelude to Tristan: Analysis | 12 | analysis p4 | |
Wagner | Tristan und Isolde | Prelude to Tristan: Analysis | 13 | analysis p5 | |
Wagner | Tristan und Isolde | Prelude to Tristan: Analysis | 14 | analysis p6 | |
Wagner | Tristan und Isolde | A Schenkerian Reading of Tristan und Isolde | 12 page PDF | ||
Webern | Cello Sonata | (posth.) | 1 | sets | |
Webern | Cello Sonata | (posth.) | 2 | set analysis p1 | |
Webern | Cello Sonata | (posth.) | 3 | set analysis p2 | |
Webern | Cello Sonata | (posth.) | 4 | set analysis p3 | |
Webern | Cello Sonata | (posth.) | 5 | set analysis p4 | |
Webern | Cello Sonata | (posth.) | 6 | set analysis p5 | |
Webern | Cello Sonata | (posth.) | 7 | set analysis p6 | |
Webern | Cello Sonata | (posth.) | 8 | set analysis p7 | |
Webern | Cello Sonata | (posth.) | 9 | set analysis p8 | |
Webern | Cello Sonata | (posth.) | 10 | set analysis p9 | |
Webern | Cello Sonata | (posth.) | 11 | set analysis p10 | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 1 | reduced score concert pitch | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 2 | diagrammed sketch: invariants | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 3 | diagrammed sketch | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 4 | diagrammed sketch | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 5 | diagrammed sketch | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 6 | Comparison with Op 10 | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 7 | pitch organization | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 8 | pitch reduction | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 9 | subsets | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 10 | 5-7 Occurences | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 11 | overlapping hexachord segmentation | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 12 | 4- and 5-note set segmentation | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 13 | 6- 7- and 8-note set segmentation | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 14 | segmentation by 8-note sets | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 15 | segmentation into overlapping 7-note sets | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 16 | 6-244 | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 17 | attack succession | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 18 | use of 6-5 | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 19 | special properties of sets used | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 20 | pc and instrument association | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 21 | instruments by entrance | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 22 | pitch class, instrument association | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 23 | notes | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 24 | notes | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 25 | notes | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 26 | pc and duration patterns p1 | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 27 | pc and duration patterns p2 | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 28 | durations | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 29 | duration and pc | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 30 | 6-26 relations | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 31 | 6-5 relations | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 32 | 5-7 Occurences | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 33 | notes | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 34 | notes on 5-6 | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 35 | notes on 5-6 | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 36 | note successions | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 37 | notes | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 38 | opening segment | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 39 | basic interval patterns | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 40 | operational relations between forms of 6-5 | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 41 | bips for 7-note sets | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 42 | attack succession | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 43 | relations among tetrachords | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 44 | relations among 5- and 7-notes sets | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 45 | similarity relations | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 46 | succession of pcs by attack | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 47 | 6-5 invariants | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 48 | article outline | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 49 | pitch reduction | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 50 | pitch reduction (2) | |
Webern | Five Orchestral Pieces (posth.) | No. 1 | 51 | attack succession | |
Webern | Five Orchestral Pieces (posth.) | No. 5 | 1 | notes on the piece p1 | |
Webern | Five Orchestral Pieces (posth.) | No. 5 | 2 | notes on the piece p2 | |
Webern | Five Orchestral Pieces (posth.) | No. 5 | 3 | notes on the piece p3 | |
Webern | Five Orchestral Pieces (posth.) | No. 5 | 4 | notes on the piece p4 | |
Webern | Five Orchestral Pieces (posth.) | No. 5 | 5 | pitch reduction and analysis p1 | |
Webern | Five Orchestral Pieces (posth.) | No. 5 | 6 | pitch reduction and analysis p2 | |
Webern | Op. | 3/1 | Five Songs on Der Siebente Ring | 1 | marked score |
Webern | Op. | 3/1 | Five Songs on Der Siebente Ring | 2 | examples |
Webern | Op. | 3/1 | Five Songs on Der Siebente Ring | 3 | discussion p1 |
Webern | Op. | 3/1 | Five Songs on Der Siebente Ring | 4 | discussion p2 |
Webern | Op. | 3/1 | Five Songs on Der Siebente Ring | 5 | discussion p3 |
Webern | Op. | 3/1 | Five Songs on Der Siebente Ring | 6 | discussion p4 |
Webern | Op. | 3/1 | Five Songs on Der Siebente Ring | 7 | sketch |
Webern | Op. | 3/1 | Five Songs on Der Siebente Ring | 8 | sketch |
Webern | Op. | 3/3 | Five Songs on Der Siebente Ring | 1 | marked score (1) |
Webern | Op. | 3/3 | Five Songs on Der Siebente Ring | 2 | marked score (2) |
Webern | Op. | 3/3 | Five Songs on Der Siebente Ring | 3 | sketch |
Webern | Op. | 3/3 | Five Songs on Der Siebente Ring | 4 | motives |
Webern | Op. | 3/3 | Five Songs on Der Siebente Ring | 5 | sketch |
Webern | Op. | 3/3 | Five Songs on Der Siebente Ring | 6 | sketch |
Webern | Op. | 3/3 | Five Songs on Der Siebente Ring | 7 | sketch |
Webern | Op. | 3/4 | Five Songs on Der Siebente Ring | 1 | marked score |
Webern | Op. | 3/4 | Five Songs on Der Siebente Ring | 2 | sketch |
Webern | Op. | 3/4 | Five Songs on Der Siebente Ring | 3 | sketch |
Webern | Op. | 3/4 | Five Songs on Der Siebente Ring | 4 | sketch |
Webern | Op. | 3/4 | Five Songs on Der Siebente Ring | 5 | comments |
Webern | Op. | 3/4 | Five Songs on Der Siebente Ring | 6 | text |
Webern | Op. | 3/4 | Five Songs on Der Siebente Ring | 7 | examples p1 |
Webern | Op. | 3/4 | Five Songs on Der Siebente Ring | 8 | examples p2 |
Webern | Op. | 3/4 | Five Songs on Der Siebente Ring | 9 | discussion p1 |
Webern | Op. | 3/4 | Five Songs on Der Siebente Ring | 10 | discussion p2 |
Webern | Op. | 3/4 | Five Songs on Der Siebente Ring | 11 | discussion p3 |
Webern | Op. | 3/4 | Five Songs on Der Siebente Ring | 12 | discussion p4 |
Webern | Op. | 3/4 | Five Songs on Der Siebente Ring | 13 | discussion p5 |
Webern | Op. | 3/4 | Five Songs on Der Siebente Ring | 14 | discussion p6 |
Webern | Op. | 3/4 | Five Songs on Der Siebente Ring | 15 | discussion p7 |
Webern | Op. | 3/5 | Five Songs on Der Siebente Ring | 1 | marked score |
Webern | Op. | 3/5 | Five Songs on Der Siebente Ring | 2 | examples |
Webern | Op. | 3/5 | Five Songs on Der Siebente Ring | 3 | examples |
Webern | Op. | 3/5 | Five Songs on Der Siebente Ring | 4 | examples |
Webern | Op. | 3/5 | Five Songs on Der Siebente Ring | 5 | examples |
Webern | Op. | 3/5 | Five Songs on Der Siebente Ring | 6 | examples |
Webern | Op. | 3/5 | Five Songs on Der Siebente Ring | 7 | discussion p1 |
Webern | Op. | 3/5 | Five Songs on Der Siebente Ring | 8 | discussion p2 |
Webern | Op. | 3/5 | Five Songs on Der Siebente Ring | 9 | discussion p3 |
Webern | Op. | 3/5 | Five Songs on Der Siebente Ring | 10 | discussion p4 |
Webern | Op. | 3/5 | Five Songs on Der Siebente Ring | 11 | discussion p5 |
Webern | Op. | 3/5 | Five Songs on Der Siebente Ring | 12 | discussion p6 |
Webern | Op. | 3/5 | Five Songs on Der Siebente Ring | 13 | discussion p7 |
Webern | Op. | 3: Examples | Five Songs on Der Siebente Ring | 1 | |
Webern | Op. | 3: Examples | Five Songs on Der Siebente Ring | 2 | |
Webern | Op. | 3: Examples | Five Songs on Der Siebente Ring | 3 | |
Webern | Op. | 3: Examples | Five Songs on Der Siebente Ring | 4 | |
Webern | Op. | 3: Examples | Five Songs on Der Siebente Ring | 5 | |
Webern | Op. | 3: Examples | Five Songs on Der Siebente Ring | 6 | |
Webern | Op. | 3: Examples | Five Songs on Der Siebente Ring | 7 | |
Webern | Op. | 3: Examples | Five Songs on Der Siebente Ring | 8 | |
Webern | Op. | 3: Examples | Five Songs on Der Siebente Ring | 9 | |
Webern | Op. | 3: Examples | Five Songs on Der Siebente Ring | 10 | |
Webern | Op. | 3: Examples | Five Songs on Der Siebente Ring | 11 | |
Webern | Op. | 3: Examples | Five Songs on Der Siebente Ring | 12 | |
Webern | Op. | 3: Examples | Five Songs on Der Siebente Ring | 13 | |
Webern | Op. | 3: Examples | Five Songs on Der Siebente Ring | 14 | |
Webern | Op. | 3: Examples | Five Songs on Der Siebente Ring | 15 | |
Webern | Op. | 3: Examples | Five Songs on Der Siebente Ring | 16 | |
Webern | Op. | 3: Examples | Five Songs on Der Siebente Ring | 17 | |
Webern | Op. | 3: Examples | Five Songs on Der Siebente Ring | 18 | |
Webern | Op. | 3: Examples | Five Songs on Der Siebente Ring | 19 | |
Webern | Op. | 3: Examples | Five Songs on Der Siebente Ring | 20 | |
Webern | Op. | 3: Examples | Five Songs on Der Siebente Ring | 21 | |
Webern | Op. | 4/4 | Five Songs for Voice and Piano | 1 | notes |
Webern | Op. | 4/4 | Five Songs for Voice and Piano | 2 | marked score |
Webern | Op. | 6/1 | Six Pieces for Large Orchestra | 1 | reduced score p1 |
Webern | Op. | 6/1 | Six Pieces for Large Orchestra | 2 | reduced score p2 |
Webern | Op. | 6/1 | Six Pieces for Large Orchestra | 3 | reduced score p3 |
Webern | Op. | 6/1 | Six Pieces for Large Orchestra | 4 | numerical analysis of measure 9 |
Webern | Op. | 6/1 | Six Pieces for Large Orchestra | 5 | marked reduced score p1 |
Webern | Op. | 6/1 | Six Pieces for Large Orchestra | 6 | marked reduced score p2 |
Webern | Op. | 6/1 | Six Pieces for Large Orchestra | 7 | marked reduced score p3 |
Webern | Op. | 6/1 | Six Pieces for Large Orchestra | 8 | diagram |
Webern | Op. | 6/1 | Six Pieces for Large Orchestra | 9 | old worksheets p1 |
Webern | Op. | 6/1 | Six Pieces for Large Orchestra | 10 | old worksheets p2 |
Webern | Op. | 6/1 | Six Pieces for Large Orchestra | 11 | old worksheets p3 |
Webern | Op. | 6/1 | Six Pieces for Large Orchestra | 12 | old worksheets p4 |
Webern | Op. | 6/1 | Six Pieces for Large Orchestra | 13 | chapter on Opus 6 p1 |
Webern | Op. | 6/1 | Six Pieces for Large Orchestra | 14 | chapter on Opus 6 p2 |
Webern | Op. | 6/1 | Six Pieces for Large Orchestra | 15 | chapter on Opus 6 p3 |
Webern | Op. | 6/1 | Six Pieces for Large Orchestra | 16 | chapter on Opus 6 p4 |
Webern | Op. | 6/2 | Six Pieces for Large Orchestra | 1 | set analysis p1 |
Webern | Op. | 6/2 | Six Pieces for Large Orchestra | 2 | set analysis p2 |
Webern | Op. | 6/2 | Six Pieces for Large Orchestra | 3 | set analysis p3 |
Webern | Op. | 6/2 | Six Pieces for Large Orchestra | 4 | set analysis p4 |
Webern | Op. | 6/2 | Six Pieces for Large Orchestra | 5 | set analysis p5 |
Webern | Op. | 6/2 | Six Pieces for Large Orchestra | 6 | set analysis p6 |
Webern | Op. | 6/2 | Six Pieces for Large Orchestra | 7 | set analysis p7 |
Webern | Op. | 6/2 | Six Pieces for Large Orchestra | 8 | set analysis p8 |
Webern | Op. | 6/2 | Six Pieces for Large Orchestra | 9 | list of sets |
Webern | Op. | 6/2 | Six Pieces for Large Orchestra | 10 | segmentation excerpt 1 |
Webern | Op. | 6/2 | Six Pieces for Large Orchestra | 11 | segmentation excerpt 2 |
Webern | Op. | 6/2 | Six Pieces for Large Orchestra | 12 | reduced score excerpt p1 |
Webern | Op. | 6/2 | Six Pieces for Large Orchestra | 13 | reduced score excerpt p2 |
Webern | Op. | 6/3 | Six Pieces for Large Orchestra | 1 | Forte Article on Opus 6 p1 |
Webern | Op. | 6/3 | Six Pieces for Large Orchestra | 2 | Forte Article on Opus 6 p2 |
Webern | Op. | 6/3 | Six Pieces for Large Orchestra | 3 | Forte Article on Opus 6 p3 |
Webern | Op. | 6/3 | Six Pieces for Large Orchestra | 4 | Forte Article on Opus 6 p4 |
Webern | Op. | 6/3 | Six Pieces for Large Orchestra | 5 | Forte Article on Opus 6 p5 |
Webern | Op. | 6/3 | Six Pieces for Large Orchestra | 6 | Forte Article on Opus 6 p6 |
Webern | Op. | 6/3 | Six Pieces for Large Orchestra | 7 | Forte Article on Opus 6 p7 |
Webern | Op. | 6/3 | Six Pieces for Large Orchestra | 8 | Forte Article on Opus 6 p8 |
Webern | Op. | 6/3 | Six Pieces for Large Orchestra | 9 | Forte Article on Opus 6 p9 |
Webern | Op. | 6/3 | Six Pieces for Large Orchestra | 10 | Forte Article on Opus 6 p10 |
Webern | Op. | 6/3 | Six Pieces for Large Orchestra | 11 | Forte Article on Opus 6 p11 |
Webern | Op. | 6/3 | Six Pieces for Large Orchestra | 12 | marked score p1 |
Webern | Op. | 6/3 | Six Pieces for Large Orchestra | 13 | marked score p2 |
Webern | Op. | 6/3 | Six Pieces for Large Orchestra | 14 | David Ralston's comments and discussion p1 |
Webern | Op. | 6/3 | Six Pieces for Large Orchestra | 15 | David Ralston's comments and discussion p2 |
Webern | Op. | 6/3 | Six Pieces for Large Orchestra | 16 | David Ralston's comments and discussion p3 |
Webern | Op. | 6/3 | Six Pieces for Large Orchestra | 17 | David Ralston's comments and discussion p4 |
Webern | Op. | 6/4 | Six Pieces for Large Orchestra | 1 | marked score reduction p1 |
Webern | Op. | 6/4 | Six Pieces for Large Orchestra | 2 | marked score reduction p2 |
Webern | Op. | 6/4 | Six Pieces for Large Orchestra | 3 | marked score reduction p3 |
Webern | Op. | 6/4 | Six Pieces for Large Orchestra | 4 | pc set/duration-attack pattern map |
Webern | Op. | 6/4 | Six Pieces for Large Orchestra | 5 | duration/pc-set p1 |
Webern | Op. | 6/4 | Six Pieces for Large Orchestra | 6 | duration/pc-set p2 |
Webern | Op. | 6/4 | Six Pieces for Large Orchestra | 7 | duration/pc-set p3 |
Webern | Op. | 6/4 | Six Pieces for Large Orchestra | 8 | duration/pc-set p4 |
Webern | Op. | 6/4 | Six Pieces for Large Orchestra | 9 | duration/pc-set p5 |
Webern | Op. | 6/4 | Six Pieces for Large Orchestra | 10 | piccolo attack pattern, ms 11-14 |
Webern | Op. | 6/4 | Six Pieces for Large Orchestra | 11 | selected durations p1 |
Webern | Op. | 6/4 | Six Pieces for Large Orchestra | 12 | selected durations p2 |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 1 | reduced score p1 |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 2 | reduced score p2 |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 3 | reduced score p3 |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 4 | reduced score p4 |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 5 | map of set-durations p1 |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 6 | map of set-durations p2 |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 7 | durations of sections |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 8 | pc-set/duration-attack pattern map |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 9 | set analysis p1 |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 10 | set analysis p2 |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 11 | set analysis p3 |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 12 | set analysis p4 |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 13 | set analysis p5 |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 14 | set analysis p6 |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 15 | set analysis p7 |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 16 | structural questions |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 17 | layout |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 18 | similarity relations |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 19 | set-complex sketches p1 |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 20 | set-complex sketches p2 |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 21 | set-complex sketches p3 |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 22 | set-complex sketches p4 |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 23 | set-complex sketches p5 |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 24 | set-complex sketches p6 |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 25 | set-complex sketches p7 |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 26 | set complex structure (final, left half) |
Webern | Op. | 6/5 | Six Pieces for Large Orchestra | 27 | set complex structure (final, right half) |
Webern | Op. | 6/6 | Six Pieces for Large Orchestra | 1 | marked score reduction p1 |
Webern | Op. | 6/6 | Six Pieces for Large Orchestra | 2 | marked score reduction p2 |
Webern | Op. | 6/6 | Six Pieces for Large Orchestra | 3 | marked score reduction p3 |
Webern | Op. | 6/6 | Six Pieces for Large Orchestra | 4 | generator sets |
Webern | Op. | 6/6 | Six Pieces for Large Orchestra | 5 | notes p1 |
Webern | Op. | 6/6 | Six Pieces for Large Orchestra | 6 | notes p2 |
Webern | Op. | 6/6 | Six Pieces for Large Orchestra | 7 | notes p3 |
Webern | Op. | 7, general | 1 | Notes | |
Webern | Op. | 7, general | 2 | Notes | |
Webern | Op. | 7, general | 3 | Notes | |
Webern | Op. | 7, general | 4 | Notes | |
Webern | Op. | 7, general | 5 | Notes | |
Webern | Op. | 7, general | 6 | Notes | |
Webern | Op. | 7, general | 7 | Notes | |
Webern | Op. | 7, general | 8 | Notes | |
Webern | Op. | 7, general | 9 verso | postcard | |
Webern | Op. | 7, general | 9 recto | postcard | |
Webern | Op. | 7, general | 10 | letter- Bruckmann- Forte | |
Webern | Op. | 7, general | 11 | mini- hindemith | |
Webern | Op. | 7, general | 12 | typed sets | |
Webern | Op. | 7, general | 13 | Typed notes- Webern's obsessive͙. | |
Webern | Op. | 7, general | 14 | Call from Ann S. | |
Webern | Op. | 7/1 | 1 | Notes, 1/2 | |
Webern | Op. | 7/1 | 2 | Notes, 2/2 | |
Webern | Op. | 7/1 | 3 | Attack/release partition | |
Webern | Op. | 7/1 | 4 | proportional graph | |
Webern | Op. | 7/1 | unscanned | copies of p4 | |
Webern | Op. | 7/1 | 5 | marked score | |
Webern | Op. | 7/1 | unscanned | copies of p5 | |
Webern | Op. | 7/1 | 6 | notes | |
Webern | Op. | 7/1 | 7 | indirect connections | |
Webern | Op. | 7/1 | unscanned | unmarked score | |
Webern | Op. | 7/1 | 8 | Marked score, new | |
Webern | Op. | 7/2 | unscanned | unmarked scores, 2pp. | |
Webern | Op. | 7/2 | 1 | Notes, sets, 1/8 | |
Webern | Op. | 7/2 | 2 | Notes, sets, 2/8 | |
Webern | Op. | 7/2 | 3 | Notes, sets, 3/8 | |
Webern | Op. | 7/2 | 4 | Notes, sets, 4/8 | |
Webern | Op. | 7/2 | 5 | Notes, sets, 5/8 | |
Webern | Op. | 7/2 | 6 | Notes, sets, 6/8 | |
Webern | Op. | 7/2 | 7 | Notes, sets, 7/8 | |
Webern | Op. | 7/2 | 8 | Notes, sets, 8/8 | |
Webern | Op. | 7/2 | 9 | Notes, verticals | |
Webern | Op. | 7/2 | 10 | Notes | |
Webern | Op. | 7/2 | 11 | Notes | |
Webern | Op. | 7/2 | 12 | Notes, 1/3 | |
Webern | Op. | 7/2 | 13 | Notes, 2/3 | |
Webern | Op. | 7/2 | 14 | Notes, 3/3 | |
Webern | Op. | 7/2 | 15 | Notes, graph paper | |
Webern | Op. | 7/2 | 16 | Oversized, 1/2 | |
Webern | Op. | 7/2 | 17 | Oversized, 2/2 | |
Webern | Op. | 7/3 | 1 | Marked score | |
Webern | Op. | 7/3 | 2 | Marked score | |
Webern | Op. | 7/3 | 3 | Notes | |
Webern | Op. | 7/3 | 4 | Notes | |
Webern | Op. | 7/3 | 5 | Notes | |
Webern | Op. | 7/3 | 6 | Marked score | |
Webern | Op. | 7/4 (older analysis) | 1 | Notes 1/2 | |
Webern | Op. | 7/4 (older analysis) | 2 | Notes 2/2 | |
Webern | Op. | 7/4 (older analysis) | 3 | Marked Score | |
Webern | Op. | 7/4 (older analysis) | 4 | Large scale analysis | |
Webern | Op. | 7/4 (older analysis) | 5 | Marked Score | |
Webern | Op. | 7/4 (Newer version) | 1 | Notes | |
Webern | Op. | 8, general | 1 | Notes on text | |
Webern | Op. | 8/2 | 1 | Large hand copied analysis, 1/2 | |
Webern | Op. | 8/2 | 2 | Large hand copied analysis, 2/2 | |
Webern | Op. | 8/2 | 3 | notes | |
Webern | Op. | 8/2 | unscanned | Many unscanned copies of 1,2 | |
Webern | Op. 9/2 | 1 | Marked Score | ||
Webern | Op. 9/2 | 2 | Notes | ||
Webern | Op. 9/2 | 3 | Parsing | ||
Webern | Op. 9/2 | unscanned | unmarked score | ||
Webern | Op. | 9/3 | 1 | Coll. 1 parsing | |
Webern | Op. | 9/3 | 2 | Coll. 2 parsing | |
Webern | Op. | 9/3 | 3 | Coll. 3 parsing | |
Webern | Op. | 9/3 | unscanned | unmarked template (3) | |
Webern | Op. | 9/3 | 4 | parsing notes | |
Webern | Op. | 9/3 | 5 | notes/ sketches | |
Webern | Op. | 9/3 | 6 | marked score | |
Webern | Op. | 9/3 | unscanned | unmarked score | |
Webern | Op. | 9/4 | 1 | Marked score | |
Webern | Op. | 9/4 | 2 | Parsing notes | |
Webern | Op. | 9/4 | unscanned | unmarked score | |
Webern | Op. | 9/4 | 3 | notes/ sketches | |
Webern | Op. | 9/4 | 4 | Article | |
Webern | Op. | 9/4 | unscanned | Zoom of article | |
Webern | Op. | 9/5 (newer) | 1 | Marked score | |
Webern | Op. | 9/5 (newer) | 2 | Notes | |
Webern | Op. | 9/6 | 1 | Marked score | |
Webern | Op. | 9/6 | 2 | Notes | |
Webern | Op. | 9/6 | 3 | Notes Template | |
Webern | Op. | 10/1 | 1 | Notes | |
Webern | Op. | 10/1 | 2 | Notes | |
Webern | Op. | 10/1 | 3 | Detailed notes | |
Webern | Op. | 10/1 | 4 | Notes | |
Webern | Op. | 10/1 | unscanned | unmarked score and smaller copy of p.1 | |
Webern | Op. | 10/1 | (1979 Version) | 1 | Notes |
Webern | Op. | 10/1 | (1979 Version) | 2 | Comments |
Webern | Op. | 10/1 | (1979 Version) | 3 | Proportional graph |
Webern | Op. | 10/1 | (1979 Version) | 4 | Sets, 1/2 |
Webern | Op. | 10/1 | (1979 Version) | 5 | Sets, 2/2 |
Webern | Op. | 10/1 | (1979 Version) | 6 | Notes |
Webern | Op. | 10/1 | (1979 Version) | 7 | Notes |
Webern | Op. | 10/2 | 1 | Marked Score, 1/3 | |
Webern | Op. | 10/2 | 2 | Marked Score, 2/3 | |
Webern | Op. | 10/2 | 3 | Marked Score, 3/3 | |
Webern | Op. | 10/2 | 4 | Notes | |
Webern | Op. | 10/2 | 5 | Notes | |
Webern | Op. | 10/2 | 6 | Notes | |
Webern | Op. | 10/3 | 1 | Large hand-copied score | |
Webern | Op. | 10/3 | 2 | Small hand- copied score | |
Webern | Op. | 10/3 | unscanned | unmarked scores | |
Webern | Op. | 10/4 | 1 | Copy of article with some notes 1/6 | |
Webern | Op. | 10/4 | 2 | Copy of article with some notes 2/6 | |
Webern | Op. | 10/4 | 3 | Copy of article with some notes 3/6 | |
Webern | Op. | 10/4 | 4 | Copy of article with some notes 4/6 | |
Webern | Op. | 10/4 | 5 | Copy of article with some notes5/6 | |
Webern | Op. | 10/4 | 6 | Copy of article with some notes 6/6 | |
Webern | Op. | 10/4 | unscanned | unmarked score | |
Webern | Op. | 10/5 | 1 | Notes/ sets | |
Webern | Op. | 10/5 | 2 | Notes/ melodic correspondence | |
Webern | Op. | 10/5 | 3 | Hand- copied score | |
Webern | Op. | 10/5 | 3a | Hand- copied score, marked | |
Webern | Op. | 10/5 | 4 | Notes, 1/2 | |
Webern | Op. | 10/5 | 5 | Notes, 2/2 | |
Webern | Op. | 10/5 | 6 | Notes, 1/4 | |
Webern | Op. | 10/5 | 7 | Notes, 2/4 | |
Webern | Op. | 10/5 | 8 | Notes, 3/4 | |
Webern | Op. | 10/5 | 9 | Notes, 4/4 | |
Webern | Op. | 10/5 | 10 | Notes on pitches sounding | |
Webern | Op. | 10/5 | unscanned | Various copies | |
Webern | Op. | 11 | Brinkmann Article | 14 page PDF | |
Webern | Op. | 11/1 | Three Little Pieces for cello and piano | 1 | sketch |
Webern | Op. | 11/1 | Three Little Pieces for cello and piano | 2 | sketch |
Webern | Op. | 11/1 | Three Little Pieces for cello and piano | 3 | sketch |
Webern | Op. | 11/1 | Three Little Pieces for cello and piano | 4 | sketch |
Webern | Op. | 11/1 | Three Little Pieces for cello and piano | 5 | sketch |
Webern | Op. | 11/1 | Three Little Pieces for cello and piano | 6 | sketch |
Webern | Op. | 11/1 | Three Little Pieces for cello and piano | 7 | marked score |
Webern | Op. | 11/1 | Three Little Pieces for cello and piano | 8 | marked score |
Webern | Op. | 11/1 | Three Little Pieces for cello and piano | 9 | marked score |
Webern | Op. | 11/1 | Three Little Pieces for cello and piano | 10 | marked score |
Webern | Op. | 11/1 | Three Little Pieces for cello and piano | 11 | old readings: marked score |
Webern | Op. | 11/1 | Three Little Pieces for cello and piano | 12 | old readings: diagram |
Webern | Op. | 11/1 | Three Little Pieces for cello and piano | 13 | old readings: diagram |
Webern | Op. | 11/1 | Three Little Pieces for cello and piano | 14 | old readings: diagram |
Webern | Op. | 11/2 | Three Little Pieces for cello and piano | 1 | sketch |
Webern | Op. | 11/3 | Three Little Pieces for cello and piano | 1 | rhythmic analysis |
Webern | Op. | 12/1 | Four Songs for Voice and Piano | 1 | marked score p1 |
Webern | Op. | 12/1 | Four Songs for Voice and Piano | 2 | marked score p2 |
Webern | Op. | 12/1 | Four Songs for Voice and Piano | 3 | notes |
Webern | Op. 12/1 | Four Songs for Voice and Piano | 4 | notes | |
Webern | Op. 12/2 | Four Songs for Voice and Piano | 1 | marked score p1 | |
Webern | Op. 12/2 | Four Songs for Voice and Piano | 2 | marked score p2 | |
Webern | Op. 12/2 | Four Songs for Voice and Piano | 3 | set analysis p1 | |
Webern | Op. 12/2 | Four Songs for Voice and Piano | 4 | set analysis p2 | |
Webern | Op. 12/2 | Four Songs for Voice and Piano | 5 | examples | |
Webern | Op. 12/2 | Four Songs for Voice and Piano | 6 | pitch content and layout p1 | |
Webern | Op. 12/2 | Four Songs for Voice and Piano | 7 | pitch content and layout p2 | |
Webern | Op. 12/3 | Four Songs for Voice and Piano | 1 | marked score p1 | |
Webern | Op. 12/3 | Four Songs for Voice and Piano | 2 | marked score p2 | |
Webern | Op. 12/3 | Four Songs for Voice and Piano | 3 | sketch | |
Webern | Op. 12/3 | Four Songs for Voice and Piano | 4 | sketch | |
Webern | Op. 12/3 | Four Songs for Voice and Piano | 5 | sketch | |
Webern | Op. 12/3 | Four Songs for Voice and Piano | 6 | diagram | |
Webern | Op. 12/4 | Four Songs for Voice and Piano | 1 | marked score p1 | |
Webern | Op. 12/4 | Four Songs for Voice and Piano | 2 | marked score p2 | |
Webern | Op. 12/4 | Four Songs for Voice and Piano | 3 | set analysis | |
Webern | Op. 12/4 | Four Songs for Voice and Piano | 4 | sketch | |
Webern | Op. 12/4 | Four Songs for Voice and Piano | 5 | pitch content and layout | |
Webern | Op. 13/1 | Four Songs for Voice and Orchestra | 1 | sketch | |
Webern | Op. 13/1 | Four Songs for Voice and Orchestra | 2 | sketch | |
Webern | Op. 13/2 | Four Songs for Voice and Orchestra | 1 | text | |
Webern | Op. 13/2 | Four Songs for Voice and Orchestra | 2 | score reduction | |
Webern | Op. 13/2 | Four Songs for Voice and Orchestra | 3 | score reduction | |
Webern | Op. 13/2 | Four Songs for Voice and Orchestra | 4 | sketch | |
Webern | Op. | 13/3 | Four Songs for Voice and Orchestra | 1 | marked score p1 |
Webern | Op. | 13/3 | Four Songs for Voice and Orchestra | 2 | marked score p2 |
Webern | Op. | 13/3 | Four Songs for Voice and Orchestra | 3 | marked score p3 |
Webern | Op. | 13/3 | Four Songs for Voice and Orchestra | 4 | marked score p4 |
Webern | Op. | 13/3 | Four Songs for Voice and Orchestra | 5 | sketch |
Webern | Op. | 13/4 | Four Songs for Voice and Orchestra | 1 | analytic sketch p1 |
Webern | Op. | 13/4 | Four Songs for Voice and Orchestra | 2 | analytic sketch p2 |
Webern | Op. | 13/4 | Four Songs for Voice and Orchestra | 3 | analytic sketch p3 |
Webern | Op. | 13/4 | Four Songs for Voice and Orchestra | 4 | analytic sketch p4 |
Webern | Op. | 13/4 | Four Songs for Voice and Orchestra | 5 | analytic sketch p5 |
Webern | Op. | 13/4 | Four Songs for Voice and Orchestra | 6 | sketch |
Webern | Op. | 13/4 | Four Songs for Voice and Orchestra | 7 | sketch |
Webern | Op. | 13/4 | Four Songs for Voice and Orchestra | 8 | notes |
Webern | Op. | 13/4 | Four Songs for Voice and Orchestra | 9 | diagram |
Webern | Op. | 14/1 | Six Songs | 1 | marked score p1 |
Webern | Op. | 14/1 | Six Songs | 2 | marked score p2 |
Webern | Op. | 14/1 | Six Songs | 3 | marked score p3 |
Webern | Op. | 14/1 | Six Songs | 4 | diagram |
Webern | Op. | 14/2 | Six Songs | 1 | marked score p1 |
Webern | Op. | 14/2 | Six Songs | 2 | marked score p2 |
Webern | Op. | 14/2 | Six Songs | 3 | marked score p3 |
Webern | Op. | 14/3 | Six Songs | 1 | marked score p1 |
Webern | Op. | 14/3 | Six Songs | 2 | marked score p2 |
Webern | Op. | 14/3 | Six Songs | 3 | marked score p3 |
Webern | Op. | 14/4 | Six Songs | 1 | marked score p1 |
Webern | Op. | 14/4 | Six Songs | 2 | marked score p2 |
Webern | Op. | 14/4 | Six Songs | 3 | marked score p3 |
Webern | Op. | 14/4 | Six Songs | 4 | notes |
Webern | Op. | 14/5 | Six Songs | 1 | marked score |
Webern | Op. | 14/5 | Six Songs | 2 | marked score |
Webern | Op. | 14/5 | Six Songs | 3 | sketch |
Webern | Op. | 14/5 | Six Songs | 4 | sketch |
Webern | Op. | 14/5 | Six Songs | 5 | notes |
Webern | Op. | 14/5 | Six Songs | 6 | pitch diagram |
Webern | Op. | 14/5 | Six Songs | 7 | pitch diagram |
Webern | Op. | 14/6 | Six Songs | 1 | marked score p1 |
Webern | Op. | 14/6 | Six Songs | 2 | marked score p2 |
Webern | Op. | 14/6 | Six Songs | 3 | marked score p3 |
Webern | Op. | 15/1 | Five Sacred Songs | 1 | marked score p1 |
Webern | Op. | 15/1 | Five Sacred Songs | 2 | marked score p2 |
Webern | Op. | 15/1 | Five Sacred Songs | 3 | marked score p3 |
Webern | Op. | 15/1 | Five Sacred Songs | 4 | text |
Webern | Op. | 15/1 | Five Sacred Songs | 5 | notes |
Webern | Op. | 15/1 | Five Sacred Songs | 6 | sketch |
Webern | Op. | 15/1 | Five Sacred Songs | 7 | sketch |
Webern | Op. | 15/1 | Five Sacred Songs | 8 | diagram |
Webern | Op. | 15/1 | Five Sacred Songs | 9 | diagram |
Webern | Op. | 15/1 | Five Sacred Songs | 10 | diagram |
Webern | Op. | 15/1 | Five Sacred Songs | 11 | diagram |
Webern | Op. | 15/2 | Five Sacred Songs | 1 | marked score p1 |
Webern | Op. | 15/2 | Five Sacred Songs | 2 | marked score p2 |
Webern | Op. | 15/2 | Five Sacred Songs | 3 | marked score p3 |
Webern | Op. | 15/2 | Five Sacred Songs | 4 | sketch |
Webern | Op. | 15/3 | Five Sacred Songs | 1 | marked score p1 |
Webern | Op. | 15/3 | Five Sacred Songs | 2 | marked score p2 |
Webern | Op. | 15/3 | Five Sacred Songs | 3 | sketch |
Webern | Op. | 15/3 | Five Sacred Songs | 4 | sketch |
Webern | Op. | 15/3 | Five Sacred Songs | 5 | diagram |
Webern | Op. | 15/3 | Five Sacred Songs | 6 | diagram |
Webern | Op. | 15/3 | Five Sacred Songs | 7 | diagram |
Webern | Op. | 15/4 | Five Sacred Songs | 1 | marked score |
Webern | Op. | 15/4 | Five Sacred Songs | 2 | text and correspondence p1 |
Webern | Op. | 15/4 | Five Sacred Songs | 3 | text and correspondence p2 |
Webern | Op. | 15/4 | Five Sacred Songs | 4 | sketch |
Webern | Op. | 15/4 | Five Sacred Songs | 5 | sketch |
Webern | Op. | 15/4 | Five Sacred Songs | 6 | pitch layout |
Webern | Op. | 15/4 | Five Sacred Songs | 7 | pitch diagram |
Webern | Op. | 15/5 | Five Sacred Songs | 1 | marked score p1 |
Webern | Op. | 15/5 | Five Sacred Songs | 2 | marked score p2 |
Webern | Op. | 15/5 | Five Sacred Songs | 3 | marked score p3 |
Webern | Op. | 15/5 | Five Sacred Songs | 4 | sketch |
Webern | Op. | 16/1 | Five Canons | 1 | sketch |
Webern | Op. | 16/1 | Five Canons | 2 | sketch |
Webern | Op. | 16/2 | Five Canons | 1 | text |
Webern | Op. | 16/2 | Five Canons | 2 | text |
Webern | Op. | 16/2 | Five Canons | 3 | diagram |
Webern | Op. | 16/3 | Five Canons | 1 | marked score p1 |
Webern | Op. | 16/3 | Five Canons | 2 | marked score p2 |
Webern | Op. | 16/4 | Five Canons | 1 | general questions |
Webern | Op. | 16/4 | Five Canons | 2 | composite rhythmic pattern |
Webern | Op. | 16/4 | Five Canons | 3 | excerpt (reduction) |
Webern | Op. | 16/4 | Five Canons | 4 | diagram |
Webern | Op. | 16/4 | Five Canons | 5 | set analysis (final) |
Webern | Op. | 16/4 | Five Canons | 6 | proportional rhythm graph |
Webern | Op. | 16/5 | Five Canons | 1 | sketch |
Webern | Op. | 21/2 | II. Variationen | 1 | marked score p1 |
Webern | Op. | 21/2 | II. Variationen | 2 | marked score p2 |
Webern | Op. | 21/2 | II. Variationen | 3 | marked score p2 (alternate) |
Webern | Op. | 21/2 | II. Variationen | 4 | marked score p3 |
Webern | Op. | 21/2 | II. Variationen | 5 | marked score p4 |
Webern | Op. | 21/2 | II. Variationen | 6 | marked score p4 (alternate) |
Webern | Op. | 21/2 | II. Variationen | 7 | marked score p5 |
Webern | Op. | 21/2 | II. Variationen | 8 | marked score p6 |
Webern | Op. | 21/2 | II. Variationen | 9 | marked score p7 |
Webern | Op. | 21/2 | II. Variationen | 10 | marked score p8 |
Webern | Op. | 21/2 | II. Variationen | 11 | row table and list of rows |
Webern | Op. | 21/2 | II. Variationen | 12 | background data |
Webern | Op. | 21/2 | II. Variationen | 13 | class materials: to do |
Webern | Op. | 21/2 | II. Variationen | 14 | tetrachords of combinatorial hexachords |
Webern | Op. | 21/2 | II. Variationen | 15 | row forms |
Webern | Op. | 21/2 | II. Variationen | 16 | class notes p1 |
Webern | Op. | 21/2 | II. Variationen | 17 | class notes p2 |
Webern | Op. | 21/2 | II. Variationen | 18 | row discussion |
Webern | Op. | 21/2 | II. Variationen | 19 | sketch: ms 12-17 |
Webern | Op. | 21/2 | II. Variationen | 20 | sketch |
Webern | Op. | 21/2 | II. Variationen | 21 | sketch |
Webern | Op. | 21/2 | II. Variationen | 22 | sketch |
Webern | Op. | 21/2 | II. Variationen | 23 | imbrications p1 |
Webern | Op. | 21/2 | II. Variationen | 24 | imbrications p2 |
Webern | Op. | 21/2 | II. Variationen | 25 | imbrications p3 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 1 | Notes: Thema |
Webern | Op. | 21/2 Variationen | Analytical Notes | 2 | Notes: Variation 1 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 3 | Notes: Variation 2 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 4 | Notes: Variation 3 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 5 | Notes: Variation 4-6 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 6 | Notes: Variation 7, Coda |
Webern | Op. | 21/2 Variationen | Analytical Notes | 7 | Notes: P-Matrix |
Webern | Op. | 21/2 Variationen | Analytical Notes | 8 | Notes: Overall Organization |
Webern | Op. | 21/2 Variationen | Analytical Notes | 9 | sketch: ms 23-34 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 10 | row sketch p1 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 11 | row sketch p2 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 12 | row sketch p3 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 13 | illustrations p1 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 14 | illustrations p2 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 15 | illustrations p3 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 16 | Proportional Analysis p1 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 17 | Proportional Analysis p2 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 18 | Proportional Analysis p3 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 19 | Proportional Analysis p4 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 20 | Proportional Analysis p5 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 21 | Proportional Analysis p6 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 22 | Proportional Analysis p7 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 23 | Proportional Analysis p8 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 24 | Proportional Analysis p9 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 25 | Proportional Analysis p10 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 26 | Proportional Analysis p11 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 27 | Proportional Analysis p12 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 28 | Proportional Analysis p13 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 29 | Proportional Analysis p14 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 30 | Proportional Analysis p15 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 31 | Proportional Analysis p16 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 32 | Original row and rhythm notes p1 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 33 | Original row and rhythm notes p2 |
Webern | Op. | 21/2 Variationen | Analytical Notes | 34 | sketch |
Webern | Op. | 21/2 Variationen | Analytical Notes | 35 | row table |
Webern | Op. | 21/2 Variationen | Analytical Notes | 36 | Appendix IV |
Webern | Op. | 21/2 Variationen | Analytical Notes | 37 | sketch |
Webern | Op. | 23/2 | Three Songs | 1 | text |
Webern | Op. | 23/2 | Three Songs | 2 | sketch |
Webern | Op. | 24 | Concerto for Nine Instruments | 1 | introduction p1 |
Webern | Op. | 24 | Concerto for Nine Instruments | 2 | introduction p2 |
Webern | Op. | 24 | Concerto for Nine Instruments | 3 | introduction p3 |
Webern | Op. | 24 | Concerto for Nine Instruments | 4 | introduction p4 |
Webern | Op. | 24 | Concerto for Nine Instruments | 5 | introduction p5 |
Webern | Op. | 24 | Concerto for Nine Instruments | 6 | introduction p6 |
Webern | Op. | 24 | Concerto for Nine Instruments | 7 | introduction p7 |
Webern | Op. | 24 | Concerto for Nine Instruments | 8 | notes |
Webern | Op. | 24 | Concerto for Nine Instruments | 9 | notes |
Webern | Op. | 24 | Concerto for Nine Instruments | 10 | sketch |
Webern | Op. | 24 | Concerto for Nine Instruments | 11 | table |
Webern | Op. | 24 | Concerto for Nine Instruments | 12 | analysis p1 |
Webern | Op. | 24 | Concerto for Nine Instruments | 13 | analysis p2 |
Webern | Op. | 24 | Concerto for Nine Instruments | 14 | analysis p3 |
Webern | Op. | 24 | Concerto for Nine Instruments | 15 | analysis p4 |
Webern | Op. | 24 | Concerto for Nine Instruments | 16 | analysis p5 |
Webern | Op. | 24 | Concerto for Nine Instruments | 17 | analysis p6 |
Webern | Op. | 24 | Concerto for Nine Instruments | 18 | analysis p7 |
Webern | Op. | 24 | Concerto for Nine Instruments | 19 | analysis p8 |
Webern | Op. | 24 | Concerto for Nine Instruments | 20 | analysis p9 |
Webern | Op. | 24 | Concerto for Nine Instruments | 21 | analysis p10 |
Webern | Op. | 24 | Concerto for Nine Instruments | 22 | analysis p11 |
Webern | Op. | 24 | Concerto for Nine Instruments | 23 | analysis p12 |
Webern | Op. | 24 | Concerto for Nine Instruments | 24 | analysis p13 |
Webern | Op. | 27/2 | Variations for Solo Piano | 1 | literature |
Webern | Op. | 27/2 | Variations for Solo Piano | 2 | hexachord sketch |
Webern | Op. | 27/2 | Variations for Solo Piano | 3 | table |
Webern | Op. | 27/2 | Variations for Solo Piano | 4 | worksheet |
Webern | Op. | 27/2 | Variations for Solo Piano | 5 | set table |
Webern | Op. | 27/2 | Variations for Solo Piano | 6 | bar 8 sketch |
Webern | Op. | 27/2 | Variations for Solo Piano | 7 | sketch |
Webern | Op. | 27/2 | Variations for Solo Piano | 8 | marked score |
Webern | Op. | 28 | General Information | 1 | notes p1 |
Webern | Op. | 28 | General Information | 2 | notes p2 |
Webern | Op. | 28 | General Information | 3 | notes p3 |
Webern | Op. | 28/1 | String Quartet | 1 | Linear Subsets p1 |
Webern | Op. | 28/1 | String Quartet | 2 | Linear Subsets p2 |
Webern | Op. | 28/1 | String Quartet | 3 | row matrix |
Webern | Op. | 28/1 | String Quartet | 4 | analytical sketches p1 |
Webern | Op. | 28/1 | String Quartet | 5 | analytical sketches p2 |
Webern | Op. | 28/1 | String Quartet | 6 | analytical sketches p3 |
Webern | Op. | 28/1 | String Quartet | 7 | analytical sketches p4 |
Webern | Op. | 28/1 | String Quartet | 8 | analytical sketches p5 |
Webern | Op. | 28/2 | String Quartet | 1 | graphic analysis p1 |
Webern | Op. | 28/2 | String Quartet | 2 | graphic analysis p2 |
Webern | Op. | 28/2 | String Quartet | 3 | graphic analysis p3 |
Webern | Op. | 28/2 | String Quartet | 4 | graphic analysis p4 |
Webern | Op. | 28/2 | String Quartet | 5 | row matrix |
Webern | Op. | 28/2 | String Quartet | 6 | notes p1 |
Webern | Op. | 28/2 | String Quartet | 7 | notes p2 |
Webern | Op. | 28/2 | String Quartet | 8 | notes p3 |
Webern | Op. | 28/2 | String Quartet | 9 | notes p4 |
Webern | Op. | 28/2 | String Quartet | 10 | notes p5 |
Webern | Op. | 28/2 | String Quartet | 11 | notes p6 |
Webern | Op. | 28/2 | String Quartet | 12 | notes p7 |
Webern | Op. | 28/2 | String Quartet | 13 | graphical analysis |
Webern | Op. | 28 | Notes for Arnold's Course | 1 | Arnolds course: notes p1 |
Webern | Op. | 28 | Notes for Arnold's Course | 2 | Arnolds course: notes p2 |
Webern | Op. | 28 | Notes for Arnold's Course | 3 | published information on the piece p1 |
Webern | Op. | 28 | Notes for Arnold's Course | 4 | published information on the piece p2 |
Webern | Op. | 28 | Notes for Arnold's Course | 5 | marked score p1 |
Webern | Op. | 28 | Notes for Arnold's Course | 6 | marked score p2 |
Webern | Op. | 28 | Notes for Arnold's Course | 7 | marked score p3 |
Webern | Op. | 28 | Notes for Arnold's Course | 8 | marked score p4 |
Webern | Op. | 28 | Notes for Arnold's Course | 9 | marked score p5 |
Webern | Op. | 28 | Notes for Arnold's Course | 10 | marked score p6 |
Webern | Op. | 28 | Notes for Arnold's Course | 11 | marked score p7 |
Webern | Op. | 28 | Notes for Arnold's Course | 12 | marked score p8 |
Webern | Op. | 28 | Notes for Arnold's Course | 13 | discussion |
Webern | Webern Notes | Sachen Stiftung | 1 | MF101:0343 | |
Webern | Webern Notes | Sachen Stiftung | 2 | Webern * | |
Webern | Webern Notes | Sachen Stiftung | 3 | MF101-0288- | |
Webern | Webern Notes | Sachen Stiftung | 4 | 101-0343 | |
Webern | Webern Notes | Sachen Stiftung | 5 | Op 10 | |
Webern | Webern Notes | Sachen Stiftung | 6 | Op12 | |
Webern | Webern Notes | Sachen Stiftung | 7 | MF103 | |
Webern | Webern Notes | Sachen Stiftung | 8 | Material | |
Webern | Webern Notes | Sachen Stiftung, folder 2 | 9 | oversized- Op. 10/5 sketch page A | |
Webern | Webern Notes | Sachen Stiftung, folder 2 | 10 | oversized- Op. 10/5 sketch page B | |
Webern | Webern Notes | Sachen Stiftung, folder 2 | 11 | oversized- Op. 10/4 sketch page B | |
Webern | Webern Notes | Sachen Stiftung, folder 2 | 12 | oversized- Op. 10/4 sketch page C | |
Webern | Webern Notes | Sachen Stiftung, folder 2 | 13 | Layout | |
Webern | Kantate I, Op. 29 | unscanned | copy Kramer ΗRow as structural background͙Η | ||
Webern | Kantate I, Op. 29 | 1 | oversized | ||
Webern | Kantate I, Op. 29 | 2 | Row table | ||
Webern | Kantate I, Op. 29 | 3 | notes in pencil | ||
Webern | Kantate I, Op. 29 | 4 | row in pencil | ||
Webern | Kantate I, Op. 29 | unscanned | unmarked score copies | ||
Webern | Kantate I, Op. 29 | ||||
Webern | Three Orchestral Songs | (posth.) | 1 | diagrammed sketch |